Poemunity — your poem community

after Bernadette Mayer I guess it's too late to live on the farm I guess it's too late to enter the darkened room in which a single light illuminated the artist stripped from the waist down, smeared with blood, stretched and bound to the table I guess it's too late to inhabit a glass-fronted, white, box-like room, dressed in white, against which the menstrual blood was visible I guess it's too late to start farming I guess it's too late to start struggling to remain standing in a transparent plastic cubicle filled with wet clay, repeatedly slipping and falling I guess it's too late to buy 60,000 acres in Marfa I guess it's too late to begin appearing on the subway in stinking clothes during rush hour with balloons attached to her ears, nose, hair and teeth I guess we'll never have an orgiastic Happening I guess we're too old to carry out maintenance activities in public spaces, during public hours I guess we couldn't afford to simulate masturbation while President Josip Broz Tito's motorcade drove by below I guess we're not suited to "I am awake in the place where women die" I guess we'll never have a self-inflicted wound in front of an audience now I guess entering a sex cinema dressed in a black shirt, jeans with the crotch removed, and a machine gun slung over her shoulder is not in the cards now I guess Clive wouldn't make a good photographic montage in which their male and female faces became almost indistinguishable I guess I can't expect we'll ever have a selection of photographs derived from images produced by the beauty industry now I guess I'll have to give up all my dreams of being seen, clothed and unclothed, being systematically measured by two male 'researchers' who record her measurements on a chart and compare them with a set of 'normal' measurements I guess I'll never be waiting for my body to break down, to get ugly We couldn't get tied together by our hair anyways though Allen Ginsberg got one late in life Maybe someday I'll have the foreshortened barrel of a gun pointing toward the viewer I guess joining our hands around the base's perimeter fence into which they weave strands of wool is really out Feeding the pigs and the chickens, walking between miles of rows of crops I guess examining women's working conditions is just too difficult We'll never have a, never-really-a-collective, a group of women who came together to work on a public mural Too much work and still to be poets Who are the simultaneously-the-beneficiary-of-our-cultural-heritage- and-a-victim-of-it-poets Was there ever a poet who had a self-sufficient loss of certainty Flannery O'Connor raised peacocks And Wendell Berry has raised large-scale spirals of rusted industrial materials in incongruous natural and commercial spaces Faulkner may have spent three days in a gallery with a coyote, a little And Robert Frost asked a friend to shoot him at close range with a .22 caliber rifle And someone told me Samuel Beckett lay hidden under a gallery-wide ramp, masturbating while vocalizing into a loudspeaker his fantasies about the visitors walking above him Very few poets are really going to the library carrying a concealed tape recording of loud belches If William Carlos Williams could be a doctor and Charlie Vermont too, If Yves Klein could be an artist, and Jackson Pollock too, Why not a poet who was also dying of lymphoma and making a series of life size photographs, self-portrait watercolors, medical object-sculptures and collages made with the hair she lost during chemotherapy Of course there was Brook Farm And Virgil raised bees Perhaps some poets of the past were overseers of the meticulous chronicle of the feeding and excretory cycles of her son during the first six months of his life I guess poets tend to live more momentarily Than life in her body as the object of her own sculpting activity would allow You could never leave the structures made of wood, rope and concrete blocks assembled to form stocks and racks, to give a reading Or to go to a lecture by Emerson in Concord I don't want to be continuously scrubbing the flesh off of cow bones with a cleaning brush but my mother was right I should never have tried to rise out of the proletariat Unless I can convince myself as Satan argues with Eve That we are among a proletariat of poets of all the classes Each ill-paid and surviving on nothing Or on as little as one needs to survive Steadfast as any person's glottis, photographed with a laryngoscope, speaking the following words: "The power of language continues to show its trace for a long time after silence" and fixed as the stars Tenants of a vision we rent out endlessly

Because the butterfly’s yellow wing flickering in black mud was a word stranded by its language. Because no one else was coming — & I ran out of reasons. So I gathered fistfuls of  ash, dark as ink, hammered them into marrow, into a skull thick enough to keep the gentle curse of  dreams. Yes, I aimed for mercy — but came only close as building a cage around the heart. Shutters over the eyes. Yes, I gave it hands despite knowing that to stretch that clay slab into five blades of light, I would go too far. Because I, too, needed a place to hold me. So I dipped my fingers back into the fire, pried open the lower face until the wound widened into a throat, until every leaf shook silver with that god -awful scream & I was done. & it was human.

