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In my great grandmother's time, All one needed was a broom To get to see places And give the geese a chase in the sky. • The stars know everything, So we try to read their minds. As distant as they are, We choose to whisper in their presence. • Oh Cynthia, Take a clock that has lost its hands For a ride. Get me a room at Hotel Eternity Where Time likes to stop now and then. • Come, lovers of dark corners, The sky says, And sit in one of my dark corners. There are tasty little zeroes In the peanut dish tonight.

One afternoon the last week in April Showing Kai how to throw a hatchet One-half turn and it sticks in a stump. He recalls the hatchet-head Without a handle, in the shop And go gets it, and wants it for his own. A broken-off axe handle behind the door Is long enough for a hatchet, We cut it to length and take it With the hatchet head And working hatchet, to the wood block. There I begin to shape the old handle With the hatchet, and the phrase First learned from Ezra Pound Rings in my ears! "When making an axe handle the pattern is not far off." And I say this to Kai "Look: We'll shape the handle By checking the handle Of the axe we cut with—" And he sees. And I hear it again: It's in Lu Ji's Wên Fu, fourth century A.D. "Essay on Literature"-—in the Preface: "In making the handle Of an axe By cutting wood with an axe The model is indeed near at hand." My teacher Shih-hsiang Chen Translated that and taught it years ago And I see: Pound was an axe, Chen was an axe, I am an axe And my son a handle, soon To be shaping again, model And tool, craft of culture, How we go on.

DANCE little baby, dance up high, Never mind baby, mother is by ; Crow and caper, caper and crow, There little baby, there you go ; Up to the ceiling, down to the ground, Backwards and forwards, round and round ; Dance little baby, and mother shall sing, With the merry coral, ding, ding, ding.

Starspangled cowboy sauntering out of the almost- silly West, on your face a porcelain grin, tugging a papier-mâché cactus on wheels behind you with a string, you are innocent as a bathtub full of bullets. Your righteous eyes, your laconic trigger-fingers people the streets with villains: as you move, the air in front of you blossoms with targets and you leave behind you a heroic trail of desolation: beer bottles slaughtered by the side of the road, bird- skulls bleaching in the sunset. I ought to be watching from behind a cliff or a cardboard storefront when the shooting starts, hands clasped in admiration, but I am elsewhere. Then what about me what about the I confronting you on that border, you are always trying to cross? I am the horizon you ride towards, the thing you can never lasso I am also what surrounds you: my brain scattered with your tincans, bones, empty shells, the litter of your invasions. I am the space you desecrate as you pass through.

for Saaid Shire The poem can start with him walking backwards into a room. He takes off his jacket and sits down for the rest of his life; that’s how we bring Dad back. I can make the blood run back up my nose, ants rushing into a hole. We grow into smaller bodies, my breasts disappear, your cheeks soften, teeth sink back into gums. I can make us loved, just say the word. Give them stumps for hands if even once they touched us without consent, I can write the poem and make it disappear. Step-Dad spits liquor back into glass, Mum’s body rolls back up the stairs, the bone pops back into place, maybe she keeps the baby. Maybe we’re okay kid? I’ll rewrite this whole life and this time there’ll be so much love, you won’t be able to see beyond it. You won’t be able to see beyond it, I’ll rewrite this whole life and this time there’ll be so much love. Maybe we’re okay kid, maybe she keeps the baby. Mum’s body rolls back up the stairs, the bone pops back into place, Step-Dad spits liquor back into glass. I can write the poem and make it disappear, give them stumps for hands if even once they touched us without consent, I can make us loved, just say the word. Your cheeks soften, teeth sink back into gums we grow into smaller bodies, my breasts disappear. I can make the blood run back up my nose, ants rushing into a hole, that’s how we bring Dad back. He takes off his jacket and sits down for the rest of his life. The poem can start with him walking backwards into a room.

