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Thomas Hardy

38 poems

On the Belgian Expatriation
04/28/2026 14:58h
October 18, 1914 I dreamt that people from the Land of Chimes Arrived one autumn morning with their bells, To hoist them on the towers and citadels Of my own country, that the musical rhymes Rung by them into space at meted times Amid the market's daily stir and stress, And the night's empty star-lit silentness, Might solace souls of this and kindred climes. Then I awoke; and lo, before me stood The visioned ones, but pale and full of fear; From Bruges they came, and Antwerp, and Ostend, No carillons in their train. Foes of mad mood Had shattered these to shards amid the gear Of ravaged roof, and smouldering gable-end.
No Buyers
04/28/2026 14:58h
A Load of brushes and baskets and cradles and chairs Labours along the street in the rain: With it a man, a woman, a pony with whiteybrown hairs. — The man foots in front of the horse with a shambling sway At a slower tread than a funeral train, While to a dirge-like tune he chants his wares, Swinging a Turk's-head brush (in a drum-major's way When the bandsmen march and play). A yard from the back of the man is the whiteybrown pony's nose: He mirrors his master in every item of pace and pose: He stops when the man stops, without being told, And seems to be eased by a pause; too plainly he's old, Indeed, not strength enough shows To steer the disjointed waggon straight, Which wriggles left and right in a rambling line, Deflected thus by its own warp and weight, And pushing the pony with it in each incline. The woman walks on the pavement verge, Parallel to the man: She wears an apron white and wide in span, And carries a like Turk's-head, but more in nursing-wise: Now and then she joins in his dirge, But as if her thoughts were on distant things, The rain clams her apron till it clings. — So, step by step, they move with their merchandize, And nobody buys.
A New Year's Eve in War Time
04/28/2026 14:58h
1915-1916 I Phantasmal fears, And the flap of the flame, And the throb of the clock, And a loosened slate, And the blind night's drone, Which tiredly the spectral pines intone! II And the blood in my ears Strumming always the same, And the gable-cock With its fitful grate, And myself, alone. III The twelfth hour nears Hand-hid, as in shame; I undo the lock, And listen, and wait For the Young Unknown. IV In the dark there careers — As if Death astride came To numb all with his knock — A horse at mad rate Over rut and stone. V No figure appears, No call of my name, No sound but 'Tic-toc' Without check. Past the gate It clatters — is gone. VI What rider it bears There is none to proclaim; And the Old Year has struck, And, scarce animate, The New makes moan. VII Maybe that 'More Tears! — More Famine and Flame — More Severance and Shock!' Is the order from Fate That the Rider speeds on To pale Europe; and tiredly the pines intone.
Neutral Tones
04/28/2026 14:58h
We stood by a pond that winter day, And the sun was white, as though chidden of God, And a few leaves lay on the starving sod; – They had fallen from an ash, and were gray. Your eyes on me were as eyes that rove Over tedious riddles of years ago; And some words played between us to and fro On which lost the more by our love. The smile on your mouth was the deadest thing Alive enough to have strength to die; And a grin of bitterness swept thereby Like an ominous bird a-wing…. Since then, keen lessons that love deceives, And wrings with wrong, have shaped to me Your face, and the God curst sun, and a tree, And a pond edged with grayish leaves.
Men Who March Away
04/28/2026 14:58h
What of the faith and fire within us Men who march away Ere the barn-cocks say Night is growing gray, Leaving all that here can win us; What of the faith and fire within us Men who march away? Is it a purblind prank, O think you, Friend with the musing eye, Who watch us stepping by With doubt and dolorous sigh? Can much pondering so hoodwink you! Is it a purblind prank, O think you, Friend with the musing eye? Nay. We well see what we are doing, Though some may not see— Dalliers as they be— England's need are we; Her distress would leave us rueing: Nay. We well see what we are doing, Though some may not see! In our heart of hearts believing Victory crowns the just, And that braggarts must Surely bite the dust, Press we to the field ungrieving, In our heart of hearts believing Victory crowns the just. Hence the faith and fire within us Men who march away Ere the barn-cocks say Night is growing gray, Leaving all that here can win us; Hence the faith and fire within us Men who march away.
The Masked Face
04/28/2026 14:58h
I found me in a great surging space, At either end a door, And I said: "What is this giddying place, With no firm-fixéd floor, That I knew not of before?" "It is Life," said a mask-clad face. I asked: "But how do I come here, Who never wished to come; Can the light and air be made more clear, The floor more quietsome, And the doors set wide? They numb Fast-locked, and fill with fear." The mask put on a bleak smile then, And said, "O vassal-wight, There once complained a goosequill pen To the scribe of the Infinite Of the words it had to write Because they were past its ken."
The Man He Killed
04/28/2026 14:58h
"Had he and I but met By some old ancient inn, We should have sat us down to wet Right many a nipperkin! "But ranged as infantry, And staring face to face, I shot at him as he at me, And killed him in his place. "I shot him dead because — Because he was my foe, Just so: my foe of course he was; That's clear enough; although "He thought he'd 'list, perhaps, Off-hand like — just as I — Was out of work — had sold his traps — No other reason why. "Yes; quaint and curious war is! You shoot a fellow down You'd treat if met where any bar is, Or help to half-a-crown."
The Last Performance
04/28/2026 14:58h
“I am playing my oldest tunes,” declared she, “All the old tunes I know,— Those I learnt ever so long ago.” —Why she should think just then she’d play them Silence cloaks like snow. When I returned from the town at nightfall Notes continued to pour As when I had left two hours before: “It’s the very last time,” she said in closing; “From now I play no more.” A few morns onward found her fading, And, as her life outflew, I thought of her playing her tunes right through; And I felt she had known of what was coming, And wondered how she knew.
In Time of ‘The Breaking of Nations’
04/28/2026 14:58h
I Only a man harrowing clods In a slow silent walk With an old horse that stumbles and nods Half asleep as they stalk. II Only thin smoke without flame From the heaps of couch-grass; Yet this will go onward the same Though Dynasties pass. III Yonder a maid and her wight Come whispering by: War’s annals will cloud into night Ere their story die.
In Tenebris
04/28/2026 14:58h
“Percussus sum sicut foenum, et aruit cor meum.” — Ps. ci. Wintertime nighs; But my bereavement-pain It cannot bring again: Twice no one dies. Flower-petals flee; But, since it once hath been, No more that severing scene Can harrow me. Birds faint in dread: I shall not lose old strength In the lone frost's black length: Strength long since fled! Leaves freeze to dun; But friends can not turn cold This season as of old For him with none. Tempests may scath; But love can not make smart Again this year his heart Who no heart hath. Black is night's cope; But death will not appal One who, past doubtings all, Waits in unhope.

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