Si quid novisti rectius istis,

Of all the causes which conspire to blind Man's erring judgment, and misguide the mind, What the weak head with strongest bias rules, Is pride, the never-failing vice of fools. Whatever Nature has in worth denied, She gives in large recruits of needful pride; For as in bodies, thus in souls, we find What wants in blood and spirits, swell'd with wind; Pride, where wit fails, steps in to our defence, And fills up all the mighty void of sense! If once right reason drives that cloud away, Truth breaks upon us with resistless day; Trust not yourself; but your defects to know, Make use of ev'ry friend—and ev'ry foe. A little learning is a dang'rous thing; Drink deep, or taste not the Pierian spring: There shallow draughts intoxicate the brain, And drinking largely sobers us again. Fir'd at first sight with what the Muse imparts, In fearless youth we tempt the heights of arts, While from the bounded level of our mind, Short views we take, nor see the lengths behind, But more advanc'd, behold with strange surprise New, distant scenes of endless science rise! So pleas'd at first, the tow'ring Alps we try, Mount o'er the vales, and seem to tread the sky; Th' eternal snows appear already past, And the first clouds and mountains seem the last; But those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes, Hills peep o'er hills, and Alps on Alps arise! A perfect judge will read each work of wit With the same spirit that its author writ, Survey the whole, nor seek slight faults to find, Where nature moves, and rapture warms the mind; Nor lose, for that malignant dull delight, The gen'rous pleasure to be charm'd with wit. But in such lays as neither ebb, nor flow, Correctly cold, and regularly low, That shunning faults, one quiet tenour keep; We cannot blame indeed—but we may sleep. In wit, as nature, what affects our hearts Is not th' exactness of peculiar parts; 'Tis not a lip, or eye, we beauty call, But the joint force and full result of all. Thus when we view some well-proportion'd dome, (The world's just wonder, and ev'n thine, O Rome!' No single parts unequally surprise; All comes united to th' admiring eyes; No monstrous height, or breadth, or length appear; The whole at once is bold, and regular. Whoever thinks a faultless piece to see, Thinks what ne'er was, nor is, nor e'er shall be. In ev'ry work regard the writer's end, Since none can compass more than they intend; And if the means be just, the conduct true, Applause, in spite of trivial faults, is due. As men of breeding, sometimes men of wit, T' avoid great errors, must the less commit: Neglect the rules each verbal critic lays, For not to know such trifles, is a praise. Most critics, fond of some subservient art, Still make the whole depend upon a part: They talk of principles, but notions prize, And all to one lov'd folly sacrifice. Once on a time, La Mancha's knight, they say, A certain bard encount'ring on the way, Discours'd in terms as just, with looks as sage, As e'er could Dennis of the Grecian stage; Concluding all were desp'rate sots and fools, Who durst depart from Aristotle's rules. Our author, happy in a judge so nice, Produc'd his play, and begg'd the knight's advice, Made him observe the subject and the plot, The manners, passions, unities, what not? All which, exact to rule, were brought about, Were but a combat in the lists left out. "What! leave the combat out?" exclaims the knight; "Yes, or we must renounce the Stagirite." "Not so by Heav'n" (he answers in a rage) "Knights, squires, and steeds, must enter on the stage." So vast a throng the stage can ne'er contain. "Then build a new, or act it in a plain." Thus critics, of less judgment than caprice, Curious not knowing, not exact but nice, Form short ideas; and offend in arts (As most in manners) by a love to parts. Some to conceit alone their taste confine, And glitt'ring thoughts struck out at ev'ry line; Pleas'd with a work where nothing's just or fit; One glaring chaos and wild heap of wit. Poets, like painters, thus, unskill'd to trace The naked nature and the living grace, With gold and jewels cover ev'ry part, And hide with ornaments their want of art. True wit is nature to advantage dress'd, What oft was thought, but ne'er so well express'd, Something, whose truth convinc'd at sight we find, That gives us back the image of our mind. As shades more sweetly recommend the light, So modest plainness sets off sprightly wit. For works may have more wit than does 'em good, As bodies perish through excess of blood. Others for language all their care express, And value books, as women men, for dress: Their praise is still—"the style is excellent": The sense, they humbly take upon content. Words are like leaves; and where they most abound, Much fruit of sense beneath is rarely found. False eloquence, like the prismatic glass, Its gaudy colours spreads on ev'ry place; The face of Nature we no more survey, All glares alike, without distinction gay: But true expression, like th' unchanging sun, Clears, and improves whate'er it shines upon, It gilds all objects, but it alters none. Expression is the dress of thought, and still Appears more decent, as more suitable; A vile conceit in pompous words express'd, Is like a clown in regal purple dress'd: For diff'rent styles with diff'rent subjects sort, As several garbs with country, town, and court. Some by old words to fame have made pretence, Ancients in phrase, mere moderns in their sense; Such labour'd nothings, in so strange a style, Amaze th' unlearn'd, and make the learned smile. Unlucky, as Fungoso in the play, These sparks with awkward vanity display What the fine gentleman wore yesterday! And but so mimic ancient wits at best, As apes our grandsires, in their doublets dress'd. In words, as fashions, the same rule will hold; Alike fantastic, if too new, or old; Be not the first by whom the new are tried, Not yet the last to lay the old aside. But most by numbers judge a poet's song; And smooth or rough, with them is right or wrong: In the bright Muse though thousand charms conspire, Her voice is all these tuneful fools admire, Who haunt Parnassus but to please their ear, Not mend their minds; as some to church repair, Not for the doctrine, but the music there. These equal syllables alone require, Tho' oft the ear the open vowels tire, While expletives their feeble aid do join, And ten low words oft creep in one dull line, While they ring round the same unvaried chimes, With sure returns of still expected rhymes. Where'er you find "the cooling western breeze", In the next line, it "whispers through the trees": If "crystal streams with pleasing murmurs creep", The reader's threaten'd (not in vain) with "sleep". Then, at the last and only couplet fraught With some unmeaning thing they call a thought, A needless Alexandrine ends the song, That, like a wounded snake, drags its slow length along. Leave such to tune their own dull rhymes, and know What's roundly smooth, or languishingly slow; And praise the easy vigour of a line, Where Denham's strength, and Waller's sweetness join. True ease in writing comes from art, not chance, As those move easiest who have learn'd to dance. 