Since it’s just me here I’ve found the back and stayed there most of the time, in rain and snow and the no-moon nights, dodging the front I used to put up like a yard gussied and groomed, all edged and flower-lined, my bottled life. Uncorked, I had a thought: I want the want I dreamed of wanting once, a quarter cup of sneak-peek at what prowls in the back, at what sings in the wet rag space behind the garage, back where the rabbits nest, where I smell something soupish, sour and dank and it’s filled with weeds like rough cat tongues and the wind is unfostered, untended, now that it’s just me here and I am so hungry for the song that grows tall like a weed grows, and grows. When I was a little girl my ma said a woman gets tired and sick of the front yard, of kissing the backside of a rose.

My favorite is the cream puff lie, the kind inflated with hot air, expanded to make an heroic-sized story. Another is the cannoli, a long lie, well-packed with nutty details, lightly wrapped in flakey truth. A macaroon isn't a little white lie, but it's covered with self-serving coconut. The apple tart carries slices of sour gossip, only slightly sweetened with truth. Then there's the napoleon, an Iago lie of pernicious intent, layer upon layer of dark deceit.

Balance is everything, is the only way to hold on. I've weighed the alternatives, the hold as harbor: It isn't safe to let go. But consider the hover, choices made, the moment between later and too late. Hesitation is later, regret too late. You can't keep turning and turning, or expecting to return. This earth is not a wheel, it is a rock that erodes, mountain by mountain. And I have been too soft, like sandstone, but there is a point where I stand without a story, immutable and moved, solid as a breath in winter air. I have seen my death and I know it is my neighbor, my brother, my keeper. In my life I am going to keep trying for the balance, remembering the risks and the value of extremes, and that experience teaches the length of allowable lean; that it is easier — and wiser — to balance a stone as if on one toe though it weigh a hundred pounds than to push it back against the curve of its own world.

Shoot in 16 mm film, capture her sitting under an olive-green archway. Loop the sound of steel striking glass. When you blink, the camera captures the frame of her kin, walking upside down. Loop the sound of tundra grass sprouting. Her hairline marks her shift        from caribou to woman. Standing in front of three white spotlights the silhouette of five black arrowheads departs from her lips. Splice together her eyelashes and frozen lids        exaggerate the strain of her freckles coiled into song. Inukshuks tumble from the tips of her fingernails guiding the landing strip for twin otters; they watch their children travel to the moon, or perhaps they erase our oiled webs. Chart sixteen luminaries into the Beaufort Sea. Wait.     Wait.        Wait. The shutter will remember their white crested etchings. They resurface in the lyric of your documentary.

I He did not wear his scarlet coat, For blood and wine are red, And blood and wine were on his hands When they found him with the dead, The poor dead woman whom he loved, And murdered in her bed. He walked amongst the Trial Men In a suit of shabby gray; A cricket cap was on his head, And his step seemed light and gay; But I never saw a man who looked So wistfully at the day. I never saw a man who looked With such a wistful eye Upon that little tent of blue Which prisoners call the sky, And at every drifting cloud that went With sails of silver by. I walked, with other souls in pain, Within another ring, And was wondering if the man had done A great or little thing, When a voice behind me whispered low, "That fellow's got to swing." Dear Christ! the very prison walls Suddenly seemed to reel, And the sky above my head became Like a casque of scorching steel; And, though I was a soul in pain, My pain I could not feel. I only knew what hunted thought Quickened his step, and why He looked upon the garish day With such a wistful eye; The man had killed the thing he loved, And so he had to die. Yet each man kills the thing he loves, By each let this be heard, Some do it with a bitter look, Some with a flattering word, The coward does it with a kiss, The brave man with a sword! Some kill their love when they are young, And some when they are old; Some strangle with the hands of Lust, Some with the hands of Gold: The kindest use a knife, because The dead so soon grow cold. Some love too little, some too long, Some sell, and others buy; Some do the deed with many tears, And some without a sigh: For each man kills the thing he loves, Yet each man does not die. He does not die a death of shame On a day of dark