Alfred Noyes

(1916) I I found a dreadful acre of the dead, Marked with the only sign on earth that saves. The wings of death were hurrying overhead, The loose earth shook on those unquiet graves; For the deep gun-pits, with quick stabs of flame, Made their own thunders of the sunlit air; Yet, as I read the crosses, name by name, Rank after rank, it seemed that peace was there; Sunlight and peace, a peace too deep for thought, The peace of tides that underlie our strife, The peace with which the moving heavens are fraught, The peace that is our everlasting life. The loose earth shook. The very hills were stirred. The silence of the dead was all I heard. II We, who lie here, have nothing more to pray. To all your praises we are deaf and blind. We may not ever know if you betray Our hope, to make earth better for mankind. Only our silence, in the night, shall grow More silent, as the stars grow in the sky; And, while you deck our graves, you shall not know How many scornful legions pass you by. For we have heard you say (when we were living) That some small dream of good would “cost too much.” But when the foe struck, we have watched you giving, And seen you move the mountains with one touch. What can be done, we know. But, have no fear! If you fail now, we shall not see or hear.

( new jersey, 1918 ) Its quiet graves were made for peace till Gabriel blows his horn. Those wise old elms could hear no cry Of all that distant agony— Only the red-winged blackbird, and the rustle of thick ripe corn. The blue jay, perched upon that bronze, with bright unweeting eye Could never read the names that signed The noblest charter of mankind; But all of them were names we knew beneath our English skies. And on the low gray headstones, with their crumbling weather-stains, —Though cardinal birds, like drops of blood, Flickered across the haunted wood,— The names you’d see were names that woke like flowers in English lanes John Applegate was fast asleep; and Temperance Olden, too. And David Worth had quite forgot If Hannah’s lips were red or not; And Prudence veiled her eyes at last, as Prudence ought to do. And when, across that patch of heaven, that small blue leaf-edged space At times, a droning airplane went, No flicker of astonishment Could lift the heavy eyelids on one gossip’s upturned face. For William Speakman could not tell—so thick the grasses grow— If that strange humming in the sky Meant that the Judgment Day were nigh, Or if ’twere but the summer bees that blundered to and fro. And then, across the breathless wood, a Bell began to sound, The only Bell that wakes the dead, And Stockton Signer raised his head, And called to all the deacons in the ancient burial-ground. “The Bell, the Bell is ringing! Give me back my rusty sword. Though I thought the wars were done, Though I thought our peace was won, Yet I signed the Declaration, and the dead must keep their word. “There’s only one great ghost I know could make that ’larum ring. It’s the captain that we knew In the ancient buff and blue, It’s our Englishman, George Washington, who fought the German king!” So the sunset saw them mustering beneath their brooding boughs, Ancient shadows of our sires, Kindling with the ancient fires, While the old cracked Bell to southward shook the shadowy meeting house.

How like the sky she bends above her child, One with the great horizon of her pain! No sob from our low seas where woe runs wild, No weeping cloud, no momentary rain, Can mar the heaven-high visage of her grief, That frozen anguish, proud, majestic, dumb. She stoops in pity above the labouring earth, Knowing how fond, how brief Is all its hope, past, present, and to come, She stoops in pity, and yearns to assuage its dearth. Through that fair face the whole dark universe Speaks, as a thorn-tree speaks thro’ one white flower; And all those wrenched Promethean souls that curse The gods, but cannot die before their hour, Find utterance in her beauty. That fair head Bows over all earth’s graves. It was her cry Men heard in Rama when the twisted ways With children’s blood ran red. Her silence towers to Silences on high; And, in her face, the whole earth’s anguish prays. It is the pity, the pity of human love That strains her face, upturned to meet the doom, And her deep bosom, like a snow-white dove Frozen upon its nest, ne’er to resume Its happy breathing o’er the golden brace That she must shield till death. Death, death alone Can break the anguished horror of that spell. The sorrow on her face Is sealed: the living flesh is turned to stone; She knows all, all, that Life and Time can tell. Ah, yet, her woman’s love, so vast, so tender, Her woman’s body, hurt by every dart, Braving the thunder, still, still hide the slender Soft frightened child beneath her mighty heart. She is all one mute immortal cry, one brief Infinite pang of such victorious pain That she transcends the heavens and bows them down! The majesty of grief Is hers, and her dominion must remain Eternal. Grief alone can wear that crown.

Now, in a breath, we’ll burst those gates of gold, And ransack heaven before our moment fails. Now, in a breath, before we, too, grow old, We’ll mount and sing and spread immortal sails. It is not time that makes eternity. Love and an hour may quite out-span the years, And give us more to hear and more to see Than life can wash away with all its tears. Dear, when we part, at last, that sunset sky Shall not be touched with deeper hues than this; But we shall ride the lightning ere we die And seize our brief infinitude of bliss, With time to spare for all that heaven can tell, While eyes meet eyes, and look their last farewell.

