W. S. Merwin
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FollowAbout W. S. Merwin
He abandoned punctuation entirely in the 1960s and never went back, which is the first thing anyone notices and the least interesting thing about him.
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The absence of commas and full stops makes the poems read as a single unbroken movement of speech, with the line breaks doing all the work of pacing — it is a formal decision, not a stylistic tic. His enduring subject is loss, and specifically ecological loss: he was writing elegies for species, forests and vanishing languages decades before that was a recognised thing for a poet to do, and he spent his later life restoring rainforest on Maui.
Read next
- Wendell Berry — The same commitment, argued from a farm.
- Mary Oliver — Attention to the non-human, far more consoling.
- Rainer Maria Rilke — Merwin translated widely; this is the register.
37 poems
04/28/2026 14:58h
The way to the river leads past the names of
Ash the sleeves the wreaths of hinges
Through the song of the bandage vendor
I lay your name by my voice
As I go
The way to the river leads past the late
Doors and the games of the children born looking backwards
They play that they are broken glass
The numbers wait in the halls and the clouds
Call
From windows
They play that they are old they are putting the horizon
Into baskets they are escaping they are
Hiding
I step over the sleepers the fires the calendars
My voice turns to you
I go past the juggler’s condemned building the hollow
Windows gallery
Of invisible presidents the same motion in them all
In a parked cab by the sealed wall the hats are playing
Sort of poker with somebody’s
Old snapshots game I don’t understand they lose
The rivers one
After the other I begin to know where I am
I am home
Be here the flies from the house of the mapmaker
Walk on our letters I can tell
And the days hang medals between us
I have lit our room with a glove of yours be
Here I turn
To your name and the hour remembers
Its one word
Now
Be here what can we
Do for the dead the footsteps full of money
I offer you what I have my
Poverty
To the city of wires I have brought home a handful
Of water I walk slowly
In front of me they are building the empty
Ages I see them reflected not for long
Be here I am no longer ashamed of time it is too brief its hands
Have no names
I have passed it I know
Oh Necessity you with the face you with
All the faces
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04/28/2026 14:58h
Comet of stillness princess of what is over
high note held without trembling without voice without sound
aura of complete darkness keeper of the kept secrets
of the destroyed stories the escaped dreams the sentences
never caught in words warden of where the river went
touch of its surface sibyl of the extinguished
window onto the hidden place and the other time
at the foot of the wall by the road patient without waiting
in the full moonlight of autumn at the hour when I was born
you no longer go out like a flame at the sight of me
you are still warmer than the moonlight gleaming on you
even now you are unharmed even now perfect
as you have always been now when your light paws are running
on the breathless night on the bridge with one end I remember you
when I have heard you the soles of my feet have made answer
when I have seen you I have waked and slipped from the calendars
from the creeds of difference and the contradictions
that were my life and all the crumbling fabrications
as long as it lasted until something that we were
had ended when you are no longer anything
let me catch sight of you again going over the wall
and before the garden is extinct and the woods are figures
guttering on a screen let my words find their own
places in the silence after the animals
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04/28/2026 14:58h
With what stillness at last
you appear in the valley
your first sunlight reaching down
to touch the tips of a few
high leaves that do not stir
as though they had not noticed
and did not know you at all
then the voice of a dove calls
from far away in itself
to the hush of the morning
so this is the sound of you
here and now whether or not
anyone hears it this is
where we have come with our age
our knowledge such as it is
and our hopes such as they are
invisible before us
untouched and still possible
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04/28/2026 14:58h
When you are already here
you appear to be only
a name that tells of you
whether you are present or not
and for now it seems as though
you are still summer
still the high familiar
endless summer
yet with a glint
of bronze in the chill mornings
and the late yellow petals
of the mullein fluttering
on the stalks that lean
over their broken
shadows across the cracked ground
but they all know
that you have come
the seed heads of the sage
the whispering birds
with nowhere to hide you
to keep you for later
you
who fly with them
you who are neither
before nor after
you who arrive
with blue plums
that have fallen through the night
perfect in the dew
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04/28/2026 14:58h
Thank you but
not just at the moment
I know you will say
I have said that before
I know you have been
there all along somewhere
in another time zone
I studied once
those beautiful instructions
when I was young and
far from here
they seemed distant then
they seem distant now
from everything I remember
I hope they stayed with you
when the noose started to tighten
and you could say no more
and after wisdom
and the days of iron
the eyes started from your head
I know the words
must have been set down
partly for yourself
unjustly condemned after
a good life
I know the design
of the world is beyond
our comprehension
thank you
but grief is selfish and in
the present when
the stars do not seem to move
I was not listening
I know it is not
sensible to expect
fortune to grant her
gifts forever
I know
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04/28/2026 14:58h
For longer than by now I can believe
