Kenneth Rexroth

You were a girl of satin and gauze Now you are my mountain and waterfall companion. Long ago I read those lines of Po Chu I Written in his middle age. Young as I was they touched me. I never thought in my own middle age I would have a beautiful young dancer To wander with me by falling crystal waters, Among mountains of snow and granite, Least of all that unlike Po’s girl She would be my very daughter. The earth turns towards the sun. Summer comes to the mountains. Blue grouse drum in the red fir woods All the bright long days. You put blue jay and flicker feathers In your hair. Two and two violet green swallows Play over the lake. The blue birds have come back To nest on the little island. The swallows sip water on the wing And play at love and dodge and swoop Just like the swallows that swirl Under and over the Ponte Vecchio. Light rain crosses the lake Hissing faintly. After the rain There are giant puffballs with tortoise shell backs At the edge of the meadow. Snows of a thousand winters Melt in the sun of one summer. Wild cyclamen bloom by the stream. Trout veer in the transparent current. In the evening marmots bark in the rocks. The Scorpion curls over the glimmering ice field. A white crowned night sparrow sings as the moon sets. Thunder growls far off. Our campfire is a single light Amongst a hundred peaks and waterfalls. The manifold voices of falling water Talk all night. Wrapped in your down bag Starlight on your cheeks and eyelids Your breath comes and goes In a tiny cloud in the frosty night. Ten thousand birds sing in the sunrise. Ten thousand years revolve without change. All this will never be again.

Strong ankled, sun burned, almost naked, The daughters of California Educate reluctant humanists; Drive into their skulls with tennis balls The unhappy realization That nature is still stronger than man. The special Hellenic privilege Of the special intellect seeps out At last in this irrigated soil. Sweat of athletes and juice of lovers Are stronger than Socrates’ hemlock; And the games of scrupulous Euclid Vanish in the gymnopaedia.

SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow. FALL, SIERRA NEVADA This morning the hermit thrush was absent at breakfast, His place was taken by a family of chickadees; At noon a flock of humming birds passed south, Whirling in the wind up over the saddle between Ritter and Banner, following the migration lane Of the Sierra crest southward to Guatemala. All day cloud shadows have moved over the face of the mountain, The shadow of a golden eagle weaving between them Over the face of the glacier. At sunset the half-moon rides on the bent back of the Scorpion, The Great Bear kneels on the mountain. Ten degrees below the moon Venus sets in the haze arising from the Great Valley. Jupiter, in opposition to the sun, rises in the alpenglow Between the burnt peaks. The ventriloquial belling Of an owl mingles with the bells of the waterfall. Now there is distant thunder on the east wind. The east face of the mountain above me Is lit with far off lightnings and the sky Above the pass blazes momentarily like an aurora. It is storming in the White Mountains, On the arid fourteen-thousand-foot peaks; Rain is falling on the narrow gray ranges And dark sedge meadows and white salt flats of Nevada. Just before moonset a small dense cumulus cloud, Gleaming like a grape cluster of metal, Moves over the Sierra crest and grows down the westward slope. Frost, the color and quality of the cloud, Lies over all the marsh below my campsite. The wiry clumps of dwarfed whitebark pines Are smoky and indistinct in the moonlight, Only their shadows are really visible. The lake is immobile and holds the stars And the peaks deep in itself without a quiver. In the shallows the geometrical tendrils of ice Spread their wonderful mathematics in silence. All night the eyes of deer shine for an instant As they cross the radius of my firelight. In the morning the trail will look like a sheep driveway, All the tracks will point down to the lower canyon. “Thus,” says Tyndall, “the concerns of this little place Are changed and fashioned by the obliquity of the earth’s axis, The chain of dependence which runs through creation, And links the roll of a planet alike with the interests Of marmots and of men.”

Somebody has given my Baby daughter a box of Old poker chips to play with. Today she hands me one while I am sitting with my tired Brain at my desk. It is red. On it is a picture of An elk’s head and the letters B.P.O.E.—a chip from A small town Elks’ Club. I flip It idly in the air and Catch it and do a coin trick To amuse my little girl. Suddenly everything slips aside. I see my father Doing the very same thing, Whistling “Beautiful Dreamer,” His breath smelling richly Of whiskey and cigars. I can Hear him coming home drunk From the Elks’ Club in Elkhart Indiana, bumping the Chairs in the dark. I can see Him dying of cirrhosis Of the liver and stomach Ulcers and pneumonia, Or, as he said on his deathbed, of Crooked cards and straight whiskey, Slow horses and fast women.