'Tis not enough no harshness gives offence, The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar. When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main. Hear how Timotheus' varied lays surprise, And bid alternate passions fall and rise! While, at each change, the son of Libyan Jove Now burns with glory, and then melts with love; Now his fierce eyes with sparkling fury glow, Now sighs steal out, and tears begin to flow: Persians and Greeks like turns of nature found, And the world's victor stood subdu'd by sound! The pow'r of music all our hearts allow, And what Timotheus was, is Dryden now. Avoid extremes; and shun the fault of such, Who still are pleas'd too little or too much. At ev'ry trifle scorn to take offence, That always shows great pride, or little sense; Those heads, as stomachs, are not sure the best, Which nauseate all, and nothing can digest. Yet let not each gay turn thy rapture move, For fools admire, but men of sense approve; As things seem large which we through mists descry, Dulness is ever apt to magnify. Some foreign writers, some our own despise; The ancients only, or the moderns prize. Thus wit, like faith, by each man is applied To one small sect, and all are damn'd beside. Meanly they seek the blessing to confine, And force that sun but on a part to shine; Which not alone the southern wit sublimes, But ripens spirits in cold northern climes; Which from the first has shone on ages past, Enlights the present, and shall warm the last; (Though each may feel increases and decays, And see now clearer and now darker days.) Regard not then if wit be old or new, But blame the false, and value still the true. Some ne'er advance a judgment of their own, But catch the spreading notion of the town; They reason and conclude by precedent, And own stale nonsense which they ne'er invent. Some judge of authors' names, not works, and then Nor praise nor blame the writings, but the men. Of all this servile herd, the worst is he That in proud dulness joins with quality, A constant critic at the great man's board, To fetch and carry nonsense for my Lord. What woeful stuff this madrigal would be, In some starv'd hackney sonneteer, or me? But let a Lord once own the happy lines, How the wit brightens! how the style refines! Before his sacred name flies every fault, And each exalted stanza teems with thought! The vulgar thus through imitation err; As oft the learn'd by being singular; So much they scorn the crowd, that if the throng By chance go right, they purposely go wrong: So Schismatics the plain believers quit, And are but damn'd for having too much wit. Some praise at morning what they blame at night; But always think the last opinion right. A Muse by these is like a mistress us'd, This hour she's idoliz'd, the next abus'd; While their weak heads, like towns unfortified, Twixt sense and nonsense daily change their side. Ask them the cause; they're wiser still, they say; And still tomorrow's wiser than today. We think our fathers fools, so wise we grow; Our wiser sons, no doubt, will think us so. Once school divines this zealous isle o'erspread; Who knew most Sentences, was deepest read; Faith, Gospel, all, seem'd made to be disputed, And none had sense enough to be confuted: Scotists and Thomists, now, in peace remain, Amidst their kindred cobwebs in Duck Lane. If Faith itself has different dresses worn, What wonder modes in wit should take their turn? Oft, leaving what is natural and fit, The current folly proves the ready wit; And authors think their reputation safe Which lives as long as fools are pleased to laugh. Some valuing those of their own side or mind, Still make themselves the measure of mankind; Fondly we think we honour merit then, When we but praise ourselves in other men. Parties in wit attend on those of state, And public faction doubles private hate. Pride, Malice, Folly, against Dryden rose, In various shapes of Parsons, Critics, Beaus; But sense surviv'd, when merry jests were past; For rising merit will buoy up at last. Might he return, and bless once more our eyes, New Blackmores and new Milbourns must arise; Nay should great Homer lift his awful head, Zoilus again would start up from the dead. Envy will merit, as its shade, pursue, But like a shadow, proves the substance true; For envied wit, like Sol eclips'd, makes known Th' opposing body's grossness, not its own. When first that sun too powerful beams displays, It draws up vapours which obscure its rays; But ev'n those clouds at last adorn its way, Reflect new glories, and augment the day. Be thou the first true merit to befriend; His praise is lost, who stays till all commend. Short is the date, alas, of modern rhymes, And 'tis but just to let 'em live betimes. No longer now that golden age appears, When patriarch wits surviv'd a thousand years: Now length of Fame (our second life) is lost, And bare threescore is all ev'n that can boast; Our sons their fathers' failing language see, And such as Chaucer is, shall Dryden be. So when the faithful pencil has design'd Some bright idea of the master's mind, Where a new world leaps out at his command, And ready Nature waits upon his hand; When the ripe colours soften and unite, And sweetly melt into just shade and light; When mellowing years their full perfection give, And each bold figure just begins to live, The treacherous colours the fair art betray, And all the bright creation fades away! Unhappy wit, like most mistaken things, Atones not for that envy which it brings. In youth alone its empty praise we boast, But soon the short-liv'd vanity is lost: Like some fair flow'r the early spring supplies, That gaily blooms, but ev'n in blooming dies. What is this wit, which must our cares employ? The owner's wife, that other men enjoy; Then most our trouble still when most admir'd, And still the more we give, the more requir'd; Whose fame with pains we guard, but lose with ease, Sure some to vex, but never all to please; 'Tis what the vicious fear, the virtuous shun; By fools 'tis hated, and by knaves undone! If wit so much from ign'rance undergo, Ah let not learning too commence its foe! Of old, those met rewards who could excel, And such were prais'd who but endeavour'd well: Though triumphs were to gen'rals only due, Crowns were reserv'd to grace the soldiers too. Now, they who reach Parnassus' lofty crown, Employ their pains to spurn some others down; And while self-love each jealous writer rules, Contending wits become the sport of fools: But still the worst with most regret commend, For each ill author is as bad a friend. To what base ends, and by what abject ways, Are mortals urg'd through sacred lust of praise! Ah ne'er so dire a thirst of glory boast, Nor in the critic let the man be lost! Good nature and good sense must ever join; To err is human; to forgive, divine. But if in noble minds some dregs remain, Not yet purg'd off, of spleen and sour disdain, Discharge that rage on more provoking crimes, Nor fear a dearth in these flagitious times. No pardon vile obscenity should find, Though wit and art conspire to move your mind; But dulness with obscenity must prove As shameful sure as impotence in love. In the fat age of pleasure, wealth, and ease, Sprung the rank weed, and thriv'd with large increase: When love was all an easy monarch's care; Seldom at council, never in a war: Jilts ruled the state, and statesmen farces writ; Nay wits had pensions, and young Lords had wit: The fair sat panting at a courtier's play, And not a mask went unimprov'd away: The modest fan was lifted up no more, And virgins smil'd at what they blush'd before. The following licence of a foreign reign Did all the dregs of bold Socinus drain; Then unbelieving priests reform'd the nation, And taught more pleasant methods of salvation; Where Heav'n's free subjects might their rights dispute, Lest God himself should seem too absolute: Pulpits their sacred satire learned to spare, And Vice admired to find a flatt'rer there! Encourag'd thus, wit's Titans brav'd the skies, And the press groan'd with licenc'd blasphemies. These monsters, critics! with your darts engage, Here point your thunder, and exhaust your rage! Yet shun their fault, who, scandalously nice, Will needs mistake an author into vice; All seems infected that th' infected spy, As all looks yellow to the jaundic'd eye.

