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Elizabeth Barrett Browning

28 poems

Sonnets from the Portuguese 26: I lived with visions for my company
04/28/2026 14:58h
I lived with visions for my company, Instead of men and women, years ago, And found them gentle mates, nor thought to know A sweeter music than they played to me. But soon their trailing purple was not free Of this world's dust, — their lutes did silent grow, And I myself grew faint and blind below Their vanishing eyes. Then THOU didst come ... to be, Belovèd, what they seemed. Their shining fronts, Their songs, their splendours, (better, yet the same, As river-water hallowed into fonts) Met in thee, and from out thee overcame My soul with satisfaction of all wants — Because God's gifts put man's best dreams to shame.
Sonnets from the Portuguese 22: When our two souls stand up erect and strong
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When our two souls stand up erect and strong, Face to face, silent, drawing nigh and nigher, Until the lengthening wings break into fire At either curvéd point, — what bitter wrong Can the earth do to us, that we should not long Be here contented ? Think. In mounting higher, The angels would press on us, and aspire To drop some golden orb of perfect song Into our deep, dear silence. Let us stay Rather on earth, Belovèd, — where the unfit Contrarious moods of men recoil away And isolate pure spirits, and permit A place to stand and love in for a day, With darkness and the death-hour rounding it.
Sonnets from the Portuguese 20: Beloved, my Beloved, when I think
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Beloved, my Beloved, when I think That thou wast in the world a year ago, What time I sate alone here in the snow And saw no footprint, heard the silence sink No moment at thy voice ... but, link by link, Went counting all my chains, as if that so They never could fall off at any blow Struck by thy possible hand ... why, thus I drink Of life's great cup of wonder! Wonderful, Never to feel thee thrill the day or night With personal act or speech,—nor ever cull Some prescience of thee with the blossoms white Thou sawest growing! Atheists are as dull, Who cannot guess God's presence out of sight.
Sonnets from the Portuguese 14: If thou must love me, let it be for nought
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If thou must love me, let it be for nought Except for love's sake only. Do not say I love her for her smile ... her look ... her way Of speaking gently, ... for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day'— For these things in themselves, Belovèd, may Be changed, or change for thee,—and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity's wiping my cheeks dry,— A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby! But love me for love's sake, that evermore Thou may'st love on, through love's eternity.
Sonnets from the Portuguese 1: I thought once how Theocritus had sung
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I thought once how Theocritus had sung Of the sweet years, the dear and wished for years, Who each one in a gracious hand appears To bear a gift for mortals, old or young: And, as I mused it in his antique tongue, I saw, in gradual vision through my tears, The sweet, sad years, the melancholy years, Those of my own life, who by turns had flung A shadow across me. Straightway I was 'ware, So weeping, how a mystic Shape did move Behind me, and drew me backward by the hair, And a voice said in mastery, while I strove, ... Guess now who holds thee?'—Death,' I said. But there, The silver answer rang ... Not Death, but Love.'
Past and Future
04/28/2026 14:58h
MY future will not copy fair my past On any leaf but Heaven's. Be fully done, Supernal Will ! I would not fain be one Who, satisfying thirst and breaking fast Upon the fulness of the heart, at last Saith no grace after meat. My wine hath run Indeed out of my cup, and there is none To gather up the bread of my repast Scattered and trampled ! Yet I find some good In earth's green herbs, and streams that bubble up Clear from the darkling ground, — content until I sit with angels before better food. Dear Christ ! when thy new vintage fills my cup, This hand shall shake no more, nor that wine spill.
