Gail Mazur

“ . . . But my mind, gone out in tenderness, Shrinks from its object . . .” —Randall Jarrell I want to find my way back to her, to help her, to grab her hand, pull her up from the wooden floor of the stacks where she’s reading accounts of the hatchet murders of Lizzie Borden’s harsh parents as if she could learn something about life if she knew all the cuts and slashes; her essay on Wordsworth or Keats only a knot in her belly, a faint pressure at her temples. She’s pale, it’s five years before the first migraine, but the dreamy flush has already drained from her face. I want to lead her out of the library, to sit with her on a bench under a still living elm tree,be one who understands, but even today I don’t understand, I want to shake her and want to assure her, to hold her—but love’s not safe for her, although she craves what she knows of it, love’s a snare, a closed door, a dank cell. Maybe she should just leave the campus, take a train to Fall River, inspect Lizzie’s room, the rigid corsets and buttoned shoes, the horsehair sofas, the kitchen’s rank stew. Hell. Bleak loyal judgmental journals of a next-door neighbor—not a friend, Lizzie had no friend. If only she could follow one trajectory of thought, a plan, invent a journey out of this place, a vocation— but without me to guide her, where would she go? And what did I ever offer, what stiffening of spine? What goal? Rather, stiffening of soul, her soul cocooned in the library’s trivia. Soul circling its lessons. What can I say before she walks like a ghost in white lace carrying her bouquet of stephanotis, her father beaming innocently at her side, a boy waiting, trembling, to shape her? He’s innocent, too, we are all innocent, even Lizzie Borden who surely did take the axe. It was so hot that summer morning. The hard-hearted stepmother, heavy hand of the father. There was another daughter they favored, and Lizzie, stewing at home, heavy smell of mutton in the pores of history. But this girl, her story’s still a mystery—I tell myself she’s a quick study, a survivor. There’s still time. Soon she’ll close the bloody book, slink past the lit carrels, through the library’s heavy door to the world. Is it too late to try to touch her, kneel beside her on the dusty floor where we’re avoiding her assignment?

Asleep until noon, I'm dreaming we've been granted another year. You're here with me, healthy. Then, half-awake, the half-truth— this is our last day. Life's leaking away again, and this time, we know it. Dear body, I told you, pleading, Don't Leave! but I understand you can't say anything. Who are we? Are we fictional? We don't look like our pictures, don't look like anyone I know. Daylight flickers through a bamboo grove, we approach the Forbidden City, Looking together for the Hall of Fulfilling Original Wishes. Time is the treasure, you tell me, and the past is its hiding place. I instruct our fictional children, The past is the treasure, time is its hiding place. If we told him how much we love him, how much we miss him, he could stay.

Sometimes she’s Confucian— resolute in privation. . . . Each day, more immobile, hip not mending, legs swollen; still she carries her grief with a hard steadiness. Twelve years uncompanioned, there’s no point longing for what can’t return. This morning, she tells me, she found a robin hunched in the damp dirt by the blossoming white azalea. Still there at noon— she went out in the yard with her 4-pronged metal cane— it appeared to be dying. Tonight, when she looked again, the bird had disappeared and in its place, under the bush, was a tiny egg— “Beautiful robin’s-egg blue”— she carried carefully indoors. “Are you keeping it warm?” I ask—what am I thinking?— And she: “Gail, I don’t want a bird, I want a blue egg.”

for John Limon The game of baseball is not a metaphor and I know it’s not really life. The chalky green diamond, the lovely dusty brown lanes I see from airplanes multiplying around the cities are only neat playing fields. Their structure is not the frame of history carved out of forest, that is not what I see on my ascent. And down in the stadium, the veteran catcher guiding the young pitcher through the innings, the line of concentration between them, that delicate filament is not like the way you are helping me, only it reminds me when I strain for analogies, the way a rookie strains for perfection, and the veteran, in his wisdom, seems to promise it, it glows from his upheld glove, and the man in front of me in the grandstand, drinking banana daiquiris from a thermos, continuing through a whole dinner to the aromatic cigar even as our team is shut out, nearly hitless, he is not like the farmer that Auden speaks of in Breughel’s Icarus, or the four inevitable woman-hating drunkards, yelling, hugging each other and moving up and down continuously for more beer and the young wife trying to understand what a full count could be to please her husband happy in his old dreams, or the little boy in the Yankees cap already nodding off to sleep against his father, program and popcorn memories sliding into the future, and the old woman from Lincoln, Maine, screaming at the Yankee slugger with wounded knees to break his leg this is not a microcosm, not even a slice of life and the terrible slumps, when the greatest hitter mysteriously goes hitless for weeks, or the pitcher’s stuff is all junk who threw like a magician all last month, or the days when our guys look like Sennett cops, slipping, bumping each other, then suddenly, the play that wasn’t humanly possible, the Kid we know isn’t ready for the big leagues, leaps into the air to catch a ball that should have gone downtown, and coming off the field is hugged and bottom-slapped by the sudden sorcerers, the winning team the question of what makes a man slump when his form, his eye, his power aren’t to blame, this isn’t like the bad luck that hounds us, and his frustration in the games not like our deep rage for disappointing ourselves the ball park is an artifact, manicured, safe, “scene in an Easter egg”, and the order of the ball game, the firm structure with the mystery of accidents always contained, not the wild field we wander in, where I’m trying to recite the rules, to repeat the statistics of the game, and the wind keeps carrying my words away

