69 Romantic poems

To make a final conquest of all me, Love did compose so sweet an enemy, In whom both beauties to my death agree, Joining themselves in fatal harmony; That while she with her eyes my heart does bind, She with her voice might captivate my mind. I could have fled from one but singly fair, My disentangled soul itself might save, Breaking the curled trammels of her hair. But how should I avoid to be her slave, Whose subtle art invisibly can wreath My fetters of the very air I breathe? It had been easy fighting in some plain, Where victory might hang in equal choice, But all resistance against her is vain, Who has th’advantage both of eyes and voice, And all my forces needs must be undone, She having gained both the wind and sun.

Ever let the Fancy roam, Pleasure never is at home: At a touch sweet Pleasure melteth, Like to bubbles when rain pelteth; Then let winged Fancy wander Through the thought still spread beyond her: Open wide the mind's cage-door, She'll dart forth, and cloudward soar. O sweet Fancy! let her loose; Summer's joys are spoilt by use, And the enjoying of the Spring Fades as does its blossoming; Autumn's red-lipp'd fruitage too, Blushing through the mist and dew, Cloys with tasting: What do then? Sit thee by the ingle, when The sear faggot blazes bright, Spirit of a winter's night; When the soundless earth is muffled, And the caked snow is shuffled From the ploughboy's heavy shoon; When the Night doth meet the Noon In a dark conspiracy To banish Even from her sky. Sit thee there, and send abroad, With a mind self-overaw'd, Fancy, high-commission'd:—send her! She has vassals to attend her: She will bring, in spite of frost, Beauties that the earth hath lost; She will bring thee, all together, All delights of summer weather; All the buds and bells of May, From dewy sward or thorny spray; All the heaped Autumn's wealth, With a still, mysterious stealth: She will mix these pleasures up Like three fit wines in a cup, And thou shalt quaff it:—thou shalt hear Distant harvest-carols clear; Rustle of the reaped corn; Sweet birds antheming the morn: And, in the same moment, hark! 'Tis the early April lark, Or the rooks, with busy caw, Foraging for sticks and straw. Thou shalt, at one glance, behold The daisy and the marigold; White-plum'd lillies, and the first Hedge-grown primrose that hath burst; Shaded hyacinth, alway Sapphire queen of the mid-May; And every leaf, and every flower Pearled with the self-same shower. Thou shalt see the field-mouse peep Meagre from its celled sleep; And the snake all winter-thin Cast on sunny bank its skin; Freckled nest-eggs thou shalt see Hatching in the hawthorn-tree, When the hen-bird's wing doth rest Quiet on her mossy nest; Then the hurry and alarm When the bee-hive casts its swarm; Acorns ripe down-pattering, While the autumn breezes sing. Oh, sweet Fancy! let her loose; Every thing is spoilt by use: Where's the cheek that doth not fade, Too much gaz'd at? Where's the maid Whose lip mature is ever new? Where's the eye, however blue, Doth not weary? Where's the face One would meet in every place? Where's the voice, however soft, One would hear so very oft? At a touch sweet Pleasure melteth Like to bubbles when rain pelteth. Let, then, winged Fancy find Thee a mistress to thy mind: Dulcet-ey'd as Ceres' daughter, Ere the God of Torment taught her How to frown and how to chide; With a waist and with a side White as Hebe's, when her zone Slipt its golden clasp, and down Fell her kirtle to her feet, While she held the goblet sweet And Jove grew languid.—Break the mesh Of the Fancy's silken leash; Quickly break her prison-string And such joys as these she'll bring.— Let the winged Fancy roam, Pleasure never is at home.