P ART O NE The wind was a torrent of darkness among the gusty trees. The moon was a ghostly galleon tossed upon cloudy seas. The road was a ribbon of moonlight over the purple moor, And the highwayman came riding— Riding—riding— The highwayman came riding, up to the old inn-door. He’d a French cocked-hat on his forehead, a bunch of lace at his chin, A coat of the claret velvet, and breeches of brown doe-skin. They fitted with never a wrinkle. His boots were up to the thigh. And he rode with a jewelled twinkle, His pistol butts a-twinkle, His rapier hilt a-twinkle, under the jewelled sky. Over the cobbles he clattered and clashed in the dark inn-yard. He tapped with his whip on the shutters, but all was locked and barred. He whistled a tune to the window, and who should be waiting there But the landlord’s black-eyed daughter, Bess, the landlord’s daughter, Plaiting a dark red love-knot into her long black hair. And dark in the dark old inn-yard a stable-wicket creaked Where Tim the ostler listened. His face was white and peaked. His eyes were hollows of madness, his hair like mouldy hay, But he loved the landlord’s daughter, The landlord’s red-lipped daughter. Dumb as a dog he listened, and he heard the robber say— “One kiss, my bonny sweetheart, I’m after a prize to-night, But I shall be back with the yellow gold before the morning light; Yet, if they press me sharply, and harry me through the day, Then look for me by moonlight, Watch for me by moonlight, I’ll come to thee by moonlight, though hell should bar the way.” He rose upright in the stirrups. He scarce could reach her hand, But she loosened her hair in the casement. His face burnt like a brand As the black cascade of perfume came tumbling over his breast; And he kissed its waves in the moonlight, (O, sweet black waves in the moonlight!) Then he tugged at his rein in the moonlight, and galloped away to the west. P ART T WO He did not come in the dawning. He did not come at noon; And out of the tawny sunset, before the rise of the moon, When the road was a gypsy’s ribbon, looping the purple moor, A red-coat troop came marching— Marching—marching— King George’s men came marching, up to the old inn-door. They said no word to the landlord. They drank his ale instead. But they gagged his daughter, and bound her, to the foot of her narrow bed. Two of them knelt at her casement, with muskets at their side! There was death at every window; And hell at one dark window; For Bess could see, through her casement, the road that he would ride. They had tied her up to attention, with many a sniggering jest. They had bound a musket beside her, with the muzzle beneath her breast! “Now, keep good watch!” and they kissed her. She heard the doomed man say— Look for me by moonlight; Watch for me by moonlight; I’ll come to thee by moonlight, though hell should bar the way! She twisted her hands behind her; but all the knots held good! She writhed her hands till her fingers were wet with sweat or blood! They stretched and strained in the darkness, and the hours crawled by like years Till, now, on the stroke of midnight, Cold, on the stroke of midnight, The tip of one finger touched it! The trigger at least was hers! The tip of one finger touched it. She strove no more for the rest. Up, she stood up to attention, with the muzzle beneath her breast. She would not risk their hearing; she would not strive again; For the road lay bare in the moonlight; Blank and bare in the moonlight; And the blood of her veins, in the moonlight, throbbed to her love’s refrain. Tlot-tlot; tlot-tlot! Had they heard it? The horsehoofs ringing clear; Tlot-tlot; tlot-tlot, in the distance? Were they deaf that they did not hear? Down the ribbon of moonlight, over the brow of the hill, The highwayman came riding— Riding—riding— The red coats looked to their priming! She stood up, straight and still. Tlot-tlot, in the frosty silence!Tlot-tlot, in the echoing night! Nearer he came and nearer. Her face was like a light. Her eyes grew wide for a moment; she drew one last deep breath, Then her finger moved in the moonlight, Her musket shattered the moonlight, Shattered her breast in the moonlight and warned him—with her death. He turned. He spurred to the west; he did not know who stood Bowed, with her head o’er the musket, drenched with her own blood! Not till the dawn he heard it, and his face grew grey to hear How Bess, the landlord’s daughter, The landlord’s black-eyed daughter, Had watched for her love in the moonlight, and died in the darkness there. Back, he spurred like a madman, shrieking a curse to the sky, With the white road smoking behind him and his rapier brandished high. Blood red were his spurs in the golden noon; wine-red was his velvet coat; When they shot him down on the highway, Down like a dog on the highway, And he lay in his blood on the highway, with a bunch of lace at his throat. .       .       . And still of a winter’s night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a ribbon of moonlight over the purple moor, A highwayman comes riding— Riding—riding— A highwayman comes riding, up to the old inn-door. Over the cobbles he clatters and clangs in the dark inn-yard. He taps with his whip on the shutters, but all is locked and barred. He whistles a tune to the window, and who should be waiting there But the landlord’s black-eyed daughter, Bess, the landlord’s daughter, Plaiting a dark red love-knot into her long black hair.