Uniformly over the whole countryside The warm air flows imperceptibly seaward; The autumn haze drifts in deep bands Over the pale water; White egrets stand in the blue marshes; Tamalpais, Diablo, St. Helena Float in the air. Climbing on the cliffs of Hunter’s Hill We look out over fifty miles of sinuous Interpenetration of mountains and sea. Leading up a twisted chimney, Just as my eyes rise to the level Of a small cave, two white owls Fly out, silent, close to my face. They hover, confused in the sunlight, And disappear into the recesses of the cliff. All day I have been watching a new climber, A young girl with ash blonde hair And gentle confident eyes. She climbs slowly, precisely, With unwasted grace. While I am coiling the ropes, Watching the spectacular sunset, She turns to me and says, quietly, “It must be very beautiful, the sunset, On Saturn, with the rings and all the moons.”

An Attempt to Explain the Former Changes of the Earth's Surface by Causes Now in Operation —subtitle of Lyell: Principles of Geology The mountain road ends here, Broken away in the chasm where The bridge washed out years ago. The first scarlet larkspur glitters In the first patch of April Morning sunlight. The engorged creek Roars and rustles like a military Ball. Here by the waterfall, Insuperable life, flushed With the equinox, sentient And sentimental, falls away To the sea and death. The tissue Of sympathy and agony That binds the flesh in its Nessus' shirt; The clotted cobweb of unself And self; sheds itself and flecks The sun's bed with darts of blossom Like flagellant blood above The water bursting in the vibrant Air. This ego, bound by personal Tragedy and the vast Impersonal vindictiveness Of the ruined and ruining world, Pauses in this immortality, As passionate, as apathetic, As the lava flow that burned here once; And stopped here; and said, 'This far And no further.' And spoke thereafter In the simple diction of stone. Naked in the warm April air, We lie under the redwoods, In the sunny lee of a cliff. As you kneel above me I see Tiny red marks on your flanks Like bites, where the redwood cones Have pressed into your flesh. You can find just the same marks In the lignite in the cliff Over our heads.Sequoia Langsdorfii

In the years to come they will say, “They fell like the leaves In the autumn of nineteen thirty-nine.” November has come to the forest, To the meadows where we picked the cyclamen. The year fades with the white frost On the brown sedge in the hazy meadows, Where the deer tracks were black in the morning. Ice forms in the shadows; Disheveled maples hang over the water; Deep gold sunlight glistens on the shrunken stream. Somnolent trout move through pillars of brown and gold. The yellow maple leaves eddy above them, The glittering leaves of the cottonwood, The olive, velvety alder leaves, The scarlet dogwood leaves, Most poignant of all. In the afternoon thin blades of cloud Move over the mountains; The storm clouds follow them; Fine rain falls without wind. The forest is filled with wet resonant silence. When the rain pauses the clouds Cling to the cliffs and the waterfalls. In the evening the wind changes; Snow falls in the sunset. We stand in the snowy twilight And watch the moon rise in a breach of cloud. Between the black pines lie narrow bands of moonlight, Glimmering with floating snow. An owl cries in the sifting darkness. The moon has a sheen like a glacier.

It is the dark of the moon. Late at night, the end of summer, The autumn constellations Glow in the arid heaven. The air smells of cattle, hay, And dust. In the old orchard The pears are ripe. The trees Have sprouted from old rootstocks And the fruit is inedible. As I pass them I hear something Rustling and grunting and turn My light into the branches. Two raccoons with acrid pear Juice and saliva drooling From their mouths stare back at me, Their eyes deep sponges of light. They know me and do not run Away. Coming up the road Through the black oak shadows, I See ahead of me, glinting Everywhere from the dusty Gravel, tiny points of cold Blue light, like the sparkle of Iron snow. I suspect what it is, And kneel to see. Under each Pebble and oak leaf is a Spider, her eyes shining at Me with my reflected light Across immeasurable distance.

I don’t mind the human race. I’ve got pretty used to them In these past twenty-five years. I don’t mind if they sit next To me on streetcars, or eat In the same restaurants, if It’s not at the same table. However, I don’t approve Of a woman I respect Dancing with one of them. I’ve Tried asking them to my home Without success. I shouldn’t Care to see my own sister Marry one. Even if she Loved him, think of the children. Their art is interesting, But certainly barbarous. I’m sure, if given a chance, They’d kill us all in our beds. And you must admit, they smell.

died June 1916 Under your illkempt yellow roses, Delia, today you are younger Than your son. Two and a half decades – The family monument sagged askew, And he overtook your half-a-life. On the other side of the country, Near the willows by the slow river, Deep in the earth, the white ribs retain The curve of your fervent, careful breast; The fine skull, the ardor of your brain. And in the fingers the memory Of Chopin études, and in the feet Slow waltzes and champagne twosteps sleep. And the white full moon of midsummer, That you watched awake all that last night, Watches history fill the deserts And oceans with corpses once again; And looks in the east window at me, As I move past you to middle age And knowledge past your agony and waste.