Francisco Aragón
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04/28/2026 14:58h
Broadway
past Lincoln
Center and the wind
is up so seems
to speak
saw you
through the glass
standing in line
I swear a quiver
played
on your lips
you were
leafing through his book…
—years
it’s been years
since Corona
Heights, backing
into him: dribble,
hook, swish…
…that beige
comfy couch,
sipping a stem
of wine, his cat
in my lap
* * *
The Townhouse
Saturday night—shoulder
to shoulder pushing
toward the piano he
stops to squeeze
by; his eyes mine
clench unclench…
…What was it we found
in common over
drink smoke talk?
A college campus
—his son, his daughter
* * *
Earlier that night I rose
to the city’s surface
steam through the grate, crossed
crossed again down 7th
past Carnegie Hall, the greek
joint as imagined, chic
—unlike the shirt
D wore (the fur
of his arms) at Castro
and Market waiting
for the light: words were struck
like steel and flint
that distant August day…Then
his visit to Spain, mine
to New Canaan—walking
through the Morgan
with him. And what
our mouths unfurled
across a table of olives
years later—last night…
Dropping me off at 58th he
reaches for the door
I’m fumbling to open, leans
close and plants
what I’ve missed
all these years
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04/28/2026 14:58h
Just let the San Andreas
stay put, keeping this tunnel
intact, enough to amble
out of it, past Louie’s Dim
Sum a Saturday afternoon,
a breeze detectable off
the bay—visible in the distance,
carrying with it the smells
of open air markets:
crab freshly caught
and seahorses piled
in bins along Stockton . . .
or Jack, strolling out of the tube
connecting Polk Gulch
and North Beach, on his way
to Aquatic Park to spread
the Sporting Green
on his favorite patch of grass . . .
He is ferrying the portable
radio to his ear,
listening for the count
in the bottom of the ninth
at Candlestick,
begins to smooth
the pages with the palms
before he sits
to keep it dry: the split
seat of his pants
for Jack Spicer (1925-1965)
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04/28/2026 14:58h
not straight, but in waves
It seems every advance in the process
deepens the subject’s relations to
inner objects, happiness in regaining them
after feeling adrift and lost, an increased
trust because they appear good
and helpful after all, as in the child
step by step, building his relations to
external objects, gaining not only from things
pleasant, but from ways in which the child
overcomes frustrations . . . Mrs. A, for instance:
finally walking down familiar streets with a friend:
an attempt at old bonds. Yet moments into the stroll
the number of bustling people is too much,
the buildings strange, the sunlight artificial, bleak . . .
so that she has to retreat indoors into
a restaurant for a chair, but even there the walls
are buckling, the diners and waiters blurred—
indifferent to what she carries inside, her home
suddenly the only tolerable place—
pictures of her boy, his drawings,
in each and every room.
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04/28/2026 14:58h
November 9, 2016
University of Notre Dame
minutes
felt
like hours
"deplorables
knocking
at your door"
he shouted
the day
after—“build
the wall—
we're
building
a wall
around
your room!"
minutes
felt
like hours
"cowards!"
you managed,
catching
a glimpse
by cracking
your door:
there were three
of them
scurrying
down the hall,
their faces
obscured…
your back
against
the wall, you slid
to the floor—
"Hail Mary..."
you began
whispering
to yourself
and back
they came their
laughter
louder
minutes
felt
like hours
and the thumping
in your chest—
his fist
pounding the door
for Gregory Jenn ('18)
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04/28/2026 14:58h
What was it he felt
humming
beneath his skin? Gaze
of a twelve-year-old
feasting.
The hair on those arms.
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04/28/2026 14:58h
The tint of the sky between sunset and night.
And wandering with you and your nephew
in that maze, half-lost—Madrid
of the Austrias—looking for Plaza of the Green
Cross where, days before you arrived,
an Opel with false plates was parked, its wheels
straddling the curb, and so the van
heading for the barracks that morning
had to slow to squeeze
past . . . Back at the hotel your mom
is holding up her gift—Amethyst, she says
admiring how light
when passing through a prism
bends. At his window that morning before we began
my student said, ¡Qué bonito!, watching it drift
and descend, settling on roofs and cars.