disgrace, Nor have a noose about his neck, Nor a cloth upon his face, Nor drop feet foremost through the floor Into an empty space. He does not sit with silent men Who watch him night and day; Who watch him when he tries to weep, And when he tries to pray; Who watch him lest himself should rob The prison of its prey. He does not wake at dawn to see Dread figures throng his room, The shivering Chaplain robed in white, The Sheriff stern with gloom, And the Governor all in shiny black, With the yellow face of Doom. He does not rise in piteous haste To put on convict-clothes, While some coarse-mouthed Doctor gloats, and notes Each new and nerve-twitched pose, Fingering a watch whose little ticks Are like horrible hammer-blows. He does not know that sickening thirst That sands one's throat, before The hangman with his gardener's gloves Slips through the padded door, And binds one with three leathern thongs, That the throat may thirst no more. He does not bend his head to hear The Burial Office read, Nor while the terror of his soul Tells him he is not dead, Cross his own coffin, as he moves Into the hideous shed. He does not stare upon the air Through a little roof of glass: He does not pray with lips of clay For his agony to pass; Nor feel upon his shuddering cheek The kiss of Caiaphas. II Six weeks the guardsman walked the yard, In the suit of shabby gray: His cricket cap was on his head, And his step seemed light and gay, But I never saw a man who looked So wistfully at the day. I never saw a man who looked With such a wistful eye Upon that little tent of blue Which prisoners call the sky, And at every wandering cloud that trailed Its ravelled fleeces by. He did not wring his hands, as do Those witless men who dare To try to rear the changeling Hope In the cave of black Despair: He only looked upon the sun, And drank the morning air. He did not wring his hands nor weep, Nor did he peek or pine, But he drank the air as though it held Some healthful anodyne; With open mouth he drank the sun As though it had been wine! And I and all the souls in pain, Who tramped the other ring, Forgot if we ourselves had done A great or little thing, And watched with gaze of dull amaze The man who had to swing. For strange it was to see him pass With a step so light and gay, And strange it was to see him look So wistfully at the day, And strange it was to think that he Had such a debt to pay. For oak and elm have pleasant leaves That in the spring-time shoot: But grim to see is the gallows-tree, With its alder-bitten root, And, green or dry, a man must die Before it bears its fruit! The loftiest place is that seat of grace For which all worldlings try: But who would stand in hempen band Upon a scaffold high, And through a murderer's collar take His last look at the sky? It is sweet to dance to violins When Love and Life are fair: To dance to flutes, to dance to lutes Is delicate and rare: But it is not sweet with nimble feet To dance upon the air! So with curious eyes and sick surmise We watched him day by day, And wondered if each one of us Would end the self-same way, For none can tell to what red Hell His sightless soul may stray. At last the dead man walked no more Amongst the Trial Men, And I knew that he was standing up In the black dock's dreadful pen, And that never would I see his face In God's sweet world again. Like two doomed ships that pass in storm We had crossed each other's way: But we made no sign, we said no word, We had no word to say; For we did not meet in the holy night, But in the shameful day. A prison wall was round us both, Two outcast men we were: The world had thrust us from its heart, And God from out His care: And the iron gin that waits for Sin Had caught us in its snare. III In Debtors' Yard the stones are hard, And the dripping wall is high, So it was there he took the air Beneath the leaden sky, And by each side a Warder walked, For fear the man might die. Or else he sat with those who watched His anguish night and day; Who watched him when he rose to weep, And when he crouched to pray; Who watched him lest himself should rob Their scaffold of its prey. The Governor was strong upon The Regulations Act: The Doctor said that Death was but A scientific fact: And twice a day the Chaplain called, And left a little tract. And twice a day he smoked his pipe, And drank his quart of beer: His soul was resolute, and held No hiding-place for fear; He often said that he was glad The hangman's hands were near. But why he said so strange a thing No Warder dared to ask: For he to whom a watcher's doom Is given as his task, Must set a lock upon his lips, And make his face a mask. Or else he might be moved, and try To comfort or console: And what should Human Pity do Pent up in Murderer's Hole? What word