Three summers since I chose a maid, Too young maybe—but more’s to do At harvest-time than bide and woo. When us was wed she turned afraid Of love and me and all things human; Like the shut of a winter’s day Her smile went out, and ’twadn’t a woman— More like a little frightened fay. One night, in the Fall, she runned away. “Out ’mong the sheep, her be,” they said, ’Should properly have been abed; But sure enough she wadn’t there Lying awake with her wide brown stare. So over seven-acre field and up-along across the down We chased her, flying like a hare Before out lanterns. To Church-Town All in a shiver and a scare We caught her, fetched her home at last And turned the key upon her, fast. She does the work about the house As well as most, but like a mouse: Happy enough to chat and play With birds and rabbits and such as they, So long as men-folk keep away. “Not near, not near!” her eyes beseech When one of us comes within reach. The women say that beasts in stall Look round like children at her call. I’ve hardly heard her speak at all. Shy as a leveret, swift as he, Straight and slight as a young larch tree, Sweet as the first wild violets, she, To her wild self. But what to me? The short days shorten and the oaks are brown, The blue smoke rises to the low grey sky, One leaf in the still air falls slowly down, A magpie’s spotted feathers lie On the black earth spread white with rime, The berries redden up to Christmas-time. What’s Christmas-time without there be Some other in the house than we! She sleeps up in the attic there Alone, poor maid. ’Tis but a stair Betwixt us. Oh! my God! the down, The soft young down of her, the brown, The brown of her—her eyes, her hair, her hair!

Two shall be born the whole world wide apart, And speak in different tongues, and pay their debts In different kinds of coin; and give no heed Each to the other’s being. And know not That each might suit the other to a T, If they were but correctly introduced. And these, unconsciously, shall bend their steps, Escaping Spaniards and defying war, Unerringly toward the same trysting-place, Albeit they know it not. Until at last They enter the same door, and suddenly They meet. And ere they’ve seen each other’s face They fall into each other’s arms, upon The Broadway cable car – and this is Fate!

He snapped his lighter shut, placed it beside the metronome on his nightstand. We’d just made love and I was sitting naked on the edge of his bed, watching the stars appear. He told me my skin was chatoyant in the window light, like wet fiddleback maple. I asked him what chatoyant meant. He grinned and explained growth distortion, how it could pattern the wood fibers into flames of alternating tones. I told him that was nice and he said he could take me to the workshop for a look around. Show me what he was talking about. I rolled my eyes. It sounded so boring. But then he bit into my thigh and said he wanted to fashion me into a beautiful cello. He drove with both hands on the wheel and told me he thought of everyone as instruments. He said his father was filled with knots like a burl and only good for music boxes but his mother was quilted beneath her surface, like rippled river water. Then he just stared ahead at the road and kept quiet the rest of the way. When we got inside he felt along the wall and flipped a switch so I could see the three white torsos, each with a headstock and fretboard attached to the sternum. They were displayed on hangers like guitars. I covered my mouth with a shaking hand, backed away and ran out to the parking lot. He stood at the door and watched me squeal away in his pickup. The sky clouded over as I drove to the police station, all the millions of stars like birds’ eyes. Like the darkness was sawn off the trunk of a black walnut tree, then sliced into a veneer.

Afterwards you had that drunk, drugged look my daughter used to get, when she had let go of my nipple, her mouth gone slack and her eyes turned vague and filmy, as though behind them the milk was rising up to fill her whole head, that would loll on the small white stalk of her neck so I would have to hold her closer, amazed at the sheer power of satiety, which was nothing like the needing to be fed, the wild flailing and crying until she fastened herself to me and made the seal tight between us, and sucked, drawing the liquid down and out of my body; no,this was the crowning moment, this giving of herself, knowing she could show me how helpless she was—that’s what I saw, that night when you pulled your mouth from mine and leaned back against a chain-link fence, in front of a burned-out church: a man who was going to be that vulnerable, that easy and impossible to hurt.

I ne’er was struck before that hour With love so sudden and so sweet, Her face it bloomed like a sweet flower And stole my heart away complete. My face turned pale as deadly pale, My legs refused to walk away, And when she looked, what could I ail? My life and all seemed turned to clay. And then my blood rushed to my face And took my eyesight quite away, The trees and bushes round the place Seemed midnight at noonday. I could not see a single thing, Words from my eyes did start— They spoke as chords do from the string, And blood burnt round my heart. Are flowers the winter’s choice? Is love’s bed always snow? She seemed to hear my silent voice, Not love's appeals to know. I never saw so sweet a face As that I stood before. My heart has left its dwelling-place And can return no more.

