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5 Halloween poems
About Halloween poems
A small, cheerful shelf with one genuinely great poem behind it. Burns's "Halloween" is a long, funny, densely Scots account of an actual eighteenth-century village night of divination games — closer to anthropology than to horror.
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Poe supplies everything the modern holiday actually borrows from, and it is worth remembering that his effects are built from metre and repetition rather than from imagery: "The Raven" is frightening because of how it sounds.
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- Robert Burns — A real village night of divination games, in Scots.
- Edgar Allan Poe — Frightening because of how it sounds, not what it shows.
- William Shakespeare — The witches — still the model for all of it.
- Walter de la Mare — The empty house, and whoever is listening in it.
04/28/2026 14:58h
All Souls’ over, the roast seeds eaten, I set
on a backporch post our sculpted pumpkin
under the weather, warm still for November.
Night and day it gapes in at us
through the kitchen window, going soft
in the head. Sleepwalker-slow, a black rash of ants
harrows this hollow globe, munching
the pale peach flesh, sucking its seasoned
last juices dry. In a week, when the ants and
humming flies are done, only a hard remorseless light
drills and tenants it through and through. Within,
it turns mould-black in patches, stays
days like this while the weather takes it
in its shifty arms: wide eye-spaces shine,
the disapproving mouth holds firm. Another week,
a sad leap forward: sunk to one side
so an eye-socket’s almost blocked, it becomes
a monster of its former self. Human, it would have
rotted beyond unhappiness and horror
to some unspeakable subject state—its nose
no more than a vertical hole, the thin
bridge of amber between nose and mouth
in ruins. The other socket opens
wider than ever: disbelief.
It’s all downhill
from here: knuckles of sun, peremptory
steady fingers of frost, strain all day and night—
cracking the rind, kneading the knotted fibres
free. The crown, with its top-knot mockery
of stalk, caves in; the skull buckles; the whole
sad head drips tallowy tears: the end
is in sight. In a day or two it topples on itself
like ruined thatch, pus-white drool spidering
from the corner of the mouth, worming its way
down the body-post. All dignity to the winds,
it bows its bogeyman face of dread
to the inevitable.
And now, November almost out,
it is in the bright unseasonable sunshine
a simmer of pulp, a slow bake, amber shell speckled
chalk-grey with lichen. Light strikes and strikes
its burst surfaces: it sags, stays at the end of
its brief tether—a helmet of dark circles, death caul.
Here is the last umbilical gasp, everybody’s
nightmare parent, the pitiless system
rubbing our noses in it. But pity poor lantern-head
with his lights out, glob by greasy glob
going back where he came from: as each seed-shaped
drop falls free, it catches and clutches
for one split second the light. When the pumpkin
lapses to our common ground at last—where
a swaddle of snow will fold it in no time
from sight—I try to take in the empty space it’s left
on top of the wooden post: it is that empty space.
04/28/2026 14:58h
The ghost is a torn sheet,
the skeleton’s suit came from a rack in a store
the witch is flameproof, but who knows
what dark streets they have taken here?
Brother Death, here is a candy bar.
For the lady wearing the hat from Salem: gum.
And a penny for each eye, Lost Soul.
They fade away with their heavy sacks.
Thanks! I yell just in time.
Thanks for another year!
04/28/2026 14:58h
(The Celtic Halloween)
In the season leaves should love,
since it gives them leave to move
through the wind, towards the ground
they were watching while they hung,
legend says there is a seam
stitching darkness like a name.
Now when dying grasses veil
earth from the sky in one last pale
wave, as autumn dies to bring
winter back, and then the spring,
we who die ourselves can peel
back another kind of veil
that hangs among us like thick smoke.
Tonight at last I feel it shake.
I feel the nights stretching away
thousands long behind the days
till they reach the darkness where
all of me is ancestor.
I move my hand and feel a touch
move with me, and when I brush
my own mind across another,
I am with my mother's mother.
Sure as footsteps in my waiting
self, I find her, and she brings
arms that carry answers for me,
intimate, a waiting bounty.
"Carry me." She leaves this trail
through a shudder of the veil,
and leaves, like amber where she stays,
a gift for her perpetual gaze.
04/28/2026 14:58h
Tonight I light the candles of my eyes in the lee
And swing down this branch full of red leaves.
Yellow moon, skull and spine of the hare,
Arrow me to town on the neck of the air.
I hear the undertaker make love in the heather;
The candy maker, poor fellow, is under the weather.
Skunk, moose, raccoon, they go to the doors in threes
With a torch in their hands or pleas: "O, please . . ."
Baruch Spinoza and the butcher are drunk:
One is the tail and one is the trunk
Of a beast who dances in circles for beer
And doesn't think twice to learn how to steer.
Our clock is blind, our clock is dumb.
Its hands are broken, its fingers numb.
No time for the martyr of our fair town
Who wasn't a witch because she could drown.
Now the dogs of the cemetery are starting to bark
At the vision of her, bobbing up through the dark.
When she opens her mouth to gasp for air,
A moth flies out and lands in her hair.
The apples are thumping, winter is coming.
The lips of the pumpkin soon will be humming.
By the caw of the crow on the first of the year,
Something will die, something appear.
04/28/2026 14:58h
Be perfect, make it otherwise.
Yesterday is torn in shreds.
Lightning’s thousand sulfur eyes
Rip apart the breathing beds.
Hear bones crack and pulverize.
Doom creeps in on rubber treads.
Countless overwrought housewives,
Minds unraveling like threads,
Try lipstick shades to tranquilize
Fears of age and general dreads.
Sit tight, be perfect, swat the spies,
Don’t take faucets for fountainheads.
Drink tasty antidotes. Otherwise
You and the werewolf: newlyweds.