Learn then what morals critics ought to show, For 'tis but half a judge's task, to know. 'Tis not enough, taste, judgment, learning, join; In all you speak, let truth and candour shine: That not alone what to your sense is due, All may allow; but seek your friendship too. Be silent always when you doubt your sense; And speak, though sure, with seeming diffidence: Some positive, persisting fops we know, Who, if once wrong, will needs be always so; But you, with pleasure own your errors past, And make each day a critic on the last. 'Tis not enough, your counsel still be true; Blunt truths more mischief than nice falsehoods do; Men must be taught as if you taught them not; And things unknown proposed as things forgot. Without good breeding, truth is disapprov'd; That only makes superior sense belov'd. Be niggards of advice on no pretence; For the worst avarice is that of sense. With mean complacence ne'er betray your trust, Nor be so civil as to prove unjust. Fear not the anger of the wise to raise; Those best can bear reproof, who merit praise. 'Twere well might critics still this freedom take, But Appius reddens at each word you speak, And stares, Tremendous ! with a threatening eye, Like some fierce tyrant in old tapestry! Fear most to tax an honourable fool, Whose right it is, uncensur'd, to be dull; Such, without wit, are poets when they please, As without learning they can take degrees. Leave dangerous truths to unsuccessful satires, And flattery to fulsome dedicators, Whom, when they praise, the world believes no more, Than when they promise to give scribbling o'er. 'Tis best sometimes your censure to restrain, And charitably let the dull be vain: Your silence there is better than your spite, For who can rail so long as they can write? Still humming on, their drowsy course they keep, And lash'd so long, like tops, are lash'd asleep. False steps but help them to renew the race, As after stumbling, jades will mend their pace. What crowds of these, impenitently bold, In sounds and jingling syllables grown old, Still run on poets, in a raging vein, Even to the dregs and squeezings of the brain, Strain out the last, dull droppings of their sense, And rhyme with all the rage of impotence! Such shameless bards we have; and yet 'tis true, There are as mad, abandon'd critics too. The bookful blockhead, ignorantly read, With loads of learned lumber in his head, With his own tongue still edifies his ears, And always list'ning to himself appears. All books he reads, and all he reads assails, From Dryden's Fables down to Durfey's Tales. With him, most authors steal their works, or buy; Garth did not write his own Dispensary . Name a new play, and he's the poet's friend, Nay show'd his faults—but when would poets mend? No place so sacred from such fops is barr'd, Nor is Paul's church more safe than Paul's churchyard: Nay, fly to altars; there they'll talk you dead: For fools rush in where angels fear to tread. Distrustful sense with modest caution speaks; It still looks home, and short excursions makes; But rattling nonsense in full volleys breaks; And never shock'd, and never turn'd aside, Bursts out, resistless, with a thund'ring tide. But where's the man, who counsel can bestow, Still pleas'd to teach, and yet not proud to know? Unbias'd, or by favour or by spite; Not dully prepossess'd, nor blindly right; Though learn'd, well-bred; and though well-bred, sincere; Modestly bold, and humanly severe? Who to a friend his faults can freely show, And gladly praise the merit of a foe? Blest with a taste exact, yet unconfin'd; A knowledge both of books and human kind; Gen'rous converse; a soul exempt from pride; And love to praise, with reason on his side? Such once were critics; such the happy few, Athens and Rome in better ages knew. The mighty Stagirite first left the shore, Spread all his sails, and durst the deeps explore: He steer'd securely, and discover'd far, Led by the light of the Mæonian Star. Poets, a race long unconfin'd and free, Still fond and proud of savage liberty, Receiv'd his laws; and stood convinc'd 'twas fit, Who conquer'd nature, should preside o'er wit. Horace still charms with graceful negligence, And without methods talks us into sense, Will, like a friend, familiarly convey The truest notions in the easiest way. He, who supreme in judgment, as in wit, Might boldly censure, as he boldly writ, Yet judg'd with coolness, though he sung with fire; His precepts teach but what his works inspire. Our critics take a contrary extreme, They judge with fury, but they write with fle'me: Nor suffers Horace more in wrong translations By wits, than critics in as wrong quotations. See Dionysius Homer's thoughts refine, And call new beauties forth from ev'ry line! Fancy and art in gay Petronius please, The scholar's learning, with the courtier's ease. In grave Quintilian's copious work we find The justest rules, and clearest method join'd; Thus useful arms in magazines we place, All rang'd in order, and dispos'd with grace, But less to please the eye, than arm the hand, Still fit for use, and ready at command. Thee, bold Longinus! all the Nine inspire, And bless their critic with a poet's fire. An ardent judge, who zealous in his trust, With warmth gives sentence, yet is always just; Whose own example strengthens all his laws; And is himself that great sublime he draws. Thus long succeeding critics justly reign'd, Licence repress'd, and useful laws ordain'd; Learning and Rome alike in empire grew, And arts still follow'd where her eagles flew; From the same foes, at last, both felt their doom, And the same age saw learning fall, and Rome. With tyranny, then superstition join'd, As that the body, this enslav'd the mind; Much was believ'd, but little understood, And to be dull was constru'd to be good; A second deluge learning thus o'er-run, And the monks finish'd what the Goths begun. At length Erasmus, that great, injur'd name, (The glory of the priesthood, and the shame!) Stemm'd the wild torrent of a barb'rous age, And drove those holy Vandals off the stage. But see! each Muse, in Leo's golden days, Starts from her trance, and trims her wither'd bays! Rome's ancient genius, o'er