Sara Miller
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04/28/2026 14:58h
Two women on a train
sit beside me.
I am young and the world
is flying and I am watching.
One of them is frosty.
The other turns like a leaf
to hand me something —
it looked for all the world like a page.
I thought at the time
that it needed me and I was right.
The letters fell into place
and simple flowers grew.
Now it talks unceasingly
in long white verses
as if at a wedding,
something women understand
and gently want and then regift.
I myself agree with Herbert,
who in a dark mood conjured
the mushrooms underfoot
unseen by bride or groom
and with him I say, Perhaps
the world is unimportant
after all, though this is not
what one discusses with
women on a train, no matter
how long the journey,
or untroubled the land.
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04/28/2026 14:58h
Last night in bed
I mouthed a prayer
of my own composition.
It sounded offhand, it was carelessly
addressed, it twisted my meaning
entirely, it left an ache,
I didn’t know what I was doing.
So I took down my yellowed copy
of French With Pictures
by the late literary critic I.A. Richards
and I put my petition
into soft French words.
I.A. Richards believed that irony
was the language of redemption.
He wrote and lectured famously on this,
but his masterpiece was French With Pictures.
“The chapeau is on the table.”
“The man with the beard stands before the window.”
“She comes from a village by the sea.”
There is no improving the old traditions.
They are already mortal, partial, and wrong.
The woman at the table by the window
puts her head into her hands.
“Into your hands,” she said.
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04/28/2026 14:58h
Had to come in out of the people,
they blew me about so.
Was told of the life taking place
elsewhere. Went to check on that,
flying late and low over the west.
Saw no house, no shade.
Sat down on the damp bank
on the far shore at the left
edge of the world, against which
the sea endlessly lapped.
So now there were two of us,
who beat the world by
day and caressed it by night
and the world didn’t say
yea and she didn’t say nay.
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04/28/2026 14:58h
The overweight, overnight parts
that came to me in a dream.
Their clothes no longer fit,
it was this that brought them
to me crying, their faces twitching.
That had to end. No, they said,
it didn’t. So I rolled over to ghosts
that couldn’t dent a pillow.
The clock shed. Night pulled its
burdens into harbor and I woke,
glad for the day, its telltale light,
its flying minute, that genie work,
and the everlasting perturbations
of my people, their glories,
their heavy last words,
and for these, I rose.
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04/28/2026 14:58h
I wish I could keep my thoughts in order
and my ducks in a row.
I wish I could keep my ducks in a thought
or my thoughts in a duck.
My point is that we all exist, wetly, in the hunt.
The ducks are aware of this
in their own way, which is floating.
The way of the mind is brevity.
There may be other thoughts on other days
in the minds of other and better men
and their constant companions, the women,
but these same tidy capsules — never.
This is just one of the things
I noticed about my thoughts
as they passed easefully by.
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04/28/2026 14:58h
The evidence was in and it went to the contrary.
The contrary wound around us rather like a river.
The river reacted, spider-like, tangling up its legs
with other wet parts we thought we knew,
such as creeks and fjords and deltas and such.
A beaver sits on the riverbank watching all of this unfold.
He doesn’t know what a fjord is, and he doesn’t care
for other waters, or even other beavers, or the merest
hint of other business, so he removes this evidence.
Then he builds a structure which for years he is rehabbing.
Inside it is hollow and there is his nest.
He is a dark little bastard, all the same.
The water had a fine way of being, now it is tortured
by these nests and their vassal.
Yet the river doesn’t overthrow the beaver.
Quite the contrary. The river goes around polite as a snake.
It argues a tiny bit at the edges of the lodge,
where young beavers could be napping.
You and I would let loose a flood of tears. Not the river.
You and I would seep hotly into our darkest places.
Not the river. It is a long way from home
and has that on its mind, the day of rising,
when the temples will all be cleansed
and the whole unfathomable truth will out.
According to the waters. According to their book.
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