Jennifer Chang
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04/28/2026 14:58h
Dark thing,
make a myth of yourself:
all women turn into lilacs,
all men grow sick of their errant scent.
You could learn
to build a window, to change flesh
into isinglass, nothing
but a brittle river, a love of bone.
You could snap like a branch—No,
this way
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04/28/2026 14:58h
Something in the field is
working away. Root-noise.
Twig-noise. Plant
of weak chlorophyll, no
name for it. Something
in the field has mastered
distance by living too close
to fences. Yellow fruit, has it
pit or seeds? Stalk of wither. Grass-
noise fighting weed-noise. Dirt
and chant. Something in the
field. Coreopsis. I did not mean
to say that. Yellow petal, has it
wither-gift? Has it gorgeous
rash? Leaf-loss and worried
sprout, its bursting art. Some-
thing in the. Field fallowed and
cicada. I did not mean to
say. Has it roar and bloom?
Has it road and follow? A thistle
prick, fraught burrs, such
easy attachment. Stem-
and stamen-noise. Can I lime-
flower? Can I chamomile?
Something in the field cannot.
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04/28/2026 14:58h
I will do everything you tell me, Mother.
I will charm three gold hairs
from the demon’s head.
I will choke the mouse that gnaws
an apple tree’s roots and keep its skin
for a glove. To the wolf, I will be
pretty and kind and curtsy
his crossing of my path.
The forest, vocal
even in its somber tread, rages.
A slope ends in a pit of foxes
drunk on rotten brambles of berries
and the raccoons ransack
a rabbit’s unmasked hole.
What do they find but a winter’s heap
of droppings? A stolen nest, the cracked shell
of another creature’s child.
I imagine this is the rabbit way
and I will not stray, Mother,
into the forest’s thick,
where the trees meet the dark,
though I have known misgivings
of light as a hot hand that flickers
against my neck. The path ends
at a river I must cross. I will wait
for the ferryman
to motion me through. Into the waves
he etches with his oar
a new story: a silent girl runs away,
a silent girl is never safe.
I will take his oar in my hand. I will learn
the boat’s rocking and bring myself back
and forth. To be good
is the hurricane of caution.
I will know indecision’s rowing,
the water I lap into my lap
as he shakes his withered head.
Behind me is the forest. Before me
the field, a loose run of grass. I stay
in the river, Mother, I study escape.
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04/28/2026 14:58h
This stream took a shorter course—
a thread of water that makes oasis
out of mud, in pooling,
does not aspire to lake. To river, leave
the forest, the clamorous wild.
I cannot. Wherever I am,
I am here, nonsensical, rhapsodic,
stock-still as the trees. Trickling
never floods, furrows its meager path
through the forest floor.
There will always be a root
too thirsty, moss that only swallows
and spreads. Primordial home, I am dying
from love of you. Were I tuber or quillwort,
the last layer of leaves that starts the dirt
or the meekest pond,
I would absorb everything.
I would drown. Water makes song
of erratic forms, and I hear the living
push back branches, wander off trail.
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04/28/2026 14:58h
Up late watching slug porn, you confess
you had a boyfriend who could spin you
like that, slug grace and slug ballet—we don’t
touch the topic of slime—and those eyes
dangling from tentacle tips must be a
kind of love or lust, sighting farther and
nearer all at once. (But are those eyes?)
Slug sublimity suggests love’s a drag,
touch that lingers and leaves a wet trail of
memory and... What did we do before
YouTube? Boob tube. Boobs we have none; slugs,
of course, don’t care, can’t tell girl from boy,
(being, you know, hermaphrodites), and only
want flesh to fly. Forget their infamous
languor—here’s litheness in loving, buoyant
miracles of want, one slug spiraling
on the axis of another like a globe
slapped by an insolent hand. Neither old
nor young, we’re familiar with sluggishness,
too tired to explain why nothing makes us
spin like that: a-swirl, a pirouette, a gyre!
It’s either fucking or marriage, I say,
saying more than I mean. Why can’t lust be
love and love be lust? you’re always asking,
even now as the slugs begin their sluggish
withdrawal—each complete in love and lust;
each mother and father to what they’ve made
together; each alone, content, and free.
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