its ruins spread, Shakes off the dust, and rears his rev'rend head! Then sculpture and her sister-arts revive; Stones leap'd to form, and rocks began to live; With sweeter notes each rising temple rung; A Raphael painted, and a Vida sung. Immortal Vida! on whose honour'd brow The poet's bays and critic's ivy grow: Cremona now shall ever boast thy name, As next in place to Mantua, next in fame! But soon by impious arms from Latium chas'd, Their ancient bounds the banished Muses pass'd; Thence arts o'er all the northern world advance; But critic-learning flourish'd most in France. The rules a nation born to serve, obeys, And Boileau still in right of Horace sways. But we, brave Britons, foreign laws despis'd, And kept unconquer'd, and uncivilis'd, Fierce for the liberties of wit, and bold, We still defied the Romans, as of old. Yet some there were, among the sounder few Of those who less presum'd, and better knew, Who durst assert the juster ancient cause, And here restor'd wit's fundamental laws. Such was the Muse, whose rules and practice tell "Nature's chief master-piece is writing well." Such was Roscommon—not more learn'd than good, With manners gen'rous as his noble blood; To him the wit of Greece and Rome was known, And ev'ry author's merit, but his own. Such late was Walsh—the Muse's judge and friend, Who justly knew to blame or to commend; To failings mild, but zealous for desert; The clearest head, and the sincerest heart. This humble praise, lamented shade! receive, This praise at least a grateful Muse may give: The Muse, whose early voice you taught to sing, Prescrib'd her heights, and prun'd her tender wing, (Her guide now lost) no more attempts to rise, But in low numbers short excursions tries: Content, if hence th' unlearn'd their wants may view, The learn'd reflect on what before they knew: Careless of censure, nor too fond of fame, Still pleas'd to praise, yet not afraid to blame, Averse alike to flatter, or offend, Not free from faults, nor yet too vain to mend.

To Henry St. John, Lord Bolingbroke

I. Know then thyself, presume not God to scan; The proper study of mankind is man. Plac'd on this isthmus of a middle state, A being darkly wise, and rudely great: With too much knowledge for the sceptic side, With too much weakness for the stoic's pride, He hangs between; in doubt to act, or rest; In doubt to deem himself a god, or beast; In doubt his mind or body to prefer; Born but to die, and reas'ning but to err; Alike in ignorance, his reason such, Whether he thinks too little, or too much: Chaos of thought and passion, all confus'd; Still by himself abus'd, or disabus'd; Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of truth, in endless error hurl'd: The glory, jest, and riddle of the world! Go, wondrous creature! mount where science guides, Go, measure earth, weigh air, and state the tides; Instruct the planets in what orbs to run, Correct old time, and regulate the sun; Go, soar with Plato to th' empyreal sphere, To the first good, first perfect, and first fair; Or tread the mazy round his follow'rs trod, And quitting sense call imitating God; As Eastern priests in giddy circles run, And turn their heads to imitate the sun. Go, teach Eternal Wisdom how to rule— Then drop into thyself, and be a fool! Superior beings, when of late they saw A mortal Man unfold all Nature's law, Admir'd such wisdom in an earthly shape, And showed a Newton as we shew an Ape. Could he, whose rules the rapid comet bind, Describe or fix one movement of his mind? Who saw its fires here rise, and there descend, Explain his own beginning, or his end? Alas what wonder! Man's superior part Uncheck'd may rise, and climb from art to art; But when his own great work is but begun, What Reason weaves, by Passion is undone. Trace science then, with modesty thy guide; First strip off all her equipage of pride; Deduct what is but vanity, or dress, Or learning's luxury, or idleness; Or tricks to show the stretch of human brain, Mere curious pleasure, or ingenious pain; Expunge the whole, or lop th' excrescent parts Of all our Vices have created Arts; Then see how little the remaining sum, Which serv'd the past, and must the times to come! II. Two principles in human nature reign; Self-love, to urge, and reason, to restrain; Nor this a good, nor that a bad we call, Each works its end, to move or govern all: And to their proper operation still, Ascribe all good; to their improper, ill. Self-love, the spring of motion, acts the soul; Reason's comparing balance rules the whole. Man, but for that, no action could attend, And but for this, were active to no end: Fix'd like a plant on his peculiar spot, To draw nutrition, propagate, and rot; Or, meteor-like, flame lawless through the void, Destroying others, by himself destroy'd. Most strength the moving principle requires; Active its task, it prompts, impels, inspires. Sedate and quiet the comparing lies, Form'd but to check, delib'rate, and advise. Self-love still stronger, as its objects nigh; Reason's at distance, and in prospect lie: That sees immediate good by present sense; Reason, the future and the consequence. Thicker than arguments, temptations throng, At best more watchful this, but that more strong. The action of the stronger to suspend, Reason still use, to reason still attend. Attention, habit and experience gains; Each strengthens reason, and self-love restrains. Let subtle schoolmen teach these friends to fight, More studious to divide than to unite, And grace and virtue, sense and reason split, With all the rash dexterity of wit: Wits, just like fools, at war about a name, Have full as oft no meaning, or the same. Self-love and reason to one end aspire, Pain their aversion, pleasure their desire; But greedy that its object would devour, This taste the honey, and not wound the flow'r: Pleasure, or wrong or rightly understood, Our greatest evil, or our greatest good. III. Modes of self-love the passions we may call: 'Tis real good, or seeming, moves them all: But since not every good we can divide, And reason bids us for our own provide; Passions, though selfish, if their means be fair, List under reason, and deserve her