Juliet Kono

When I was three, a tsunami hit town. “Daddy, Daddy, save me, don’t let me drown.” He saved me and my common-type dolls. When I was sixteen, another tsunami hit town. I cried to my daddy, “Daddy, Daddy, please save me, don’t let me drown!” But he let go of my hand! I still dance to what broke on my life.

In her illness Elizabeth believes we do this deliberately, the washing of her body. She blames me, her Japanese daughter-in-law for having made keeping her clean a fetish. Angry, she says we do this to torment her soul, the shower a hot spray of needles we subject on her moon-colored skin. She hates it even more if I’m there to wash her. She wants her son, the person she thinks of these days as her lover, or husband, or father. Memory and privacy, she cries at their loss as I soap her down like an old car. What protestations! And as I listen to her, I think of these bodies we have given so freely to men, yet feel ashamed of when in the eyes of another woman. How she fawns when she thinks a man’s around. Today, she bangs the walls. “I hate you! The water’s too wet!” Hanging onto the safety bars, she pitches back and forth like a child, wanting to be let out at the gate. I wash her back. She spins around in my soap-lathered hands, and loosening her face in mine, she glares. She sticks out her tongue, and biting down on it, she squeals, jowls swinging, arms jiggling. Then, in a dive of both hands between her legs, she drops to a semi-squat, simian posture and thrusts her pelvis bones forward like mountains in an antediluvian upheaval. In a gesture of obscenity, she unfolds her petals and displays her withered sex to me— the same way boys moon, flip the bird or grab their crotch and waggle their tongues— the profane she feels but can’t articulate.

Many months have passed since the diagnosis, and you’re still grieving for her. She’s not dead yet. But she’s lost, like a child is lost— her mind the ocean floor, where she kicks up sand and churns in the water. Al, we call it, or AD— never by its real name as if mentioning the word would bring bad luck— the need to cross one’s self across the heart, throw back to the ocean half of one’s catch, turn three times and pray to the East. Papa’s and her letters, written during their courtship, are tied with a faded, red ribbon and sunk in a safe deposit box at Bishop Trust. Long ago, she gave them to you for safekeeping. At the time she exacted a promise from you, that you would not read them until she was dead. We twist down the spiral staircase curled like a strand of seaweed into the cold room of vaults, the heavy thud of door distinct as your sadness following us everywhere. There, you turn over the bundle of letters in your hand like unbelievable money. “I’m so tempted to read them,” you say. You want her back, the feisty and independent one, the one who could, at eighty, do ten knee bends in aerobics class, dance a smooth jitterbug and shuttle like the tide to and from the house about her business. Not this Elizabeth you mourn, the one who can no longer reason, who points and giggles at fat people and smells, sometimes, like the ocean. Time slides like Dali’s clock. Elizabeth is surprised that she once was married and had a husband, that she once gave birth to sons.