of grace in such a place Could help a brother's soul? With slouch and swing around the ring We trod the Fools' Parade! We did not care: we knew we were The Devil's Own Brigade: And shaven head and feet of lead Make a merry masquerade. We tore the tarry rope to shreds With blunt and bleeding nails; We rubbed the doors, and scrubbed the floors, And cleaned the shining rails: And, rank by rank, we soaped the plank, And clattered with the pails. We sewed the sacks, we broke the stones, We turned the dusty drill: We banged the tins, and bawled the hymns, And sweated on the mill: But in the heart of every man Terror was lying still. So still it lay that every day Crawled like a weed-clogged wave: And we forgot the bitter lot That waits for fool and knave, Till once, as we tramped in from work, We passed an open grave. With yawning mouth the yellow hole Gaped for a living thing; The very mud cried out for blood To the thirsty asphalte ring: And we knew that ere one dawn grew fair Some prisoner had to swing. Right in we went, with soul intent On Death and Dread and Doom: The hangman, with his little bag, Went shuffling through the gloom: And each man trembled as he crept Into his numbered tomb. That night the empty corridors Were full of forms of Fear, And up and down the iron town Stole feet we could not hear, And through the bars that hide the stars White faces seemed to peer. He lay as one who lies and dreams In a pleasant meadow-land, The watchers watched him as he slept, And could not understand How one could sleep so sweet a sleep With a hangman close at hand. But there is no sleep when men must weep Who never yet have wept: So we—the fool, the fraud, the knave— That endless vigil kept, And through each brain on hands of pain Another's terror crept. Alas! it is a fearful thing To feel another's guilt! For, right within, the sword of Sin Pierced to its poisoned hilt, And as molten lead were the tears we shed For the blood we had not spilt. The Warders with their shoes of felt Crept by each padlocked door, And peeped and saw, with eyes of awe, Gray figures on the floor, And wondered why men knelt to pray Who never prayed before. All through the night we knelt and prayed, Mad mourners of a corse! The troubled plumes of midnight were The plumes upon a hearse: And bitter wine upon a sponge Was the savour of Remorse. The gray cock crew, the red cock crew, But never came the day: And crooked shapes of Terror crouched, In the corners where we lay: And each evil sprite that walks by night Before us seemed to play. They glided past, they glided fast, Like travellers through a mist: They mocked the moon in a rigadoon Of delicate turn and twist, And with formal pace and loathsome grace The phantoms kept their tryst. With mop and mow, we saw them go, Slim shadows hand in hand: About, about, in ghostly rout They trod a saraband: And damned grotesques made arabesques, Like the wind upon the sand! With the pirouettes of marionettes, They tripped on pointed tread: But with flutes of Fear they filled the ear, As their grisly masque they led, And loud they sang, and long they sang, For they sang to wake the dead. "Oho!" they cried, "the world is wide, But fettered limbs go lame! And once, or twice, to throw the dice Is a gentlemanly game, But he does not win who plays with Sin In the Secret House of Shame." No things of air these antics were, That frolicked with such glee: To men whose lives were held in gyves, And whose feet might not go free, Ah! wounds of Christ! they were living things, Most terrible to see. Around, around, they waltzed and wound; Some wheeled in smirking pairs; With the mincing step of a demirep Some sidled up the stairs: And with subtle sneer, and fawning leer, Each helped us at our prayers. The morning wind began to moan, But still the night went on: Through its giant loom the web of gloom Crept till each thread was spun: And, as we prayed, we grew afraid Of the Justice of the Sun. The moaning wind went wandering round The weeping prison-wall: Till like a wheel of turning steel We felt the minutes crawl: O moaning wind! what had we done To have such a seneschal? At last I saw the shadowed bars, Like a lattice wrought in lead, Move right across the whitewashed wall That faced my three-plank bed, And I knew that somewhere in the world God's dreadful dawn was red. At six o'clock we cleaned our cells, At seven all was still, But the sough and swing of a mighty wing The prison seemed to fill, For the Lord of Death with icy breath Had entered in to kill. He did not pass in purple pomp, Nor ride a moon-white steed. Three yards of cord and a sliding board Are all the gallows' need: So with rope of shame the Herald came To do the secret deed. We were as men who through a fen Of filthy darkness grope: We