care; Those, that imparted, court a nobler aim, Exalt their kind, and take some virtue's name. In lazy apathy let Stoics boast Their virtue fix'd, 'tis fix'd as in a frost; Contracted all, retiring to the breast; But strength of mind is exercise, not rest: The rising tempest puts in act the soul, Parts it may ravage, but preserves the whole. On life's vast ocean diversely we sail, Reason the card, but passion is the gale; Nor God alone in the still calm we find, He mounts the storm, and walks upon the wind. Passions, like elements, though born to fight, Yet, mix'd and soften'd, in his work unite: These 'tis enough to temper and employ; But what composes man, can man destroy? Suffice that reason keep to nature's road, Subject, compound them, follow her and God. Love, hope, and joy, fair pleasure's smiling train, Hate, fear, and grief, the family of pain, These mix'd with art, and to due bounds confin'd, Make and maintain the balance of the mind: The lights and shades, whose well accorded strife Gives all the strength and colour of our life. Pleasures are ever in our hands or eyes, And when in act they cease, in prospect, rise: Present to grasp, and future still to find, The whole employ of body and of mind. All spread their charms, but charm not all alike; On diff'rent senses diff'rent objects strike; Hence diff'rent passions more or less inflame, As strong or weak, the organs of the frame; And hence one master passion in the breast, Like Aaron's serpent, swallows up the rest. As man, perhaps, the moment of his breath, Receives the lurking principle of death; The young disease, that must subdue at length, Grows with his growth, and strengthens with his strength: So, cast and mingled with his very frame, The mind's disease, its ruling passion came; Each vital humour which should feed the whole, Soon flows to this, in body and in soul. Whatever warms the heart, or fills the head, As the mind opens, and its functions spread, Imagination plies her dang'rous art, And pours it all upon the peccant part. Nature its mother, habit is its nurse; Wit, spirit, faculties, but make it worse; Reason itself but gives it edge and pow'r; As Heav'n's blest beam turns vinegar more sour. We, wretched subjects, though to lawful sway, In this weak queen some fav'rite still obey: Ah! if she lend not arms, as well as rules, What can she more than tell us we are fools? Teach us to mourn our nature, not to mend, A sharp accuser, but a helpless friend! Or from a judge turn pleader, to persuade The choice we make, or justify it made; Proud of an easy conquest all along, She but removes weak passions for the strong: So, when small humours gather to a gout, The doctor fancies he has driv'n them out. Yes, nature's road must ever be preferr'd; Reason is here no guide, but still a guard: 'Tis hers to rectify, not overthrow, And treat this passion more as friend than foe: A mightier pow'r the strong direction sends, And sev'ral men impels to sev'ral ends. Like varying winds, by other passions toss'd, This drives them constant to a certain coast. Let pow'r or knowledge, gold or glory, please, Or (oft more strong than all) the love of ease; Through life 'tis followed, ev'n at life's expense; The merchant's toil, the sage's indolence, The monk's humility, the hero's pride, All, all alike, find reason on their side. Th' eternal art educing good from ill, Grafts on this passion our best principle: 'Tis thus the mercury of man is fix'd, Strong grows the virtue with his nature mix'd; The dross cements what else were too refin'd, And in one interest body acts with mind. As fruits, ungrateful to the planter's care, On savage stocks inserted, learn to bear; The surest virtues thus from passions shoot, Wild nature's vigor working at the root. What crops of wit and honesty appear From spleen, from obstinacy, hate, or fear! See anger, zeal and fortitude supply; Ev'n av'rice, prudence; sloth, philosophy; Lust, through some certain strainers well refin'd, Is gentle love, and charms all womankind; Envy, to which th' ignoble mind's a slave, Is emulation in the learn'd or brave; Nor virtue, male or female, can we name, But what will grow on pride, or grow on shame. Thus nature gives us (let it check our pride) The virtue nearest to our vice allied: Reason the byass turns to good from ill, And Nero reigns a Titus, if he will. The fiery soul abhorr'd in Catiline, In Decius charms, in Curtius is divine: The same ambition can destroy or save, And make a patriot as it makes a knave. IV. This light and darkness in our chaos join'd, What shall divide? The God within the mind. Extremes in nature equal ends produce, In man they join to some mysterious use; Though each by turns the other's bound invade, As, in some well-wrought picture, light and shade, And oft so mix, the diff'rence is too nice Where ends the virtue, or begins the vice. Fools! who from hence into the notion fall, That vice or virtue there is none at all. If white and black blend, soften, and unite A thousand ways, is there no black or white? Ask your own heart, and nothing is so plain; 'Tis to mistake them, costs the time and pain. V. Vice is a monster of so frightful mien, As, to be hated, needs but to be seen; Yet seen too oft, familiar with her face, We first endure, then pity, then embrace. But where th' extreme of vice, was ne'er agreed: Ask where's the North? at York, 'tis on the Tweed; In Scotland, at the Orcades; and there, At Greenland, Zembla, or the Lord knows where: No creature owns it in the first degree, But thinks his neighbour farther gone than he! Ev'n those who dwell beneath its very zone, Or never feel the rage, or never own; What happier natures shrink at with affright, The hard inhabitant contends is right. VI. Virtuous and vicious ev'ry man must be, Few in th' extreme, but all in the degree; The rogue and fool by fits is fair and wise; And ev'n the best, by fits, what they despise. 