Only a Curl
04/28/2026 14:58h
I. FRIENDS of faces unknown and a land Unvisited over the sea, Who tell me how lonely you stand With a single gold curl in the hand Held up to be looked at by me, — II. While you ask me to ponder and say What a father and mother can do, With the bright fellow-locks put away Out of reach, beyond kiss, in the clay Where the violets press nearer than you. III. Shall I speak like a poet, or run Into weak woman's tears for relief ? Oh, children ! — I never lost one, — Yet my arm 's round my own little son, And Love knows the secret of Grief. IV. And I feel what it must be and is, When God draws a new angel so Through the house of a man up to His, With a murmur of music, you miss, And a rapture of light, you forgo. V. How you think, staring on at the door, Where the face of your angel flashed in, That its brightness, familiar before, Burns off from you ever the more For the dark of your sorrow and sin. VI. God lent him and takes him,' you sigh ; — Nay, there let me break with your pain : God 's generous in giving, say I, — And the thing which He gives, I deny That He ever can take back again. VII. He gives what He gives. I appeal To all who bear babes — in the hour When the veil of the body we feel Rent round us, — while torments reveal The motherhood's advent in power, VIII. And the babe cries ! — has each of us known By apocalypse (God being there Full in nature) the child is our own, Life of life, love of love, moan of moan, Through all changes, all times, everywhere. IX. He 's ours and for ever. Believe, O father ! — O mother, look back To the first love's assurance. To give Means with God not to tempt or deceive With a cup thrust in Benjamin's sack. X. He gives what He gives. Be content ! He resumes nothing given, — be sure ! God lend ? Where the usurers lent In His temple, indignant He went And scourged away all those impure. XI. He lends not ; but gives to the end, As He loves to the end. If it seem That He draws back a gift, comprehend 'Tis to add to it rather, — amend, And finish it up to your dream, — XII. Or keep, — as a mother will toys Too costly, though given by herself, Till the room shall be stiller from noise, And the children more fit for such joys, Kept over their heads on the shelf. XIII. So look up, friends ! you, who indeed Have possessed in your house a sweet piece Of the Heaven which men strive for, must need Be more earnest than others are,—speed Where they loiter, persist where they cease. XIV. You know how one angel smiles there. Then weep not. 'Tis easy for you To be drawn by a single gold hair Of that curl, from earth's storm and despair, To the safe place above us. Adieu.
My Heart and I
04/28/2026 14:58h
I. ENOUGH ! we're tired, my heart and I. We sit beside the headstone thus, And wish that name were carved for us. The moss reprints more tenderly The hard types of the mason's knife, As heaven's sweet life renews earth's life With which we're tired, my heart and I. II. You see we're tired, my heart and I. We dealt with books, we trusted men, And in our own blood drenched the pen, As if such colours could not fly. We walked too straight for fortune's end, We loved too true to keep a friend ; At last we're tired, my heart and I. III. How tired we feel, my heart and I ! We seem of no use in the world ; Our fancies hang grey and uncurled About men's eyes indifferently ; Our voice which thrilled you so, will let You sleep; our tears are only wet : What do we here, my heart and I ? IV. So tired, so tired, my heart and I ! It was not thus in that old time When Ralph sat with me 'neath the lime To watch the sunset from the sky. Dear love, you're looking tired,' he said; I, smiling at him, shook my head : 'Tis now we're tired, my heart and I. V. So tired, so tired, my heart and I ! Though now none takes me on his arm To fold me close and kiss me warm Till each quick breath end in a sigh Of happy languor. Now, alone, We lean upon this graveyard stone, Uncheered, unkissed, my heart and I. VI. Tired out we are, my heart and I. Suppose the world brought diadems To tempt us, crusted with loose gems Of powers and pleasures ? Let it try. We scarcely care to look at even A pretty child, or God's blue heaven, We feel so tired, my heart and I. VII. Yet who complains ? My heart and I ? In this abundant earth no doubt Is little room for things worn out : Disdain them, break them, throw them by And if before the days grew rough We once were loved, used, — well enough, I think, we've fared, my heart and I.
A Musical Instrument
04/28/2026 14:58h
I. WHAT was he doing, the great god Pan, Down in the reeds by the river ? Spreading ruin and scattering ban, Splashing and paddling with hoofs of a goat, And breaking the golden lilies afloat With the dragon-fly on the river. II. He tore out a reed, the great god Pan, From the deep cool bed of the river : The limpid water turbidly ran, And the broken lilies a-dying lay, And the dragon-fly had fled away, Ere he brought it out of the river. III. High on the shore sate the great god Pan, While turbidly flowed the river ; And hacked and hewed as a great god can, With his hard bleak steel at the patient reed, Till there was not a sign of a leaf indeed To prove it fresh from the river. IV. He cut it short, did the great god Pan, (How tall it stood in the river !) Then drew the pith, like the heart of a man, Steadily from the outside ring, And notched the poor dry empty thing In holes, as he sate by the river. V. This is the way,' laughed the great god Pan, Laughed while he sate by the river,) The only way, since gods began To make sweet music, they could succeed.' Then, dropping his mouth to a hole in the reed, He blew in power by the river. VI. Sweet, sweet, sweet, O Pan ! Piercing sweet by the river ! Blinding sweet, O great god Pan ! The sun on the hill forgot to die, And the lilies revived, and the dragon-fly Came back to dream on the river. VII. Yet half a beast is the great god Pan, To laugh as he sits by the river, Making a poet out of a man : The true gods sigh for the cost and pain, — For the reed which grows nevermore again As a reed with the reeds in the river.
