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Now sleeps the crimson petal, now the white; Nor waves the cypress in the palace walk; Nor winks the gold fin in the porphyry font. The firefly wakens; waken thou with me. Now droops the milk-white peacock like a ghost, And like a ghost she glimmers on to me. Now lies the Earth all Danaë to the stars, And all thy heart lies open unto me. Now slides the silent meteor on, and leaves A shining furrow, as thy thoughts in me. Now folds the lily all her sweetness up, And slips into the bosom of the lake. So fold thyself, my dearest, thou, and slip Into my bosom and be lost in me.

O Swallow, Swallow, flying, flying South, Fly to her, and fall upon her gilded eaves, And tell her, tell her, what I tell to thee. O tell her, Swallow, thou that knowest each, That bright and fierce and fickle is the South, And dark and true and tender is the North. O Swallow, Swallow, if I could follow, and light Upon her lattice, I would pipe and trill, And cheep and twitter twenty million loves. O were I thou that she might take me in, And lay me on her bosom, and her heart Would rock the snowy cradle till I died. Why lingereth she to clothe her heart with love, Delaying as the tender ash delays To clothe herself, when all the woods are green? O tell her, Swallow, that thy brood is flown: Say to her, I do but wanton in the South, But in the North long since my nest is made. O tell her, brief is life but love is long, And brief the sun of summer in the North, And brief the moon of beauty in the South. O Swallow, flying from the golden woods, Fly to her, and pipe and woo her, and make her mine, And tell her, tell her, that I follow thee.

Our enemies have fall'n, have fall'n: the seed, The little seed they laugh'd at in the dark, Has risen and cleft the soil, and grown a bulk Of spanless girth, that lays on every side A thousand arms and rushes to the Sun. Our enemies have fall'n, have fall'n: they came; The leaves were wet with women's tears: they heard A noise of songs they would not understand: They mark'd it with the red cross to the fall, And would have strown it, and are fall'n themselves. Our enemies have fall'n, have fall'n: they came, The woodmen with their axes: lo the tree! But we will make it faggots for the hearth, And shape it plank and beam for roof and floor, And boats and bridges for the use of men. Our enemies have fall'n, have fall'n: they struck; With their own blows they hurt themselves, nor knew There dwelt an iron nature in the grain: The glittering axe was broken in their arms, Their arms were shatter'd to the shoulder blade. Our enemies have fall'n, but this shall grow A night of Summer from the heat, a breadth Of Autumn, dropping fruits of power; and roll'd With music in the growing breeze of Time, The tops shall strike from star to star, the fangs Shall move the stony bases of the world.

Sweet and low, sweet and low, Wind of the western sea, Low, low, breathe and blow, Wind of the western sea! Over the rolling waters go, Come from the dying moon, and blow, Blow him again to me; While my little one, while my pretty one, sleeps. Sleep and rest, sleep and rest, Father will come to thee soon; Rest, rest, on mother's breast, Father will come to thee soon; Father will come to his babe in the nest, Silver sails all out of the west Under the silver moon: Sleep, my little one, sleep, my pretty one, sleep.

Tears, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more. Fresh as the first beam glittering on a sail, That brings our friends up from the underworld, Sad as the last which reddens over one That sinks with all we love below the verge; So sad, so fresh, the days that are no more. Ah, sad and strange as in dark summer dawns The earliest pipe of half-awaken'd birds To dying ears, when unto dying eyes The casement slowly grows a glimmering square; So sad, so strange, the days that are no more. Dear as remember'd kisses after death, And sweet as those by hopeless fancy feign'd On lips that are for others; deep as love, Deep as first love, and wild with all regret; O Death in Life, the days that are no more!

The splendour falls on castle walls And snowy summits old in story: The long light shakes across the lakes, And the wild cataract leaps in glory. Blow, bugle, blow, set the wild echoes flying, Blow, bugle; answer, echoes, dying, dying, dying. O hark, O hear! how thin and clear, And thinner, clearer, farther going! O sweet and far from cliff and scar The horns of Elfland faintly blowing! Blow, let us hear the purple glens replying: Blow, bugle; answer, echoes, dying, dying, dying. O love, they die in yon rich sky, They faint on hill or field or river: Our echoes roll from soul to soul, And grow for ever and for ever. Blow, bugle, blow, set the wild echoes flying, And answer, echoes, answer, dying, dying, dying.

Thy voice is heard thro' rolling drums, That beat to battle where he stands; Thy face across his fancy comes, And gives the battle to his hands: A moment, while the trumpets blow, He sees his brood about thy knee; The next, like fire he meets the foe, And strikes him dead for thine and thee.

In the dining room there is a brown fish hanging on the wall who swims along in his frame while we are eating dinner. He swims in candlelight for all to see, as if he has been swimming forever, even in the darkness of the ink before someone thought to draw him and the thin reeds waving in his stream and the clear pebbles strewn upon the sand. No wonder he continues his swimming deep into the night, long after we have blown out the candles and gone upstairs to bed. No wonder I find him in the pale morning light, still swimming, still looking out at me with his one, small, spellbound eye.

You and I on the boat notice the print the whales leave, the  huge ring their diving draws for a time on the surface. Is it like that when we lose one another? Don't know, can't. But I want to believe when we can no longer walk across a room for a hug, can no longer step into the arms of the other, there will be this: some trace that stays while the great body remains below out of sight, dark mammoth shadow flick of flipper body of delight diving deep.

Seeing photos of ancestors a century past is like looking at your own fingerprints— circles and lines you can't recognize until someone else with a stranger's eye looks close and says that's you.