Edgar Lee Masters

Take note, passers-by, of the sharp erosions Eaten in my head-stone by the wind and rain i Almost as if an intangible Nemesis or hatred Were marking scores against me, But to destroy, and not preserve, my memory. I in life was the Circuit Judge, a maker of notches, Deciding cases on the points the lawyers scored, Not on the right of the matter. O wind and rain, leave my head-stone alone! For worse than the anger of the wronged, The curses of the poor, Was to lie speechless, yet with vision clear, Seeing that even Hod Putt, the murderer, Hanged by my sentence, Was innocent in soul compared with me.

The press of the Spoon River Clarion was wrecked, And I was tarred and feathered, For publishing this on the day the Anarchists were hanged in Chicago: "I saw a beautiful woman with bandaged eyes Standing on the steps of a marble temple. Great multitudes passed in front of her, Lifting their faces to her imploringly. In her left hand she held a sword. She was brandishing the sword, Sometimes striking a child, again a laborer, Again a slinking woman, again a lunatic. In her right hand she held a scale; Into the scale pieces of gold were tossed By those who dodged the strokes of the sword. A man in a black gown read from a manuscript: 'She is no respecter of persons.' Then a youth wearing a red cap Leaped to her side and snatched away the bandage. And lo, the lashes had been eaten away From the oozy eye-lids; The eye-balls were seared with a milky mucus; The madness of a dying soul Was written on her face i But the multitude saw why she wore the bandage."

Together in this grave lie Benjamin Pantier, attorney at law, And Nig, his dog, constant companion, solace and friend. Down the gray road, friends, children, men and women, Passing one by one out of life, left me till I was alone With Nig for partner, bed-fellow, comrade in drink. In the morning of life I knew aspiration and saw glory. Then she, who survives me, snared my soul With a snare which bled me to death, Till I, once strong of will, lay broken, indifferent, Living with Nig in a room back of a dingy office. Under my jaw-bone is snuggled the bony nose of Nig — Our story is lost in silence. Go by, mad world!

I loathed you, Spoon River. I tried to rise above you, I was ashamed of you. I despised you As the place of my nativity. And there in Rome, among the artists, Speaking Italian, speaking French, I seemed to myself at times to be free Of every trace of my origin. I seemed to be reaching the heights of art And to breathe the air that the masters breathed, And to see the world with their eyes. But still they’d pass my work and say: "What are you driving at, my friend? Sometimes the face looks like Apollo’s, At others it has a trace of Lincoln’s." There was no culture, you know, in Spoon River, And I burned with shame and held my peace. And what could I do, all covered over And weighted down with western soil, Except aspire, and pray for another Birth in the world, with all of Spoon River Rooted out of my soul?

Out of me unworthy and unknown The vibrations of deathless music; “With malice toward none, with charity for all.” Out of me the forgiveness of millions toward millions, And the beneficent face of a nation Shining with justice and truth. I am Anne Rutledge who sleep beneath these weeds, Beloved in life of Abraham Lincoln, Wedded to him, not through union, But through separation. Bloom forever, O Republic, From the dust of my bosom!