Maya Angelou

You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don't you take it awful hard ’Cause I laugh like I've got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.

There is no warning rattle at the door nor heavy feet to stomp the foyer boards. Safe in the dark prison, I know that light slides over the fingered work of a toothless woman in Pakistan. Happy prints of an invisible time are illumined. My mouth agape rejects the solid air and lungs hold. The invader takes direction and seeps through the plaster walls. It is at my chamber, entering the keyhole, pushing through the padding of the door. I cannot scream. A bone of fear clogs my throat. It is upon me. It is sunrise, with Hope its arrogant rider. My mind, formerly quiescent in its snug encasement, is strained to look upon their rapturous visages, to let them enter even into me. I am forced outside myself to mount the light and ride joined with Hope. Through all the bright hours I cling to expectation, until darkness comes to reclaim me as its own. Hope fades, day is gone into its irredeemable place and I am thrown back into the familiar bonds of disconsolation. Gloom crawls around lapping lasciviously between my toes, at my ankles, and it sucks the strands of my hair. It forgives my heady fling with Hope. I am joined again into its greedy arms.

Pretty women wonder where my secret lies. I’m not cute or built to suit a fashion model’s size But when I start to tell them, They think I’m telling lies. I say, It’s in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I’m a woman Phenomenally. Phenomenal woman, That’s me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It’s the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I’m a woman Phenomenally. Phenomenal woman, That’s me. Men themselves have wondered What they see in me. They try so much But they can’t touch My inner mystery. When I try to show them, They say they still can’t see. I say, It’s in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I’m a woman Phenomenally. Phenomenal woman, That’s me. Now you understand Just why my head’s not bowed. I don’t shout or jump about Or have to talk real loud. When you see me passing, It ought to make you proud. I say, It’s in the click of my heels, The bend of my hair, the palm of my hand, The need for my care. ’Cause I’m a woman Phenomenally. Phenomenal woman, That’s me.

A Rock, A River, A Tree Hosts to species long since departed, Marked the mastodon, The dinosaur, who left dried tokens Of their sojourn here On our planet floor, Any broad alarm of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow, I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness Have lain too long Facedown in ignorance, Your mouths spilling words Armed for slaughter. The Rock cries out to us today, You may stand upon me, But do not hide your face. [...]

She came home running back to the mothering blackness deep in the smothering blackness white tears icicle gold plains of her face She came home running She came down creeping here to the black arms waiting now to the warm heart waiting rime of alien dreams befrosts her rich brown face She came down creeping She came home blameless black yet as Hagar’s daughter tall as was Sheba’s daughter threats of northern winds die on the desert’s face She came home blameless

FOR BAILEY We were entwined in red rings Of blood and loneliness before The first snows fell Before muddy rivers seeded clouds Above a virgin forest, and Men ran naked, blue and black Skinned into the warm embraces Of Sheba, Eve and Lilith. I was your sister. You left me to force strangers Into brother molds, exacting Taxations they never Owed or could ever pay. You fought to die, thinking In destruction lies the seed Of birth. You may be right. I will remember silent walks in Southern woods and long talks In low voices Shielding meaning from the big ears Of overcurious adults. You may be right. Your slow return from Regions of terror and bloody Screams, races my heart. I hear again the laughter Of children and see fireflies Bursting tiny explosions in An Arkansas twilight.

One foot down, then hop! It's hot. Good things for the ones that's got. Another jump, now to the left. Everybody for hisself. In the air, now both feet down. Since you black, don't stick around. Food is gone, the rent is due, Curse and cry and then jump two. All the people out of work, Hold for three, then twist and jerk. Cross the line, they count you out. That's what hopping's all about. Both feet flat, the game is done. They think I lost. I think I won.

FOR DAVID P—B The eye follows, the land Slips upward, creases down, forms The gentle buttocks of a young Giant. In the nestle, Old adobe bricks, washed of Whiteness, paled to umber, Await another century. Star Jasmine and old vines Lay claim upon the ghosted land, Then quiet pools whisper Private childhood secrets. Flush on inner cottage walls Antiquitous faces, Used to the gelid breath Of old manors, glare disdainfully Over breached time. Around and through these Cold phantasmatalities, He walks, insisting To the languid air, Activity, music, A generosity of graces. His lupin fields spurn old Deceit and agile poppies dance In golden riot.   Each day is Fulminant, exploding brightly Under the gaze of his exquisite Sires, frozen in the famed paint Of dead masters. Audacious Sunlight casts defiance At their feet.

A free bird leaps on the back of the wind and floats downstream till the current ends and dips his wing in the orange sun rays and dares to claim the sky. But a bird that stalks down his narrow cage can seldom see through his bars of rage his wings are clipped and his feet are tied so he opens his throat to sing. The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom. The free bird thinks of another breeze and the trade winds soft through the sighing trees and the fat worms waiting on a dawn bright lawn and he names the sky his own But a caged bird stands on the grave of dreams his shadow shouts on a nightmare scream his wings are clipped and his feet are tied so he opens his throat to sing. The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom.

Curtains forcing their will against the wind, children sleep, exchanging dreams with seraphim. The city drags itself awake on subway straps; and I, an alarm, awake as a rumor of war, lie stretching into dawn, unasked and unheeded.