One of those appointments you postpone until anxiety propels you to the phone, then have to wait too long for, to take an inconvenient time . . . Late in the day, an old man and I watch the minute hand on the waiting room wall. I’ve papers to grade, but he wants someone to talk to, and his attendant’s rude, so he turns his whiskery face to me: “Y’ know, I lived my whole life in Waltham, worked 40 years at the watch factory—oh, that city used to be so beautiful, now it’s a mess, those Cubans and Puerto Ricans, they ruined it.” Coiled in his wheelchair, he’s mad for company, probably scared he’s dying, * and so am I. I don’t remember Watch City as beautiful the year I was eleven, when Merle and I rode the Grove Street bus to Moody Street to shoplift haircurlers and Pond’s Vanishing Cream, nickel items at the Waltham Woolworth’s. It was an old factory town, wooden triple-deckers, water rats swimming in the oily river. Merle and I didn’t risk a furtive life of crime in our well-kempt Auburndale where we thought we were well-known, and canoers paddled the same Charles River past our homes. And I still wonder what could have vanished when we rubbed the mystery elixir on our silky cheeks? * His cheeks sucked in, this geezer could be my grandfather forty years ago, so I ignore his racist overture and agree Waltham was beautiful, as the attendant takes his Social Security card, and whistles: “Boy, are you old!” then mutters something else in Spanish. The number must be low. . . . “1936— that was the first year of Social Security!” the old guy brags. The kid forsakes our ancient history, flexes his muscles. He’s probably been listening to insults for an hour in the Elder Van, he’s bored and angry—why should he be nice? Yet hungry for a distracting fact or story, I encourage the grandfather, I want to be treated well myself some day, when I’ll need it even more than I do now. . . . My little bids for attention, my birds, fragile fluttering words, desire to be visible and seen. . . . “FDR was okay, wasn’t he?” I’m playing 90, it’s what I do to make us both less lonely, reminisce as if we’d shared the ’30s, as if I’d been there, come from Sicily or Limerick, a seamstress earning her hard living one town over. I always sat this way with Doc, years after he’d retired, his best treasure (besides my golden mother) a gold pocket watch, a Handsome Waltham watch— * a different time, when the things a person held or owned weren’t many but were permanent, a part of who you were. So his elegant watch confused me toward the idea my little dentist grandfather had some connection to the company, as if he’d labored there, a master craftsman, had been rewarded by a grateful boss. His bit of luxury, the swirling monogram on the back (which opened with a click), IR, for Isaac Rosenberg, timepiece connected by a chain to a safety pin at his frayed striped trouser pocket; another pin secured his Shawmut bankbook, deposits he’d made decades before * that I’d inherit, $214, Shawmut branch nearby the long-gone Waldorf Cafeteria where he idled weekday mornings with his cronies, also reminiscing, I suppose (although then I didn’t think of it), the Good Old Days before the motorcar, before their children moved away. Dexterity and skill gone, too, from his arthritic hands. He relished those mornings! The black-and-white tiled floor, the nearly empty tables, the Perfection Salad, Welsh rarebit, the “bloomberry pie.” The counterman. They serve an elegant porridge there, he told me, gourmet of the ordinary, State-of-Maine-ah grandfather, my Mainiac. The soon-to-be-widowed wives elsewhere, polishing mahogany veneer, or playing bridge, or shopping Coolidge Corner from butcher to baker in prescient black dresses. Old men and women so relieved to be rid of the burden of one another for a whole morning, of the tired bickering sentences of long American marriages, of pain and disappointment. What memories they’d had of courtships long since passed on to grandchildren, and half-false anyway, like studio photographs, mythic stories they could live with; now forgotten, the mistakes they’d been too fearful or devout to rectify. I miss that cafeteria, the whole idea of cafeterias, although Doc never took me, just pointed to it on our Sunday drive, repeating paeans to gray porridge, something no description’s glow could make me want. Waltham had them, too, free-fire zones a kid alone could enter with five cents for huge iced cookies, black-and-whites, * half chocolate, half vanilla, all Crisco and white sugar, chewed in gluttonous companionable half-light, wonderful— But who’d know that now? Who cares? Merle and I did everything subversive we could imagine—which wasn’t much. I’m sure I cruised Sin City in my mind, decayed old town—nowhere—but to me forbidden fruit: the 5 & 10, eyelash curlers, odd metal torture instruments I smuggled home that pinched my lids and made my lashes angle wildly up, delinquent startled in the bathroom mirror; Tangee lipsticks the size of my little finger, unflattering coral; pink girdles I’d eye furtively, wondering that I’d have to wriggle into one someday, or wear the bony corset my grandmother assured me was my fate. Oh, esoteric glamorous puzzle of the vanished vanishing cream . . . * Later, not so much later, the first day of my driver’s license, I drove the family station wagon down Moody Street and banged the traffic policeman’s rubber perch. He jumped down before it bounced the street, and yelled me over in a rage. Or maybe, he was kindly, it’s only my criminal terror I remember, of punishment fine-tuned, my ruined life, my new rights vanishing. Hardly a threat, I know now, the feckless cop. I gripped the steering wheel so hard to stop the huge recalcitrant Ford, doomed to lose my brand-new temporary license— How could I think, my budding power stripped, I’d ever get the chance to live or drive?