I like to touch your tattoos in complete darkness, when I can’t see them. I’m sure of where they are, know by heart the neat lines of lightning pulsing just above your nipple, can find, as if by instinct, the blue swirls of water on your shoulder where a serpent twists, facing a dragon. When I pull you to me, taking you until we’re spent and quiet on the sheets, I love to kiss the pictures in your skin. They’ll last until you’re seared to ashes; whatever persists or turns to pain between us, they will still be there. Such permanence is terrifying. So I touch them in the dark; but touch them, trying.

or The Unfortunate Story of the Unmarried Flora Carrillo And the Man Who Loved Her Before He Died his Famous Death, From Whose Single Liaison a Daughter Was Born And the Advice, Rather the Explanation, Both of Them Left for Her, And the Story Also Of What She Became, and That She Was Happy 1. Three did not count. A fourth was forgiven by the Father Torres In exchange for reasonable payment, Two full days of the Hail Mary. Bigger than priests, the fifth Indiscretion was born on a Thursday, early Evening in a November not too cold. No rain had fallen And the birds had not yet gone. She chose a black dress, this Flora, Florita + here evoke the names of saints + Underneath which she carried tonight An old blade, but of fine Toledo forging Long as the member of this man In love with this woman standing at his door. Her head was filled with the vines of the jungle The noises of a lion, the feel of ten birds Trying with their beaks to get out. All anger: that she had hoped he would Come to her bedroom. And that he had. Faster than !that she took from him his rolled tongue Hanging there between his thin legs, his two-fingers, This girl’s wrist and fist of his Its central tendon and skin that moved on itself, This small and second body of his Which had found its way to her second mouth, This part of himself which he had given her Then taken back on this same day, earlier His ugly afternoon of loving her too much. He would scream as she had When she had taken him in first as a leg-bone And held him there too long, too much Until he had become a pinky-finger + here evoke the holy names + Which she !took now and put in the dowry She would make for her new daughter. With it she would write a note, Nothing else was left to do: Daughter, you will be an only child. The story of your birth will smell on you. Do this: take baths filled with rosemary With leaves, with pinched orange peels. Keep secret the fact of yourself. Be happy enough, happy with this much life. Ask for nothing. Do not live for a long time.

Where, like a pillow on a bed A pregnant bank swell'd up to rest The violet's reclining head, Sat we two, one another's best. Our hands were firmly cemented With a fast balm, which thence did spring; Our eye-beams twisted, and did thread Our eyes upon one double string; So to'intergraft our hands, as yet Was all the means to make us one, And pictures in our eyes to get Was all our propagation. As 'twixt two equal armies fate Suspends uncertain victory, Our souls (which to advance their state Were gone out) hung 'twixt her and me. And whilst our souls negotiate there, We like sepulchral statues lay; All day, the same our postures were, And we said nothing, all the day. If any, so by love refin'd That he soul's language understood, And by good love were grown all mind, Within convenient distance stood, He (though he knew not which soul spake, Because both meant, both spake the same) Might thence a new concoction take And part far purer than he came. This ecstasy doth unperplex, We said, and tell us what we love; We see by this it was not sex, We see we saw not what did move; But as all several souls contain Mixture of things, they know not what, Love these mix'd souls doth mix again And makes both one, each this and that. A single violet transplant, The strength, the colour, and the size, (All which before was poor and scant) Redoubles still, and multiplies. When love with one another so Interinanimates two souls, That abler soul, which thence doth flow, Defects of loneliness controls. We then, who are this new soul, know Of what we are compos'd and made, For th' atomies of which we grow Are souls, whom no change can invade. But oh alas, so long, so far, Our bodies why do we forbear? They'are ours, though they'are not we; we are The intelligences, they the spheres. We owe them thanks, because they thus Did us, to us, at first convey, Yielded their senses' force to us, Nor are dross to us, but allay. On man heaven's influence works not so, But that it first imprints the air; So soul into the soul may flow, Though it to body first repair. As our blood labors to beget Spirits, as like souls as it can, Because such fingers need to knit That subtle knot which makes us man, So must pure lovers' souls descend T' affections, and to faculties, Which sense may reach and apprehend, Else a great prince in prison lies. To'our bodies turn we then, that so Weak men on love reveal'd may look; Love's mysteries in souls do grow, But yet the body is his book. And if some lover, such as we, Have heard this dialogue of one, Let him still mark us, he shall see Small change, when we'are to bodies gone.