did not dare to breathe a prayer, Or to give our anguish scope: Something was dead in each of us, And what was dead was Hope. For Man's grim Justice goes its way And will not swerve aside: It slays the weak, it slays the strong, It has a deadly stride: With iron heel it slays the strong, The monstrous parricide! We waited for the stroke of eight: Each tongue was thick with thirst: For the stroke of eight is the stroke of Fate That makes a man accursed, And Fate will use a running noose For the best man and the worst. We had no other thing to do, Save to wait for the sign to come: So, like things of stone in a valley lone, Quiet we sat and dumb: But each man's heart beat thick and quick, Like a madman on a drum! With sudden shock the prison-clock Smote on the shivering air, And from all the gaol rose up a wail Of impotent despair, Like the sound the frightened marshes hear From some leper in his lair. And as one sees most fearful things In the crystal of a dream, We saw the greasy hempen rope Hooked to the blackened beam, And heard the prayer the hangman's snare Strangled into a scream. And all the woe that moved him so That he gave that bitter cry, And the wild regrets, and the bloody sweats, None knew so well as I: For he who lives more lives than one More deaths than one must die. IV There is no chapel on the day On which they hang a man: The Chaplain's heart is far too sick, Or his face is far too wan, Or there is that written in his eyes Which none should look upon. So they kept us close till nigh on noon, And then they rang the bell, And the Warders with their jingling keys Opened each listening cell, And down the iron stair we tramped, Each from his separate Hell. Out into God's sweet air we went, But not in wonted way, For this man's face was white with fear, And that man's face was gray, And I never saw sad men who looked So wistfully at the day. I never saw sad men who looked With such a wistful eye Upon that little tent of blue We prisoners called the sky, And at every careless cloud that passed In happy freedom by. But there were those amongst us all Who walked with downcast head, And knew that, had each got his due, They should have died instead: He had but killed a thing that lived, Whilst they had killed the dead. For he who sins a second time Wakes a dead soul to pain, And draws it from its spotted shroud, And makes it bleed again, And makes it bleed great gouts of blood, And makes it bleed in vain! Like ape or clown, in monstrous garb With crooked arrows starred, Silently we went round and round The slippery asphalte yard; Silently we went round and round, And no man spoke a word. Silently we went round and round, And through each hollow mind The Memory of dreadful things Rushed like a dreadful wind, And Horror stalked before each man, And Terror crept behind. The Warders strutted up and down, And kept their herd of brutes, Their uniforms were spick and span, And they wore their Sunday suits, But we knew the work they had been at, By the quicklime on their boots. For where a grave had opened wide, There was no grave at all: Only a stretch of mud and sand By the hideous prison-wall, And a little heap of burning lime, That the man should have his pall. For he has a pall, this wretched man, Such as few men can claim: Deep down below a prison-yard, Naked for greater shame, He lies, with fetters on each foot, Wrapt in a sheet of flame! And all the while the burning lime Eats flesh and bone away, It eats the brittle bone by night, And the soft flesh by day, It eats the flesh and bone by turns, But it eats the heart alway. For three long years they will not sow Or root or seedling there: For three long years the unblessed spot Will sterile be and bare, And look upon the wondering sky With unreproachful stare. They think a murderer's heart would taint Each simple seed they sow. It is not true! God's kindly earth Is kindlier than men know, And the red rose would but glow more red, The white rose whiter blow. Out of his mouth a red, red rose! Out of his heart a white! For who can say by what strange way, Christ brings His will to light, Since the barren staff the pilgrim bore Bloomed in the great Pope's sight? But neither milk-white rose nor red May bloom in prison air; The shard, the pebble, and the flint, Are what they give us there: For flowers have been known to heal A common man's despair. So never will wine-red rose or white, Petal by petal, fall On that stretch of mud and sand that lies By the hideous prison-wall, To tell the men who tramp the yard That God's Son died for all. Yet though the hideous prison-wall Still hems him round and round, And a spirit may not walk by night That is with fetters bound, And a spirit may but weep that lies In such unholy ground, He is at peace—this