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This Earth the king said Looking at the ground; This England. But we drive A Sunday paradise Of parkway, trees flow into trees and the grass Like water by the very asphalt crown And summit of things In the flow of traffic The family cars, in the dim Sound of the living The noise of increase to which we owe What we possess. We cannot reconcile ourselves. No one is reconciled, tho we spring From the ground together— And we saw the seed, The minuscule Sequoia seed In the museum by the tremendous slab Of the tree. And imagined the seed In soil and the growth quickened So that we saw the seed reach out, forcing Earth thru itself into bark, wood, the green Needles of a redwood until the tree Stood in the room without soil— How much of the earth's Crust has lived The seed’s violence! The shock is metaphysical. For the wood weathers. Drift wood And the foot print in the forest grow older. This is not our time, not what we mean, it is a time Passing, the curl at the cutwater, The enormous prow Outside in the weather. In that breeze, The sense of that passage, Is desertion, Betrayal, that we are not innocent Of loneliness as Pierrot, Pierrette chattering Unaware tho we imagine nothing Beyond the streets of the living— A sap in the limbs. Mary, Mary, we turn to the children As they will turn to the children Wanting so much to have created happiness As if a stem to the leaves— —we had camped in scrub, A scrub of the past, the fringes of towns Neither towns nor forest, nothing ours. And Linda five, Maybe six when the mare grazing In the meadow came to her. ‘Horse,’ she said, whispering By the roadside With the cars passing. Little girl welcomed, Learning welcome. The rest is— Whatever—whatever—remote Mechanics, endurance, The piers of the city In the sea. Here are whole buildings Razed, whole blocks Of a city gone Among old streets And the old boroughs, ourselves Among these streets where Petra beat A washpan out her window gathering A crowd like a rescue. Relief, As they said it, The Relief. Petra Decisive suddenly among her children In those crumbling bedrooms, Petra, Petra—. And how imagine it? or imagine Coughlin in the streets, Pelley and the Silver Shirts? The medieval sense seems innocent, the very Ceremony of innocence that was drowned. It was not. But how imagine it Of streets boarded and vacant where no time will hatch Now chairs and walls, Floors, roofs, the joists and beams, The woodwork, window sills In sun in a great weight of brick.