And I think of you and your wife
and daughter: getting to see Madrid
in white, your visit winding down, and how
I had wanted that lesson to end
to get to the park—Retiro, they say, is the city’s
one lung, and the way the feel and sound of steps
cease
when grass is completely covered
as if walking on a cloud. The year before
on a visit from the coast, a friend
sitting at a window
watched the flakes flutter
and fall, dissolving before reaching
the ground—aguanieve, he said
while from a town near Seville
B-52s were lifting off . . .
I was in a trance that week
though like most things the war
in the Gulf was soon another
backdrop, like the string of car bombs
the following year. And yet that morning
as soon as I heard, something led me
not to the park but down
to City Hall, workers in the street
evacuated, sipping coffee, though I never reached
the site—of course it was cordoned
off, the spray of glass, the heap
of twisted metal, and so later learned their names
their lives. Of the five
there was one: a postal clerk who
as a boy, would plunge his hands
into the white, the cold
a sweet jolt
whenever he got to touch
the stuff, scooping
it tightly into a ball
like the ones he would dodge and throw
years later
at his wife-to-be: those weekends,
those places—away from city air—
a release . . . Miraflores, Siete
Picos, Rascafría . . .It’s in
his blood, she would come to say
chatting with a neighbor
about his thing for snow—the way it falls
softly, blanketing roofs
and groves, villages
nestled in the Sierra’s
hills: it is February
and she is picturing him
and the boy, up there now
playing, horsing around
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04/28/2026 14:58h
Perfect disc of moon, huge
and simmering
low on the capital’s filthy horizon— ¡Ay,
qué luna más hermosa! she says
pushing the stroller slowly down Atocha.
And gorgeous too the firm-thighed
boys from Lisbon
a block away, who work
Kilometer Zero’s sidewalk, the neon
shoestore they lean against
cupping the flames
of passing strangers.
The sky above Puerta del Sol turns
a darker shade of blue. Who says
it doesn’t become night’s
one eye
as it scales the heavens, paling
and shrinking before it moves
across a late June sky? And below,
men persist and circle
the plaza, twin fountains brimming
over their brilliant waters. Hours
from now with the heat
waning, the same moon will spot
the figure of him
making past Neptune, the Ritz
the orange jumpsuits
hopping off trucks to sweep
and spray, hosing
down those electric streets.
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04/28/2026 14:58h
the noun
A disease
of the peach tree
—a fungus
distorts leaves.
The first time
I was taken
to see him
I was five
or six. A vesicle
on the skin
containing
serum, caused
by friction,
a burn, or other
injury. He lived
on Alabama Street
next to Saint
Peter’s and wore
a white t-shirt,
starched and snug.
A similar swelling
with fluid
or air
on the surface
of a plant,
or metal
after cooling
or the sunless
area between
one’s toes
after a very
long walk.
Don’t ask me
how it is I
ended up
holding it.
An outer
covering
fitted to a
vessel to protect
against torpedoes,
mines, or to improve
stability. My guess
is that he
brought it out
to show me
thinking, perhaps,
I had never
seen one
up close,
let alone felt
the blunt weight
of one
in my hands.
A rounded
compartment
protruding
from the body
of a plane.
What came
next: no
image but
sensation of
its hammer
(my inexpert
manipulation)
digging
into but not
breaking
skin—the spot
at the base
of my thumb
balloons,
slowly filling
with fluid…
In Spanish:
ampolla
—an Ampul
of chrystal
in the Middle
Ages could be
a relic containing
the blood
of someone
holy. I’m fairly
certain it wasn’t
loaded.
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04/28/2026 14:58h
(Francisco X. Alarcón)
asleep you become a continent—
undiscovered, mysterious, long,
your legs mountain ranges
encircling valleys, ravines
night slips past your eyelids,
your breath the swaying of the sea,
sprawled across the bed like
a dolphin washed ashore, your mouth
is the mouth of a sated volcano,
O fragrant timber, how do you burn?
you are so near, and yet so far
as you doze like a lily at my side,
I undo myself and invoke the moon—
I’m a dog watching over your sleep
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