wretched man— At peace, or will be soon: There is no thing to make him mad, Nor does Terror walk at noon, For the lampless Earth in which he lies Has neither Sun nor Moon. They hanged him as a beast is hanged: They did not even toll A requiem that might have brought Rest to his startled soul, But hurriedly they took him out, And hid him in a hole. They stripped him of his canvas clothes, And gave him to the flies: They mocked the swollen purple throat, And the stark and staring eyes: And with laughter loud they heaped the shroud In which their convict lies. The Chaplain would not kneel to pray By his dishonoured grave: Nor mark it with that blessed Cross That Christ for sinners gave, Because the man was one of those Whom Christ came down to save. Yet all is well; he has but passed To Life's appointed bourne: And alien tears will fill for him Pity's long-broken urn, For his mourners will be outcast men, And outcasts always mourn. V I know not whether Laws be right, Or whether Laws be wrong; All that we know who lie in gaol Is that the wall is strong; And that each day is like a year, A year whose days are long. But this I know, that every Law That men have made for Man, Since first Man took his brother's life, And the sad world began, But straws the wheat and saves the chaff With a most evil fan. This too I know—and wise it were If each could know the same— That every prison that men build Is built with bricks of shame, And bound with bars lest Christ should see How men their brothers maim. With bars they blur the gracious moon, And blind the goodly sun: And they do well to hide their Hell, For in it things are done That Son of God nor son of Man Ever should look upon! The vilest deeds like poison weeds Bloom well in prison-air: It is only what is good in Man That wastes and withers there: Pale Anguish keeps the heavy gate, And the Warder is Despair. For they starve the little frightened child Till it weeps both night and day: And they scourge the weak, and flog the fool, And gibe the old and gray, And some grow mad, and all grow bad, And none a word may say. Each narrow cell in which we dwell Is a foul and dark latrine, And the fetid breath of living Death Chokes up each grated screen, And all, but Lust, is turned to dust In Humanity's machine. The brackish water that we drink Creeps with a loathsome slime, And the bitter bread they weigh in scales Is full of chalk and lime, And Sleep will not lie down, but walks Wild-eyed, and cries to Time. But though lean Hunger and green Thirst Like asp with adder fight, We have little care of prison fare, For what chills and kills outright Is that every stone one lifts by day Becomes one's heart by night. With midnight always in one's heart, And twilight in one's cell, We turn the crank, or tear the rope, Each in his separate Hell, And the silence is more awful far Than the sound of a brazen bell. And never a human voice comes near To speak a gentle word: And the eye that watches through the door Is pitiless and hard: And by all forgot, we rot and rot, With soul and body marred. And thus we rust Life's iron chain Degraded and alone: And some men curse, and some men weep, And some men make no moan: But God's eternal Laws are kind And break the heart of stone. And every human heart that breaks, In prison-cell or yard, Is as that broken box that gave Its treasure to the Lord, And filled the unclean leper's house With the scent of costliest nard. Ah! happy they whose hearts can break And peace of pardon win! How else may man make straight his plan And cleanse his soul from Sin? How else but through a broken heart May Lord Christ enter in? And he of the swollen purple throat, And the stark and staring eyes, Waits for the holy hands that took The Thief to Paradise; And a broken and a contrite heart The Lord will not despise. The man in red who reads the Law Gave him three weeks of life, Three little weeks in which to heal His soul of his soul's strife, And cleanse from every blot of blood The hand that held the knife. And with tears of blood he cleansed the hand, The hand that held the steel: For only blood can wipe out blood, And only tears can heal: And the crimson stain that was of Cain Became Christ's snow-white seal. VI In Reading gaol by Reading town There is a pit of shame, And in it lies a wretched man Eaten by teeth of flame, In a burning winding-sheet he lies, And his grave has got no name. And there, till Christ call forth the dead, In silence let him lie: No need to waste the foolish tear, Or heave the windy sigh: The man had killed the thing he loved, And so he had to die. And all men kill the thing they love, By all let this be heard, Some do it with a bitter look, Some with a flattering word, The coward does it with a kiss, The brave man with a sword.