There’s a barrel-organ carolling across a golden street In the City as the sun sinks low; And the music's not immortal; but the world has made it sweet And fulfilled it with the sunset glow; And it pulses through the pleasures of the City and the pain That surround the singing organ like a large eternal light; And they’ve given it a glory and a part to play again In the Symphony that rules the day and night. And now it’s marching onward through the realms of old romance And trolling out a fond familiar tune, And now it’s roaring cannon down to fight the King of France, And now it’s prattling softly to the moon, And all around the organ there’s a sea without a shore Of human joys and wonders and regrets; To remember and to recompense the music evermore For what the cold machinery forgets. . . . Yes; as the music changes, Like a prismatic glass, It takes the light and ranges Through all the moods that pass; Dissects the common carnival Of passions and regrets, And gives the world a glimpse of all The colours it forgets. And there La Traviata sighs Another sadder song; And there Il Trovatore cries A tale of deeper wrong; And bolder knights to battle go With sword and shield and lance, Than ever here on earth below Have whirled into—a dance!— Go down to Kew in lilac-time, in lilac-time, in lilac-time; Go down to Kew in lilac-time (it isn’t far from London!) And you shall wander hand in hand with love in summer’s wonderland; Go down to Kew in lilac-time (it isn’t far from London!) The cherry-trees are seas of bloom and soft perfume and sweet perfume, The cherry-trees are seas of bloom (and oh, so near to London!) And there they say, when dawn is high and all the world’s a blaze of sky The cuckoo, though he’s very shy, will sing a song for London. The Dorian nightingale is rare and yet they say you’ll hear him there At Kew, at Kew in lilac-time (and oh, so near to London!) The linnet and the throstle, too, and after dark the long halloo And golden-eyed tu-whit, tu-whoo, of owls that ogle London. For Noah hardly knew a bird of any kind that isn’t heard At Kew, at Kew in lilac-time (and oh, so near to London!) And when the rose begins to pout and all the chestnut spires are out You’ll hear the rest without a doubt, all chorussing for London:— Come down to Kew in lilac-time, in lilac-time, in lilac-time; Come down to Kew in lilac-time (it isn’t far from London!) And you shall wander hand in hand with love in summer’s wonderland; Come down to Kew in lilac-time (it isn’t far from London!)

O Hesper-Phosphor, far away Shining, the first, the last white star, Hear’st thou the strange, the ghostly cry, That moan of an ancient agony From purple forest to golden sky Shivering over the breathless bay? It is not the wind that wakes with the day; For see, the gulls that wheel and call, Beyond the tumbling white-topped bar, Catching the sun-dawn on their wings, Like snow-flakes or like rose-leaves fall, Flutter and fall in airy rings; And drift, like lilies ruffling into blossom Upon a golden lake’s unwrinkled bosom. Are not the forest’s deep-lashed fringes wet With tears? Is not the voice of all regret Breaking out of the dark earth’s heart? She too, she too, has loved and lost; and we— We that remember our lost Arcady, Have we not known, we too, The primal greenwood’s arch of blue, The radiant clouds at sunrise curled Around the brows of the golden world; The marble temples, washed with dew, To which with rosy limbs aflame The violet-eyed Thalassian came, Came pitiless, only to display How soon the youthful splendour dies away; Came, only to depart Laughing across the gray-grown bitter sea? For each man’s life is earth’s epitome, And though the years bring more than aught they take, Yet might his heart and hers well break Remembering how one prayer must still be vain, How one fair hope is dead, One passion quenched, one glory fled, With those first loves that never come again. How many, how many generations, Have heard that sigh in the dawn, When the dark earth yearns to the unforgotten nations And the old loves withdrawn, Old loves, old lovers, wonderful and unnumbered As waves on the wine-dark sea, ’Neath the tall white towers of Troy and the temples that slumbered; In Thessaly? From the beautiful palaces, from the miraculous portals, The swift white feet are flown! They were taintless of dust, the proud, the peerless Immortals As they sped to their loftier throne! Perchance they are there, earth dreams, on the shores of Hesper, Her rosy-bosomed Hours, Listening the wild fresh forest’s enchanted whisper, Crowned with its new strange flowers; Listening the great new ocean’s triumphant thunder On the stainless unknown shore, While that perilous queen of the world’s delight and wonder Comes white from the foam once more. When the mists divide with the dawn o’er those glittering waters, Do they gaze over unoared seas— Naiad and nymph and the woodland’s rose-crowned daughters And the Oceanides? Do they sing together, perchance, in that diamond splendour, That world of dawn and dew, With eyelids twitching to tears and with eyes grown tender, The sweet old songs they knew, The songs of Greece? Ah, with harp-strings mute do they falter As the earth like a small star pales? When the heroes launch their ship by the smoking altar Does a memory lure their sails? Far, far away, do their hearts resume the story That never on earth was told, When all those urgent oars on the waste of glory Cast up its gold? Are not the forest fringes wet With tears? Is not the voice of all regret Breaking out of the dark earth’s heart? She too, she too, has loved and lost; and though She turned last night in disdain Away from the sunset-embers, From her soul she can never depart; She can never depart from her pain. Vainly she strives to forget; Beautiful in her woe, She awakes in the dawn and remembers.