Mother and Poet
04/28/2026 14:58h
I. Dead ! One of them shot by the sea in the east, And one of them shot in the west by the sea. Dead ! both my boys ! When you sit at the feast And are wanting a great song for Italy free, Let none look at me ! II. Yet I was a poetess only last year, And good at my art, for a woman, men said ; But this woman, this , who is agonized here, — The east sea and west sea rhyme on in her head For ever instead. III. What art can a woman be good at ? Oh, vain ! What art is she good at, but hurting her breast With the milk-teeth of babes, and a smile at the pain ? Ah boys, how you hurt ! you were strong as you pressed, And I proud, by that test. IV. What art's for a woman ? To hold on her knees Both darlings ! to feel all their arms round her throat, Cling, strangle a little ! to sew by degrees And 'broider the long-clothes and neat little coat ; To dream and to doat. V. To teach them ... It stings there ! I made them indeed Speak plain the word country. I taught them, no doubt, That a country's a thing men should die for at need. I prated of liberty, rights, and about The tyrant cast out. VI. And when their eyes flashed ... O my beautiful eyes ! ... I exulted ; nay, let them go forth at the wheels Of the guns, and denied not. But then the surprise When one sits quite alone ! Then one weeps, then one kneels ! God, how the house feels ! VII. At first, happy news came, in gay letters moiled With my kisses, — of camp-life and glory, and how They both loved me ; and, soon coming home to be spoiled In return would fan off every fly from my brow With their green laurel-bough. VIII. Then was triumph at Turin : Ancona was free !' And some one came out of the cheers in the street, With a face pale as stone, to say something to me. My Guido was dead ! I fell down at his feet, While they cheered in the street. IX. I bore it ; friends soothed me ; my grief looked sublime As the ransom of Italy. One boy remained To be leant on and walked with, recalling the time When the first grew immortal, while both of us strained To the height he had gained. X. And letters still came, shorter, sadder, more strong, Writ now but in one hand, I was not to faint, — One loved me for two — would be with me ere long : And Viva l' Italia ! — he died for, our saint, Who forbids our complaint." XI. My Nanni would add, he was safe, and aware Of a presence that turned off the balls, — was imprest It was Guido himself, who knew what I could bear, And how 'twas impossible, quite dispossessed, To live on for the rest." XII. On which, without pause, up the telegraph line Swept smoothly the next news from Gaeta : — Shot . Tell his mother. Ah, ah, his, ' their ' mother, — not mine, ' No voice says " My mother" again to me. What ! You think Guido forgot ? XIII. Are souls straight so happy that, dizzy with Heaven, They drop earth's affections, conceive not of woe ? I think not. Themselves were too lately forgiven Through THAT Love and Sorrow which reconciled so The Above and Below. XIV. O Christ of the five wounds, who look'dst through the dark To the face of Thy mother ! consider, I pray, How we common mothers stand desolate, mark, Whose sons, not being Christs, die with eyes turned away, And no last word to say ! XV. Both boys dead ? but that's out of nature. We all Have been patriots, yet each house must always keep one. 'Twere imbecile, hewing out roads to a wall ; And, when Italy 's made, for what end is it done If we have not a son ? XVI. Ah, ah, ah ! when Gaeta's taken, what then ? When the fair wicked queen sits no more at her sport Of the fire-balls of death crashing souls out of men ? When the guns of Cavalli with final retort Have cut the game short ? XVII. When Venice and Rome keep their new jubilee, When your flag takes all heaven for its white, green, and red, When you have your country from mountain to sea, When King Victor has Italy's crown on his head, (And I have my Dead) — XVIII. What then ? Do not mock me. Ah, ring your bells low, And burn your lights faintly ! My country is there , Above the star pricked by the last peak of snow : My Italy 's THERE, with my brave civic Pair, To disfranchise despair ! XIX. Forgive me. Some women bear children in strength, And bite back the cry of their pain in self-scorn ; But the birth-pangs of nations will wring us at length Into wail such as this — and we sit on forlorn When the man-child is born. XX. Dead ! One of them shot by the sea in the east, And one of them shot in the west by the sea. Both ! both my boys ! If in keeping the feast You want a great song for your Italy free, Let none look at me !

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