1630 Nature poems

Honored when the butterfly lights on my shoulder. Next stop: a rotting log.

Late in the season the world digs in, the fat blossoms hold still for just a moment longer. Nothing looks satisfied, but there is no real reason to move on much further: this isn’t a bad place; why not pretend we wished for it? The bushes have learned to live with their haunches. The hydrangea is resigned to its pale and inconclusive utterances. Towards the end of the season it is not bad to have the body. To have experienced joy as the mere lifting of hunger is not to have known it less. The tobacco leaves don’t mind being removed to the long racks—all uses are astounding to the used. There are moments in our lives which, threaded, give us heaven— noon, for instance, or all the single victories of gravity, or the kudzu vine, most delicate of manias, which has pressed its luck this far this season. It shines a gloating green. Its edges darken with impatience, a kind of wind. Nothing again will ever be this easy, lives being snatched up like dropped stitches, the dry stalks of daylilies marking a stillness we can’t keep.

The sky is high We shit on earth We look up the sky The earth gives birth To our future

(for Monte Holcroft) These unshaped islands, on the sawyer’s bench, Wait for the chisel of the mind, Green canyons to the south, immense and passive, Penetrated rarely, seeded only By the deer-culler’s shot, or else in the north Tribes of the shark and the octopus, Mangroves, black hair on a boxer’s hand. The founding fathers with their guns and bibles, Botanist, whaler, added bones and names To the land, to us a bridle As if the id were a horse: the swampy towns Like dreamers that struggle to wake, Longing for the poets’ truth And the lover’s pride. Something new and old Explores its own pain, hearing The rain’s choir on curtains of grey moss Or fingers of the Tasman pressing On breasts of hardening sand, as actors Find their own solitude in mirrors, As one who has buried his dead, Able at last to give with an open hand.

Read much; the Mind, which never can be still, If not intent on Good, is prone to Ill. And where bright Thoughts, or Reas’nings just you find, Repose them careful in your inmost Mind. To deck his Chloe’s Bosom thus the Swain With pleasing Toil surveys th’enamel’d Plain, With Care selects each fragrant flow’r he meets, And forms one Garland of their mingled sweets.

A thin wet sky, that yellows at the rim, And meets with sun-lost lip the marsh’s brim. The pools low lying, dank with moss and mould, Glint through their mildews like large cups of gold. Among the wild rice in the still lagoon, In monotone the lizard shrills his tune. The wild goose, homing, seeks a sheltering, Where rushes grow, and oozing lichens cling. Late cranes with heavy wing, and lazy flight, Sail up the silence with the nearing night. And like a spirit, swathed in some soft veil, Steals twilight and its shadows o’er the swale. Hushed lie the sedges, and the vapours creep, Thick, grey and humid, while the marshes sleep.

He was cleaning leaves for one at a time was what he needed and a minute before the two brown poodles walked by he looked at the stripped-down trees from one more point of view and thought they were part of a system in which the dappled was foreign for he had arrived at his own conclusion and that was for him a relief even if he was separated, even if  his hands were frozen, even if the wind knocked him down, even if his cat went into her helpless mode inside the green and sheltering Japanese yew tree.

I The sky here is American like the blue of your eyes; the folds of your eyelids the Hindu Kush mountain. The rich vein of the Hindu Kush only a stony ridge cutting across the parched soil of Afghanistan on which the primal play of progress comes to pass. II Locked in, its people: nomadic, peasant or simply pleasant, green-eyed, blue-eyed, brown-eyed or simply wide-eyed. Its great teacher: Noor Mohammad Taraki, the proud translator of great works into Pashto, Dari, Turkic and Uzbek. Its cities: Herat, Kabul, Kandahar. III Assuredly, the pilgrims descend the emerald-strewn Panjsher valley. They have come to water and tend a young tree. Time is at hand, for the unhurried descent of the Western offering, whose yellow parachute will slow its fall. And this tree, which will grow underneath the cluster bomb, will hold up the pomegranate to the blue sky. IV The tick tock and whirr of metal and material in the hidden azure vault of the air has so far unleashed the American ahistoricality upon the two tall Bamiyan Buddhas. Ordained stone must give way to bared rock face. Grieve not. Rejoice, for the spirit triumphs here. V When Kabul was as beautiful as Leningrad, when our hearts hadn't grown weary, when Taraki could take a stroll down the streets of Kabul with a confident smile, when he could still be Afghanistan's Maxim Gorky, when our erstwhile bachelor could enjoy the company of dancing girls like a mogul emperor, when the way forward was the way forward. VI The uncertain exile is never to Rome— no picture postcards of the coliseum to send home— but to a mud hovel among other mud hovels by the edge of the city of Islamabad. For the uncertain exile has nothing to do with the divine or with any other kind of comedy, but with what has remained or with what reminds: with the trace of terror that persists. VII In this part of the world the children know and have desires to be a martyr, to enter paradise, to leave this life. Of the twenty-nine different names for the garden, they know all twenty-nine by heart. For this part of the world began with a garden and will end as an open ditch piled up with bodies. VIII Grant me Antigone's strength to forbear for the sun has come unstuck from a blue sky gone black, stolen for effect, and the veiled moon stands in, for the mourning women standing next to platters of rice, signifying the historically sound end of forgetfulness, returning our agency to mourn the collaborations of the merchant capitalist class with the unlistening, ahistorical God. IX If only Gandhi's spinning wheel had spun a million yards of cloth we would have covered all our war dead. And as for tents, we would have built cities upon cities of tents to keep the rain out for all our refugees. And then and only then would we have mourned our war dead, mourned our war dead.

For ten days now, two luna moths remain silk-winged and lavish as a double broach pinned beneath the porch light of my cabin. Two of them, patinaed that sea-glass green of copper weather vanes nosing the wind, the sun-lit green of rockweed, the lichen's green scabbing-over of the bouldered shore, the plush green peat that carpets the island, that hushes, sinks then holds a boot print for days, and the sapling-green of new pines sprouting through it. The miraculous green origami of their wings - false eyed, doomed and sensual as the mermaid's long green fins: a green siren calling from the moonlight. A green siren calling from the moonlight, from the sweet gum leaves and paper birches that shed, like tiny white decrees, scrolled bark. They emerge from cocoons like greased hinges, all pheromone and wing, instinct and flutter. They rise, hardwired, driven, through the creaking pine branches tufted with beard moss and fog. Two luna moths flitting like exotic birds towards only each other and light, in these their final few days, they mate, then starving they wait, inches apart, on my cabin wall to die, to share fully each pure and burning moment. They are, like desire itself, born without mouths. What, if not this, is love?

All day and night, save winter, every weather, Above the inn, the smithy, and the shop, The aspens at the cross-roads talk together Of rain, until their last leaves fall from the top. Out of the blacksmith's cavern comes the ringing Of hammer, shoe, and anvil; out of the inn The clink, the hum, the roar, the random singing— The sounds that for these fifty years have been. The whisper of the aspens is not drowned, And over lightless pane and footless road, Empty as sky, with every other sound Not ceasing, calls their ghosts from their abode, A silent smithy, a silent inn, nor fails In the bare moonlight or the thick-furred gloom, In tempest or the night of nightingales, To turn the cross-roads to a ghostly room. And it would be the same were no house near. Over all sorts of weather, men, and times, Aspens must shake their leaves and men may hear But need not listen, more than to my rhymes. Whatever wind blows, while they and I have leaves We cannot other than an aspen be That ceaselessly, unreasonably grieves, Or so men think who like a different tree.