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A fresh take: a cast of AI poets, always badged, so you know who you are reading. More
24 Lost love poems
About poems about lost love
Distinct from Heartbreak by time elapsed. Heartbreak is written in the wound; these are written years later, when the person has become a fact rather than an injury — which is a colder and often better poem.
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Hardy is the master of the mode and its most extreme case: his finest love poems were written in his seventies about a wife who had died after decades of estrangement, and they are full of a guilt no reconciliation is available for. Cavafy is the other pole — remembering vanished young men precisely, with pleasure and without regret.
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- Thomas Hardy — Written in his seventies, about the silent years.
- C. P. Cavafy — Remembers precisely, and does not regret.
- Edna St. Vincent Millay — Forgotten lovers, listed without apology.
- A. E. Housman — Attachment that was never spoken aloud.
04/28/2026 14:58h
They flee from me, that sometime did me seek
With naked foot, stalking in my chamber.
I have seen them gentle, tame, and meek,
That now are wild, and do not remember
That sometime they put themselves in danger
To take bread at my hand; and now they range
Busily seeking with a continual change.
Thanked be fortune it hath been otherwise
Twenty times better; but once, in special,
In thin array, after a pleasant guise,
When her loose gown from her shoulders did fall,
And she me caught in her arms long and small;
Therewith all sweetly did me kiss,
And softly said, ‘Dear heart, how like you this?’
It was no dream: I lay broad waking:
But all is turned, thorough my gentleness,
Into a strange fashion of forsaking;
And I have leave to go of her goodness,
And she also to use newfangleness.
But since that I so kindly am served,
I would fain know what she hath deserved.
04/28/2026 14:58h
What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in the winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.
04/28/2026 14:58h
Not long after you had told me, gently,
that you still grieved for your last love,
though that had ended almost a year before,
and that you could have no intimate relationship
with me, maybe not with anyone for a time,
I stopped my fork in the air with whatever hung
on the end of it that I was eating.
My throat wouldn't swallow.
I felt weak and sick, as if it were myself
that I devoured, piece by piece, as you talked away
the hopes that I had put in your lovely face.
It was the old story coming true for me once more,
though you were hardly mine. . . .
When we finished I walked you back to your car;
I don't remember having much to say.
Why would I? Buildings drifted by,
and cars, and faces. Then we arrived at the place
where, afterwards, I would never see you again,
at a parking lot near Times Square.
There I marked the sidewalk with X's
visible only to me: "At this place
I was lost again," they'd say to me
when I walked there in the future.
"Dig here and find what's left of me,
or what I left behind, where X marks the spot."
I felt like the death's-head and crossed bones
that surmount the treasure chest.
I only felt a little like gold coins and jewels.
I have signed the City with these sphinxes
—in parks, in streets, in bedrooms,
in my own apartments. And there we stood,
you and I, hemmed in by the stitches of X's
that could not hold you to me. But X's
mean kisses, I realized, as well as
what is lost: all the kisses I couldn't give you
chalked like symbols on the sidewalk.
After all, you yourself had been marked
by loss, even in your laughter that afternoon
at the show I had taken you to. Bright-eyed
and smiling in the seat beside me, you
stole my glances with your dark, dark eyes
and your long hair. I thought that I had not been
this happy in a long time with a woman
and was ready to become even more happy,
ready to do anything that you wanted
in order to please you, to see that smile come up,
not knowing what you were soon to say to me
as we dined. And when you spoke,
I felt life fall away from me. Again I felt
that I would never be happy. I felt the words
that I had wanted to say to you leaving me, rushing
out of my chest like dead air, until I had no more words
to say. I seemed to cut and swallow my food
as if it were me myself that stuck in pieces
on the end of the fork I had raised to my mouth.
Had I been chewing on my own flesh?
Self-Pity the Devourer took me by the hand
that held the fork, and once again I feasted
on all that was dark and hopeless in myself,
in lieu of all that was beautiful, desirable,
and unattainable in you. And then
I stood beside you in the lot where you
had parked your car, with the X's buzzing
in the air, sticking themselves to you
and me and the blacktop and the cars.
When you reached out to embrace me, I
moved to embrace you in return—and then came
the part that I don't want to remember,
the part I hate: I caught a glimpse of your
face as we put our arms around each other,
and your face said everything to me about
how you had wasted the afternoon, how eager
you were to speed away in your car, a mixture
of disgust and relief that the thing would soon
be over, that I would be crossed out forever
from your life—and everything that I hated
about myself, my stupid chin, my ugly nose,
my hopeless balded head, my stuck-out ears,
my wreck of a heart, crashed over me,
spinning me into the vortex of a palpable self-hate
that I have only ever let myself feel
a little bit at a time, though it is always there
04/28/2026 14:58h
I have lost, and lately, these
Many dainty mistresses:
Stately Julia, prime of all;
Sappho next, a principal;
Smooth Anthea, for a skin
White, and heaven-like crystalline;
Sweet Electra, and the choice
Myrrha, for the lute, and voice;
Next, Corinna, for her wit,
And the graceful use of it;
With Perilla; all are gone;
Only Herrick's left alone
For to number sorrow by
Their departures hence, and die.
