Edgar Lee Masters

They got me into the Sunday-school In Spoon River And tried to get me to drop Confucius for Jesus. I could have been no worse off If I had tried to get them to drop Jesus for Confucius. For, without any warning, as if it were a prank, And sneaking up behind me, Harry Wiley, The minister's son, caved my ribs into my lungs, With a blow of his fist. Now I shall never sleep with my ancestors in Pekin, And no children shall worship at my grave.

I was the Widow McFarlane, Weaver of carpets for all the village. And I pity you still at the loom of life, You who are singing to the shuttle And lovingly watching the work of your hands, If you reach the day of hate, of terrible truth. For the cloth of life is woven, you know, To a pattern hidden under the loom i A pattern you never see! And you weave high-hearted, singing, singing, You guard the threads of love and friendship For noble figures in gold and purple. And long after other eyes can see You have woven a moon-white strip of cloth, You laugh in your strength, for Hope o'erlays it With shapes of love and beauty. The loom stops short! The pattern's out! You're alone in the room! You have woven a shroud! And hate of it lays you in it!

Rich, honored by my fellow citizens, The father of many children, born of a noble mother, All raised there In the great mansion-house, at the edge of town. Note the cedar tree on the lawn! I sent all the boys to Ann Arbor, all the girls to Rockford, The while my life went on, getting more riches and honors— Resting under my cedar tree at evening. The years went on. I sent the girls to Europe; I dowered them when married. I gave the boys money to start in business. They were strong children, promising as apples Before the bitten places show. But John fled the country in disgrace. Jenny died in child-birth— I sat under my cedar tree. Harry killed himself after a debauch, Susan was divorced— I sat under my cedar tree. Paul was invalided from over-study, Mary became a recluse at home for love of a man— I sat under my cedar tree. All were gone, or broken-winged or devoured by life— I sat under my cedar tree. My mate, the mother of them, was taken— I sat under my cedar tree Till ninety years were tolled. O maternal Earth, which rocks the fallen leaf to sleep!

Ye aspiring ones, listen to the story of the unknown Who lies here with no stone to mark the place. As a boy reckless and wanton, Wandering with gun in hand through the forest Near the mansion of Aaron Hatfield, I shot a hawk perched on the top Of a dead tree. He fell with guttural cry At my feet, his wing broken. Then I put him in a cage Where he lived many days cawing angrily at me When I offered him food. Daily I search the realms of Hades For the soul of the hawk, That I may offer him the friendship Of one whom life wounded and caged.

Very well, you liberals, And navigators into realms intellectual, You sailors through heights imaginative, Blown about by erratic currents, tumbling into air pockets, You Margaret Fuller Slacks, Petits, And Tennessee Claflin Shopes— You found with all your boasted wisdom How hard at the last it is To keep the soul from splitting into cellular atoms. While we, seekers of earth's treasures Getters and hoarders of gold, Are self-contained, compact, harmonized, Even to the end.

I, the scourge-wielder, balance-wrecker, Smiter with whips and swords; I, hater of the breakers of the law; I, legalist, inexorable and bitter, Driving the jury to hang the madman, Barry Holden, Was made as one dead by light too bright for eyes, And woke to face a Truth with bloody brow: Steel forceps fumbled by a doctor's hand Against my boy's head as he entered life Made him an idiot. I turned to books of science To care for him. That's how the world of those whose minds are sick Became my work in life, and all my world. Poor ruined boy! You were, at last, the potter And I and all my deeds of charity The vessels of your hand.

When I died, the circulating library Which I built up for Spoon River, And managed for the good of inquiring minds, Was sold at auction on the public square, As if to destroy the last vestige Of my memory and influence. For those of you who could not see the virtue Of knowing Volney's "Ruins" as well as Butler's "Analogy" And "Faust" as well as "Evangeline," Were really the power in the village, And often you asked me, "What is the use of knowing the evil in the world?" I am out of your way now, Spoon River, Choose your own good and call it good. For I could never make you see That no one knows what is good Who knows not what is evil; And no one knows what is true Who knows not what is false.

Maurice, weep not, I am not here under this pine tree. The balmy air of spring whispers through the sweet grass, The stars sparkle, the whippoorwill calls, But thou grievest, while my soul lies rapturous In the blest Nirvana of eternal light! Go to the good heart that is my husband, Who broods upon what he calls our guilty love: i Tell him that my love for you, no less than my love for him Wrought out my destiny i that through the flesh I won spirit, and through spirit, peace. There is no marriage in heaven, But there is love.

They brought me ambrotypes Of the old pioneers to enlarge. And sometimes one sat for me i Some one who was in being When giant hands from the womb of the world Tore the republic. What was it in their eyes? i For I could never fathom That mystical pathos of drooped eyelids, And the serene sorrow of their eyes. It was like a pool of water, Amid oak trees at the edge of a forest, Where the leaves fall, As you hear the crow of a cock From a far-off farm house, seen near the hills Where the third generation lives, and the strong men And the strong women are gone and forgotten. And these grand-children and great grand-children Of the pioneers! Truly did my camera record their faces, too, With so much of the old strength gone, And the old faith gone, And the old mastery of life gone, And the old courage gone, Which labors and loves and suffers and sings Under the sun!

Seeds in a dry pod, tick, tick, tick, Tick, tick, tick, like mites in a quarrel— Faint iambics that the full breeze wakens— But the pine tree makes a symphony thereof. Triolets, villanelles, rondels, rondeaus, Ballades by the score with the same old thought: The snows and the roses of yesterday are vanished; And what is love but a rose that fades? Life all around me here in the village: Tragedy, comedy, valor and truth, Courage, constancy, heroism, failure— All in the loom, and oh what patterns! Woodlands, meadows, streams and rivers— Blind to all of it all my life long. Triolets, villanelles, rondels, rondeaus, Seeds in a dry pod, tick, tick, tick, Tick, tick, tick, what little iambics, While Homer and Whitman roared in the pines?