'Tis but by parts we follow good or ill, For, vice or virtue, self directs it still; Each individual seeks a sev'ral goal; But heav'n's great view is one, and that the whole: That counterworks each folly and caprice; That disappoints th' effect of ev'ry vice; That, happy frailties to all ranks applied, Shame to the virgin, to the matron pride, Fear to the statesman, rashness to the chief, To kings presumption, and to crowds belief, That, virtue's ends from vanity can raise, Which seeks no int'rest, no reward but praise; And build on wants, and on defects of mind, The joy, the peace, the glory of mankind. Heav'n forming each on other to depend, A master, or a servant, or a friend, Bids each on other for assistance call, 'Till one man's weakness grows the strength of all. Wants, frailties, passions, closer still ally The common int'rest, or endear the tie: To these we owe true friendship, love sincere, Each home-felt joy that life inherits here; Yet from the same we learn, in its decline, Those joys, those loves, those int'rests to resign; Taught half by reason, half by mere decay, To welcome death, and calmly pass away. Whate'er the passion, knowledge, fame, or pelf, Not one will change his neighbour with himself. The learn'd is happy nature to explore, The fool is happy that he knows no more; The rich is happy in the plenty giv'n, The poor contents him with the care of heav'n. See the blind beggar dance, the cripple sing, The sot a hero, lunatic a king; The starving chemist in his golden views Supremely blest, the poet in his Muse. See some strange comfort ev'ry state attend, And pride bestow'd on all, a common friend; See some fit passion ev'ry age supply, Hope travels through, nor quits us when we die. Behold the child, by nature's kindly law, Pleas'd with a rattle, tickl'd with a straw: Some livelier plaything gives his youth delight, A little louder, but as empty quite: Scarfs, garters, gold, amuse his riper stage, And beads and pray'r books are the toys of age: Pleas'd with this bauble still, as that before; 'Till tir'd he sleeps, and life's poor play is o'er! Meanwhile opinion gilds with varying rays Those painted clouds that beautify our days; Each want of happiness by hope supplied, And each vacuity of sense by Pride: These build as fast as knowledge can destroy; In folly's cup still laughs the bubble, joy; One prospect lost, another still we gain; And not a vanity is giv'n in vain; Ev'n mean self-love becomes, by force divine, The scale to measure others' wants by thine. See! and confess, one comfort still must rise, 'Tis this: Though man's a fool, yet God is wise.

I. Invocation It's crazy to think one could describe them— Calling on reason, fantasy, memory, eyes and ears— As though they were all alike any more Than sweeps, opticians, poets or masseurs. Moreover, they are for more than one reason Difficult to speak of seriously and freely, And I have never (even this is difficult to say Plainly, without foolishness or irony) Consulted one for professional help, though it happens Many or most of my friends have—and that, Perhaps, is why it seems urgent to try to speak Sensibly about them, about the psychiatrists. II. Some Terms “Shrink” is a misnomer. The religious Analogy is all wrong, too, and the old, Half-forgotten jokes about Viennese accents And beards hardly apply to the good-looking woman In boots and a knit dress, or the man Seen buying the Sunday Times in mutton-chop Whiskers and expensive running shoes. In a way I suspect that even the terms “doctor” And “therapist” are misnomers; the patient Is not necessarily “sick.” And one assumes That no small part of the psychiatrist’s Role is just that: to point out misnomers. III. Proposition These are the first citizens of contingency. Far from the doctrinaire past of the old ones, They think in their prudent meditations Not about ecstasy (the soul leaving the body) Nor enthusiasm (the god entering one’s person) Nor even about sanity (which means Health, an impossible perfection) But ponder instead relative truth and the warm Dusk of amelioration. The cautious Young augurs with their family-life, good books And records and foreign cars believe In amelioration—in that, and in suffering. IV. A Lakeside Identification Yes, crazy to suppose one could describe them— And yet, there was this incident: at the local beach Clouds of professors and the husbands of professors Swam, dabbled, or stood to talk with arms folded Gazing at the lake ... and one of the few townsfolk there, With no faculty status—a matter-of-fact, competent, Catholic woman of twenty-seven with five children And a first-rate body—pointed her finger At the back of one certain man and asked me, “Is that guy a psychiatrist?” and by god he was! “Yes,” She said, “He looks like a psychiatrist.” Grown quiet, I looked at his pink back, and thought. V. Physical Comparison With Professors And Others Pink and a bit soft-bodied, with a somewhat jazzy Middle-class bathing suit and sandy sideburns, to me He looked from the back like one more professor. And from the front, too—the boyish, unformed carriage Which foreigners always note in American men, combined As in a professor with that liberal, quizzical, Articulate gaze so unlike the more focused, more Tolerant expression worn by a man of action (surgeon, Salesman, athlete). On closer inspection was there, Perhaps, a self-satisfied benign air, a too studied Gentleness toward the child whose hand he held loosely? Absurd to speculate; but then—the woman saw something. VI. Their Seriousness, With Further Comparisons In a certain sense, they are not serious. That is, they are serious—useful, deeply helpful, Concerned—only in the way that the pilots of huge Planes, radiologists, and master mechanics can, At their best, be serious. But however profound The psychiatrists may be, they are not serious the way A painter may be serious beyond pictures, or a businessman May be serious beyond property and cash—or even The way scholars and surgeons are serious, each rapt In his work’s final cause, contingent upon nothing: Beyond work; persons; recoveries. And this is fitting: Who would want to fly with a pilot who was serious About getting to the destination safely? Terrifying idea— That a pilot could over-extend, perhaps try to fly Too well, or suffer from Pilot’s Block; of course, It may be that (just as they must not drink liquor Before a flight) they undergo regular, required check-ups With a