Joshua Mehigan

They’re over now forever, the long dances. Our woods are quiet. The god is gone tonight. Our girls, good girls, have shaken off their trances. They’re over now forever, the long dances. Only the moonlight, sober and real, advances over our hills to touch my head with white. They’re over now forever, the long dances. Our woods are quiet. The god is gone tonight.

Their ruler is elected state by state, and no one cuts his heart out as he drowses. Their senior citizens still copulate. Their convicts are allowed to change their blouses. In this backyard there hangs a gutted deer, and in that driver's seat there sits a wife. They have their MMR and Retrovir. They have their quarter-century more life. Each commoner receives a welcome mat. The maids have maids, and plumbers go to Paris. They call their waiters "sir." The poor are fat. They eat. They do not easily embarrass.

The cement plant was like a huge still nailed in gray corrugated panels and left out forty-five years ago in the null center of a meadow to tax itself to remorseless death near a black stream and briars, where from the moment it began to breathe, it began falling apart and burning. But it still went, and the men were paid. The plant made dust. Impalpably fine, hung in a tawny alkaline cloud, swept into drifts against mill room piers, frozen by rain on silo ledges, dust was its first and its final cause. Pinups were traced on their car windshields. Dust gave them jobs, and killed some of them. Late into evening their teeth grated. Its product was dust, its problem dust. The thing was blind to all its own ends but the one. Men’s ordinary lives, measured out on a scale alien to that on which its life was measured, were spent in crawling the junk machine, fitting new gaskets, screws, and bearings, deceiving it towards the mood required for it to avail and pay. Somehow it did. None cheered it. It sustained them.