Manifesto, or Ars Poetica #2

Give me the night, you beasts hissing over the face of this dead woman, I climb into your eyes, looking. To those who would sleep through the wounds they inflict on others, I offer pain to help them awaken, Ju-Ju, Tom-Toms & the magic of a talking burning bush. I am the queen of sleight of hand wandering the forest of motives, armed with horoscopes, cosmic encounters & an X-Acto knife. My right eye is a projector flickering Hottentot & Huey Newton, my left eye is prism of Wild Style, gold grills, lowriders, black dahlias, blunts & back alleys. At twenty-one, I stood at the crossroad of Hell & Here, evil peering at me behind a blue-red eye. I armed myself with the memories of Pentecostal tent revivals, apple orchards, the strawberry fields I roamed with my mother & aunts in the summer, & the sightings of UFO lights blinking in the black of an Ohio nightsky. I am a weapon. I believe in hoodoo, voodoo, root workers, Dead Presidents,Black Tail,Black Inches&Banjees. I believe in the ghosts of 60 million or more & black bones disintegrating at the bottom of the Atlantic, below sea level,Not Just Knee Deep.I believe that children are the future: love them now or meet them at dusk at your doorstep, a 9mm in their right hand & a head noisy as a hornet’s nest later. Your choice. Black, still, in the hour of chaos, I believe in Royal Crown, Afro-Sheen, Vaseline, Jergens & baby powder on breasts, the collective conscious, cellular memory, Public Enemies, outlaws, Outkast, elevations, “Elevators” &Encyclopedia Britannica. Under my knife, El-Hajj Malik El-Shabazz laughs with Muhammad Ali, a Lady named Day cuddles with a Boxer named Mister after traumatically stumbling on strange fruit dangling from one of the most beautiful Sycamores evah. Under my knife, Marilyn Monroe enjoys an evening out with Ella Fitzgerald, meanwhile,Life shows me a gigantic photo. I am a weapon. I chart voyages of unlove, high on a man called crazy who turns nigger into prince. I believe in Jong, Clifton, “Dirty Diana” & Dilla, paper, scrilla, green, gumbo, coins, Batty Bois & Video Vixens. I believe that beads at the ends of braids are percussive instruments in double Dutch. In the reflection of my knife, Cab Calloway, Duke Ellington & Thelonious Monk argue in a Basquiat heroin nod. I am a weapon. I believe in goo-gobs of deep brown apple butter, alphabets, Alaga Syrup, Affrilachians, A-salaam Alaikum, Wa-Alaikum-Salaam, & African Hebrew Israelites. I believe in Octoroons, Quadroons, Culluds,Cooley High, Commodores, Krumpin, Krunk &Burn, Hollywood, Burn. I am Sethe crawling a field toward freedom with a whitegirl talking about velvet. I believe in tumbleweaves, hot combs & hair lyes, Chaka Khan, Shaka Zulu, Mau Mau, Slum Village &Buhloone Mindstate: “Empty your mind, be formless, shapeless. Like water.” I believe in water. My body is pulp. I bleed ink. I believe in the Fantastic, Vol. 2, The Low End Theory, Space Is the Place&The Hissing of Summer Lawns. Tucked in the corner of my right ventricle sprouts a Tree of Knowledge, lives a Shining Serpent & a middle finger. I’m on a quest for the Marvelous. My face is a mask of malehood, malevolence, one big masquerade. Metaphysically niggerish, I am a weapon wandering the forest of motives, a machete in one hand, a mirror in the other, searching for the nearest body of water.