psychiatrist, to prevent such things from happening. VII. Historical (The Bacchae) Madness itself, as an idea, leaves us confused— Incredulous that it exists, or cruelly facetious, Or stricken with a superstitious awe as if bound By the lost cults of Trebizond and Pergamum ... The most profound study of madness is found In the Bacchae of Euripides, so deeply disturbing That in Cambridge, Massachusetts the players Evaded some of the strongest unsettling material By portraying poor sincere, fuddled, decent Pentheus As a sort of fascistic bureaucrat—but it is Dionysus Who holds rallies, instills exaltations of violence, With his leopards and atavistic troops above law, Reason and the good sense and reflective dignity Of Pentheus—Pentheus, humiliated, addled, made to suffer Atrocity as a minor jest of the smirking God. When Bacchus’s Chorus (who call him “most gentle”!) observe: “Ten thousand men have ten thousand hopes; some fail, Some come to fruit, but the happiest man is he Who gathers the good of life day by day”—as though Life itself were enough—does that mean, to leave ambition? And is it a kind of therapy, or truth? Or both? VIII. A Question On the subject of madness the Bacchae seems, On the whole, more pro than contra. The Chorus Says of wine, “There is no other medicine for misery”; When the Queen in her ecstasy—or her enthusiasm?— Tears her terrified son’s arm from his body, or bears His head on her spear, she remains happy so long As she remains crazy; the God himself (who bound fawnskin To the women’s flesh, armed them with ivy arrows And his orgies’ livery) debases poor Pentheus first, Then leads him to mince capering towards female Death And dismemberment: flushed, grinning, the grave young King of Thebes pulls at a slipping bra-strap, simpers Down at his turned ankle.Pentheus:“Should I lift up Mount Cithæron—Bacchae, mother and all?” Dionysus: “Do what you want to do. Your mind Was unstable once, but now you sound more sane, You are on your way to great things.” The question is, Which is the psychiatrist: Pentheus, or Dionysus? IX. Pentheus As Psychiatrist With his reasonable questions Pentheus tries To throw light on the old customs of savagery. Like a brave doctor, he asks about it all, He hears everything, “Weird, fantastic things” The Messenger calls them: with their breasts Swollen, their new babies abandoned, mothers Among the Bacchantes nestled gazelles And young wolves in their arms, and suckled them; You might see a single one of them tear a fat calf In two, still bellowing with fright, while others Clawed heifers to pieces; ribs and hooves Were strewn everywhere; blood-smeared scraps Hung from the fir trees; furious bulls Charged and then fell stumbling, pulled down To be stripped of skin and flesh by screaming women ... And Pentheus listened. Flames burned in their hair, Unnoticed; thick honey spurted from their wands; And the snakes they wore like ribbons licked Hot blood from their flushed necks: Pentheus Was the man the people told ... “weird things,” like A middle-class fantasy of release; and when even The old men—bent Cadmus and Tiresias—dress up In fawnskin and ivy, beating their wands on the ground, Trying to carouse, it is Pentheus—down-to-earth, Sober—who raises his voice in the name of dignity. Being a psychiatrist, how could he attend to the Chorus’s warning Against “those who aspire” and “a tongue without reins”? X. Dionysus As Psychiatrist In a more hostile view, the psychiatrists Are like Bacchus—the knowing smirk of his mask, His patients, his confident guidance of passion, And even his little jokes, as when the great palace Is hit by lightning which blazes and stays, Bouncing among the crumpled stone walls ... And through the burning rubble he comes, With his soft ways picking along lightly With a calm smile for the trembling Chorus Who have fallen to the ground, bowing In the un-Greek, Eastern way—What, Asian women, He asks, Were you disturbed just now when Bacchus Jostled the palace? He warns Pentheus to adjust, To learn the ordinary man’s humble sense of limits, Violent limits, to the rational world. He cures Pentheus of the grand delusion that the dark Urgencies can be governed simply by the mind, And the mind’s will. He teaches Queen Agave to look Up from her loom, up at the light, at her tall Son’s head impaled on the stiff spear clutched In her own hand soiled with dirt and blood. XI. Their Philistinism Considered “Greek Tragedy” of course is the sort of thing They like and like the idea of ... though not “tragedy” In the sense of newspapers. When a patient shot one of them, People phoned in, many upset as though a deep, Special rule had been abrogated, someone had gone too far. The poor doctor, as described by the evening Globe, Turned out to be a decent, conventional man (Doctors For Peace, B’Nai Brith, numerous articles), almost Carefully so, like Paul Valéry—or like Rex Morgan, M.D., who, In the same Globe, attends a concert with a longjawed woman. First Panel:“We’re a little early for the concert! There’s an art museum we can stroll through!” “I’d like

For John Hollander Although it’s likely you’re on your own at this moment in this city of three million reading the poems of Traherne, and there was no one till you lit your lamp, the kingdom of childhood keeps being founded in his voice and his seeing, which are a sort of birth. A birth goes on in the dark of a poor family, or a mother alone. Then comes the small bright circle of the faces: lover pores over sleeping loved one, parent over child in their enclosure we name home, a hut in the plain so bare there’s not a tongue of grass to make the wind hiss. Unknown to the world a world exists: trees and streams, birds all the colors of the flowers. So Traherne pours over you his wild remembrance of the world to come. And would even in the silence of his book if it were lost and lay unopened two hundred years. Even if he had died before he sang the Eden in his look.

purged of accretions & newly published in the corrected hemimeter version prepared under the general folgership of G. Starbuck Poor Soul Fly, thief; thy fief- dom ’s torched. Come, Cur. Fetch! Get your scorched earth worth.