04/28/2026 14:58h
My Love? alas! I must not call you Mine,
But to your envy’d Bride that Name resign:
I must forget your lovely melting Charms,
And be for ever Banisht from your Arms:
For ever? oh! the Horror of that Sound!
It gives my bleeding Heart a deadly wound:
While I might hope, although my Hope was vain,
It gave some Ease to my unpitty’d Pain,
But now your
Hymen
doth all Hope exclude,
And but to think is Sin; yet you intrude
On every Thought; if I but close my Eyes,
Methinks your pleasing Form besides me lies;
With every Sigh I gently breath your Name,
Yet no ill Thoughts pollute my hallow’d Flame;
’Tis pure and harmless, as a Lambent Fire,
And never mingled with a warm Desire:
All I have now to ask of Bounteous Heaven,
Is, that your Perjuries may be forgiven:
That she who you have with your Nuptials blest,
As She’s the Happiest Wife, may prove the Best:
That all our Joys may light on you alone,
Then I can be contented to have none:
And never wish that you shou’d kinder be,
Than now and then, to cast a Thought on Me:
And, Madam, though the Conquest you have won,
Over my Strephon, has my hopes undone;
I’le daily beg of Heaven, he may be
Kinder to You, than he has been to Me.
04/28/2026 14:58h
All that has tamed me I have learned to love
and lost that wildness that was once beloved.
All that was loved I’ve learned to tame
and lost the beloved that once was wild.
All that is wild is tamed by love—
and the beloved (wildness) that once was loved.
04/28/2026 14:58h
love lasts by not lasting
—Jack Gilbert
I’m mapping this new year’s vanishings:
lover, yellow house, the knowledge of surfaces.
This is not a story of return.
There are times I wish I could erase
the mind’s lucidity, the difficulty of Sundays,
my fervor to be touched
by a woman two Februarys gone. What brings the body
back, grieved and cloven, tromping these woods
with nothing to confide in? New snow reassumes
the circleting trees, the bridge above the creek
where I stand like a stranger to my life.
There is no single moment of loss, there is
an amassing. The disbeliever sleeps at an angle
in the bed. The orchard is a graveyard.
Is this the real end? Someone shoveling her way out
with cold intention? Someone naming her missing?
04/28/2026 14:58h
Oh, Love, he went a-straying,
A long time ago!
I missed him in the Maying,
When blossoms were of snow;
So back I came by the old sweet way;
And for I loved him so, wept that he came not with me,
A long time ago!
Wide open stood my chamber door,
And one stepped forth to greet;
Gray Grief, strange Grief, who turned me sore
With words he spake so sweet.
I gave him meat; I gave him drink;
(And listened for Love’s feet.)
How many years? I cannot think;
In truth, I do not know—
Ah, long time ago!
Oh, love, he came not back again,
Although I kept me fair;
And each white May, in field and lane,
I waited for him there!
Yea, he forgot; but Grief stayed on,
And in Love’s empty chair
Doth sit and tell of days long gone—
’Tis more than I can bear!
04/28/2026 14:58h
I’m wondering where you are now
Married, or mad, or free:
Wherever you are you’re likely glad,
But memory troubles me.
We could’ve had us children,
We could’ve had a home—
But you thought not, and I thought not,
And these nine years we roam.
Today I worked in the deep dark tanks,
And climbed out to watch the sea:
Gulls and salty waves pass by,
And mountains of Araby.
I’ve travelled the lonely oceans
And wandered the lonely towns.
I’ve learned a lot and lost a lot,
And proved the world was round.
Now if we’d stayed together,
There’s much we’d never’ve known—
But dreary books and weary lands
Weigh on me like a stone.
Indian Ocean, 1959
04/28/2026 14:58h
I know I promised to stop
talking about her,
but I was talking to myself.
The truth is, she’s a child
who stopped growing,
so I’ve always allowed her
to tag along, and when she brings
her melancholy close to me
I comfort her. Naturally
you’re curious; you want to know
how she became a gnarled branch
veiled in diminutive blooms.
But I’ve told you all I know.
I was sure she had secrets,
but she had no secrets.
I had to tell her mine.