I assumed that you had nothing to do
with each other I thought you had arrived
whenever that had been
more solitary than single snowflakes
with no acquaintance or understanding
running among you guiding your footsteps
somewhere ahead of me
in your own time oh white lakes on the maps
that I copied and gaps on the paper
for the names that were to appear in them
sometimes a doorway or
window sometimes an eye sometimes waking
without knowing the place in the whole night
I might have guessed from the order in which
you turned up before me
and from the way I kept looking at you
as though I recognized something in you
that you were all words out of one language
tracks of the same creature
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04/28/2026 14:58h
In the cards and at the bend in the road
we never saw you
in the womb and in the crossfire
in the numbers
whatever you had your hand in
which was everything
we were told never to put
our faith in you
to bow to you humbly after all
because in the end there was nothing
else we could do
but not to believe in you
still we might coax you with pebbles
kept warm in the hand
or coins or the relics
of vanished animals
observances rituals
not binding upon you
who make no promises
we might do such things only
not to neglect you
and risk your disfavor
oh you who are never the same
who are secret as the day when it comes
you whom we explain
as often as we can
without understanding
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04/28/2026 14:58h
Listen
with the night falling we are saying thank you
we are stopping on the bridges to bow from the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water thanking it
standing by the windows looking out
in our directions
back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you
over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the door
and the beatings on stairs we are saying thank you
in the banks we are saying thank you
in the faces of the officials and the rich
and of all who will never change
we go on saying thank you thank you
with the animals dying around us
taking our feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us
we are saying thank you faster and faster
with nobody listening we are saying thank you
thank you we are saying and waving
dark though it is
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04/28/2026 14:58h
All the way north on the train the sun
followed me followed me without moving
still the sun of that other morning
when we had gone over Come on over
men at the screen door said to my father
You have to see this it’s an ape bring
the little boy bring the boy along
so he brought me along to the field
of dry grass hissing behind the houses
in the heat that morning and there was
nothing else back there but the empty day
above the grass waving as far away
as I could see and the sight burned my eyes
white birds were flying off beyond us
and a raised floor of boards like a house
with no house on it part way out there
was shining by itself a color
of shadow and the voices of the men
were smaller in the field as we walked on
something was standing out there on the floor
the men kept saying Come on over
it’s on a chain and my father said
to me Don’t get too close I saw it was
staring down at each of our faces
one after the other as though it might
catch sight of something in one of them
that it remembered I stood watching its eyes
as they turned away from each of us
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04/28/2026 14:58h
Thinking of rain clouds that rose over the city
on the first day of the year
in the same month
I consider that I have lived daily and with
eyes open and ears to hear
these years across from St Vincent’s Hospital
above whose roof those clouds rose
its bricks by day a French red under
cross facing south
blown-up neo-classic facades the tall
dark openings between columns at
the dawn of history
exploded into many windows
in a mortised face
inside it the ambulances have unloaded
after sirens’ howling nearer through traffic on
Seventh Avenue long
ago I learned not to hear them
even when the sirens stop
they turn to back in
few passers-by stay to look
and neither do I
at night two long blue
windows and one short one on the top floor
burn all night
many nights when most of the others are out
on what floor do they have
anything
I have seen the building drift moonlit through geraniums
late at night when trucks were few
moon just past the full
upper windows parts of the sky
as long as I looked
I watched it at Christmas and New Year
early in the morning I have seen the nurses ray out through
arterial streets
in the evening have noticed internes blocks away
on doorsteps one foot in the door
I have come upon the men in gloves taking out
the garbage at all hours
piling up mountains of
plastic bags white strata with green intermingled and
black
I have seen one pile
catch fire and studied the cloud
at the ends of the jets of the hoses
the fire engines as near as that
red beacons and
machine-throb heard by the whole body
I have noticed molded containers stacked outside
a delivery entrance on Twelfth Street
whether meals from a meal factory made up with those
mummified for long journeys by plane
or specimens for laboratory
examination sealed at the prescribed temperatures
either way closed delivery
and approached faces staring from above
crutches or tubular clamps
out for tentative walks
have paused for turtling wheel-chairs
heard visitors talking in wind on each corner
while the lights changed and
hot dogs were handed over at the curb
in the middle of afternoon
mustard ketchup onions and relish
and police smelling of ether and laundry
were going back
and I have known them all less than the papers of our days
smoke rises from the chimneys do they have an incinerator
what for
how warm do they believe they have to maintain the air
in there
several of the windows appear
to be made of tin
but it may be the light reflected
I have imagined bees coming and going
on those sills though I have never seen them
who was St Vincent
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