1630 Nature poems

at night while the dogs were barking Baby Gauge and I crawled under the fence with knives we made out like the rattlesnake melons were men we didn’t like the new moon ones were wolves I would cut a belly this way he would cut a belly that way the flies came around the sweet juice it was blood to us we tasted it we licked it off the blades we decided not to kill the wolves we wanted to be wolves we stuck the knives in the ground the moon shined on them we turned the pilot caps inside out so the fur would show that way when we crawled under the bob wire a little piece would get caught we wouldn’t though we wanted to leave trails but no scents we tore the melons open we licked the blood off our paws we wanted to be wolves and in the morning all those dead men with their hearts eat out

Moon marked and touched by sun my magic is unwritten but when the sea turns back it will leave my shape behind. I seek no favor untouched by blood unrelenting as the curse of love permanent as my errors or my pride I do not mix love with pity nor hate with scorn and if you would know me look into the entrails of Uranus where the restless oceans pound. I do not dwell within my birth nor my divinities who am ageless and half-grown and still seeking my sisters witches in Dahomey wear me inside their coiled cloths as our mother did mourning. I have been woman for a long time beware my smile I am treacherous with old magic and the noon's new fury with all your wide futures promised I am woman and not white.

for Maxine Kumin A cylinder of maple set in place, feet spread apart— and the heavy maul, fat as a hammer but honed like an axe, draws a semicircle overhead and strikes through the two new halves to leave the steel head sunk a half-inch in the block and the ash handle rigid in the air. A smack of the palm, gripping as it hits the butt end, and the blade rolls out of the cut. The half-logs are still rocking on the flagstones. So much less than what we have been persuaded to dream, this necessity for wood might have sufficed, but it is what we have been taught to disown and forget. Yet just such hardship is what saves. For if the stacked cords speak of felled trees, of countless five-foot logs flipped end over end downhill till the blood is wrung from your back and snowbound warmth must seem so far off you would rather freeze, yet each thin tongue torn from the grain when log-halves were sundered at one stroke will sing in the stove. To remind you of hands. Of how mere touch is song in the silence where hands live—the song of muddy bark, the song of sawdust like cornmeal and down, and the song of one hand over another, two of us holding the last length of the log in the sawbuck as inches away the chainsaw keeps ripping through hickory.

Out walking in the frozen swamp one gray day, I paused and said, 'I will turn back from here. No, I will go on farther—and we shall see.' The hard snow held me, save where now and then One foot went through. The view was all in lines Straight up and down of tall slim trees Too much alike to mark or name a place by So as to say for certain I was here Or somewhere else: I was just far from home. A small bird flew before me. He was careful To put a tree between us when he lighted, And say no word to tell me who he was Who was so foolish as to think what he thought. He thought that I was after him for a feather— The white one in his tail; like one who takes Everything said as personal to himself. One flight out sideways would have undeceived him. And then there was a pile of wood for which I forgot him and let his little fear Carry him off the way I might have gone, Without so much as wishing him good-night. He went behind it to make his last stand. It was a cord of maple, cut and split And piled—and measured, four by four by eight. And not another like it could I see. No runner tracks in this year's snow looped near it. And it was older sure than this year's cutting, Or even last year's or the year's before. The wood was gray and the bark warping off it And the pile somewhat sunken. Clematis Had wound strings round and round it like a bundle. What held it though on one side was a tree Still growing, and on one a stake and prop, These latter about to fall. I thought that only Someone who lived in turning to fresh tasks Could so forget his handiwork on which He spent himself, the labor of his ax, And leave it there far from a useful fireplace To warm the frozen swamp as best it could With the slow smokeless burning of decay.

The woodpecker keeps returning to drill the house wall. Put a pie plate over one place, he chooses another. There is nothing good to eat there: he has found in the house a resonant billboard to post his intentions, his voluble strength as provider. But where is the female he drums for? Where? I ask this, who am myself the ruined siding, the handsome red-capped bird, the missing mate.

I took the dog and went to walk in the auditorium of the woods, but not to get away from things. It was our habit, that was all, a thing we did on summer days, and much there was to listen to. A slight wind came and went in three birches by the pond. A crow uphill was going on about the black life it led, and a brown creeper went creeping up a brown trunk methodically with no record of ever having been understood by anyone. A woodpecker was working out a deep hole from the sound of it in a stand of dead trees up there. And then a jay, much put upon, complained about some treachery it may or may not have endured, though most are liars anyway. The farther in, the quieter, till only the snapping of a stick broke the silence we were in. The dog stood still and looked at me, the woods by then already dark. Much later, on the porch at night, I heard the owl, an eldritch thing. The dog, still with me, heard it too, a call that came from where we'd been, and where we would not be again.

words are birds that arrive with books and spring they love clouds the wind and trees some words are messengers that come from far away from distant lands for them there are no borders only stars moon and sun some words are familiar like canaries others are exotic like the quetzal bird some can stand the cold others migrate with the sun to the south some words die caged— they're difficult to translate and others build nests have chicks warm them feed them teach them how to fly and one day they go away in flocks the letters on this page are the prints they leave by the sea

What over the gable-end and high up under tangled cloud that raven might be saying to its tumble-soaring mate or what the blackbird might intend when chattering among scattered breadcrumbs or what the bellowing of one cow then another in the near field might mean remains beyond my ken—being all noise for which no words will manage though all is language settling and unsettling the world beyond me . . . and yet there’s the dunnock in all its dun colours at work among the small stones and patchy grass of the driveway and here’s the robin’s aggressive tilt at breadcrumbs and there goes the sudden shriek of the blackbird . . . all alive inside the inhuman breath-pattern of the wind trawling every last leaf and blade of grass and flinging rain like velvet pebbles onto the skylight: nothing but parables in every bristling inch of the out-of-sight unspoken never-to-be-known pure sense-startling untranslatable there of the world as we find it.

When the earth is turned in spring The worms are fat as anything. And birds come flying all around To eat the worms right off the ground. They like the worms just as much as I Like bread and milk and apple pie. And once, when I was very young, I put a worm right on my tongue. I didn't like the taste a bit, And so I didn't swallow it. But oh, it makes my Mother squirm Because she thinks I ate that worm!

Aren't you glad at least that the earthworms Under the grass are ignorant, as they eat the earth, Of the good they confer on us, that their silence Isn't a silent reproof for our bad manners, Our never casting earthward a crumb of thanks For their keeping the soil from packing so tight That no root, however determined, could pierce it? Imagine if they suspected how much we owe them, How the weight of our debt would crush us Even if they enjoyed keeping the grass alive, The garden flowers and vegetables, the clover, And wanted nothing that we could give them, Not even the merest nod of acknowledgment. A debt to angels would be easy in comparison, Bright, weightless creatures of cloud, who serve An even brighter and lighter master. Lucky for us they don't know what they're doing, These puny anonymous creatures of dark and damp Who eat simply to live, with no more sense of mission Than nature feels in providing for our survival. Better save our gratitude for a friend Who gives us more than we can give in return And never hints she's waiting for reciprocity. "If I had nickel, I'd give it to you," The lover says, who, having nothing available In the solid, indicative world, scrapes up A coin or two in the world of the subjunctive. "A nickel with a hole drilled in the top So you can fasten it to your bracelet, a charm To protect you against your enemies." For his sake, she'd wear it, not for her own, So he might believe she's safe as she saunters Home across the field at night, the moon above her, Below her the loam, compressed by the soles of her loafers, And the tunneling earthworms, tireless, silent, As they persist, oblivious, in their service.