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260 Childhood poems
About childhood poetry
Almost none of these poems were written by children, and that is the genre's defining tension. A childhood poem is a double exposure: the child's perception and the adult's understanding of it, printed over each other, and the good ones let the two disagree.
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Theodore Roethke's "My Papa's Waltz" is the standard case, and worth reading precisely because readers still argue about it — the same sixteen lines are a warm memory of roughhousing or a record of a frightening man, depending on where you put the weight, and the poem refuses to settle it. Robert Hayden's "Those Winter Sundays" does something related and quieter, arriving at its recognition too late to deliver it to the person concerned.
The other strong current here is childhood as a place rather than a time, particularly in poets writing about a landscape or a language they have left. Seamus Heaney's early poems turn a farm into an inheritance; Li-Young Lee's turn a father, a fruit, a house into the same thing.
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- Theodore Roethke — The poem readers have argued about for seventy years.
- Robert Hayden — Gratitude arriving decades too late to be spoken.
- Seamus Heaney — Childhood as ground, and as a trade to be inherited.
- Li-Young Lee — A father, a house, a piece of fruit, made enormous.
