Omar Pérez

When one isn’t enough, you need two when two aren’t enough, you need four with four the progression begins, moving toward a number that schoolteachers will call absurd. Question: How many men do you need to put up a house? Answer: You need absurd men when one isn’t enough and two can’t do the work of One. And how much money should we give these men to compensate them? You need absurd coins when one coin sliced in half and handed out isn’t enough. And how many words do you need to transform them? Absurd and absurd and absurd words when silence isn’t enough. This is what they call progression: Absurd men aren’t enough for putting up the house, absurd coins don’t make them happy absurd words can’t dissuade them.

You, functional space variants in voltage, the only light Transitory effect of Love several different lights Sustain Sustain them you sustain them.

On the volatile nights of a winter nature corroborates with magnanimity a Cuban is in training for amusement or amnesia, so often and unfairly assumed as the same, he brings candy to God, he cultivates the vernacular, he fights off cirrhosis with fruit poached in syrup, he conducts business; thus research has shown that The Cuban is resourceful. In the weighty choreographies of a summer nature authorizes already with suspicion a Cuban meets the ocean with offerings and harpoons, so often and unfairly assumed as the same, he finger-counts the casualties, he commits an infraction he slides his hands into his pockets, he avows and commits; thus analysis has shown that The Cuban is inspired. Let’s attend the improbable territory where with pasty mouths a Cuban and The Cuban engage in virile conversation we will learn there by what voyage, by what strange condition by what exchange we fall prey to so much ingenuity.

One fisherman alongside the other one seagull alongside the other seagulls over the fishermen.