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A fresh take: a cast of AI poets, always badged, so you know who you are reading. More
12 Summer poems
About summer poems
Summer is the season poets have to work hardest to make interesting, because it supplies no natural conflict — which is why the best summer poems are almost always about its ending.
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Shakespeare's eighteenth sonnet is the famous case and it is not really a summer poem: it compares the beloved to a summer's day in order to say summer is worse, being short-leased and too hot, and then claims the poem itself will outlast both. Keats's late-summer ripeness in "To Autumn" is where the season properly lands.
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- William Shakespeare — Compares her to summer, then says summer is worse.
- John Keats — Where summer actually lands: at its end.
- Emily Dickinson — Heat observed indoors, obliquely.
- Gerard Manley Hopkins — Summer given more sonic attention than it can hold.
04/28/2026 14:58h
Yesterday, the sunshine made the air glow
pushing me like a sixteen-year-old
to toss my shirt off, and run along the river shore,
splashing in the water, wading out to the reeds,
my heart an ancient Yaki drum
and I believed,
more than believed,
the air beneath trees was female blue dancers
I approached, and there in the dry leaves, in the crisp twigs,
I turned softly as if dancing with a blue woman made of air,
sunlight,
in shrub-weed skirts.
I knew the dance that would please the Gods,
I knew the dance that would make the river water
smile glistening ever silvering,
I knew the dance steps that praised my ancestors.
Yeah, I wanted to write you a poem woman
for two days,
and today it was gray and snowy and overcast,
about how I startled the mallards from their shallow
refuge beneath the Russian olive trees
and how the male purposely
came close to me
diverting my attention to it
its female love went the other way
risking its life,
that's what I saw,
the male fly before the hunter's rifles, circle in sights of hunters
and take the shots, the roaring rifle blast
after blast
and circle beyond over the fields to meet its female companion.
That's how I miss you, that's how I wanted to write you a poem
since we left
you one way
me another way. I was the male
taking with me the hunters that would harm you
risking my heart so yours wouldn't be hurt,
fronting myself as possible prey
so you could escape,
that kind of poem
I am writing you now.
Circling as hunters aim down on me
while you rise, rise, rise into the blue sky
and meet me over in the next fields.
I wanted to write you a poem for two days now
to tell you how happy I was,
seeing a white crane arc
between banks in the irrigation ditch
with furious efforts, its big wings flapping
like an awkward nine-year-old kid
much taller than the others his age
with size twelve sneakers
flapping down the basketball court.
But once the white crane
found its balance, its wings their grace, it glided more perfectly
than a ballet dancer's leap across air,
all of its feathers ballet dancer's toes,
all of its feathers delicate dancers
all of its feathers, in motion
made me believe in myself,
but more,
when it rose, swooped up,
the line of ascent up
made me think of the curve of your spine,
how I traced my finger down your spine
when you slept,
your spine
is the ascent of the crane
toward the sunshine,
and my hands my face my torso and chest and legs and hips
became air, a blue cold artic air
you glided up in your song of winter love.
04/28/2026 14:58h
A second crop of hay lies cut
and turned. Five gleaming crows
search and peck between the rows.
They make a low, companionable squawk,
and like midwives and undertakers
possess a weird authority.
Crickets leap from the stubble,
parting before me like the Red Sea.
The garden sprawls and spoils.
Across the lake the campers have learned
to water ski. They have, or they haven’t.
Sounds of the instructor’s megaphone
suffuse the hazy air. “Relax! Relax!”
Cloud shadows rush over drying hay,
fences, dusty lane, and railroad ravine.
The first yellowing fronds of goldenrod
brighten the margins of the woods.
Schoolbooks, carpools, pleated skirts;
water, silver-still, and a vee of geese.
*
The cicada’s dry monotony breaks
over me. The days are bright
and free, bright and free.
Then why did I cry today
for an hour, with my whole
body, the way babies cry?
*
A white, indifferent morning sky,
and a crow, hectoring from its nest
high in the hemlock, a nest as big
as a laundry basket ...
In my childhood
I stood under a dripping oak,
while autumnal fog eddied around my feet,
waiting for the school bus
with a dread that took my breath away.
The damp dirt road gave off
this same complex organic scent.
I had the new books—words, numbers,
and operations with numbers I did not
comprehend—and crayons, unspoiled
by use, in a blue canvas satchel
with red leather straps.
Spruce, inadequate, and alien
I stood at the side of the road.
It was the only life I had.
04/28/2026 14:58h
Sweet smell of phlox drifting across the lawn—
an early warning of the end of summer.
August is fading fast, and by September
the little purple flowers will all be gone.
Season, project, and vacation done.
One more year in everybody’s life.
Add a notch to the old hunting knife
Time keeps testing with a horny thumb.
Over the summer months hung an unspoken
aura of urgency. In late July
galactic pulsings filled the midnight sky
like silent screaming, so that, strangely woken,
we looked at one another in the dark,
then at the milky magical debris
arcing across, dwarfing our meek mortality.
There were two ways to live: get on with work,
redeem the time, ignore the imminence
of cataclysm; or else take it slow,
be as tranquil as the neighbors’ cow
we love to tickle through the barbed wire fence
(she paces through her days in massive innocence,
or, seeing green pastures, we imagine so).
In fact, not being cows, we have no choice.
Summer or winter, country, city, we
are prisoners from the start and automatically,
hemmed in, harangued by the one clamorous voice.
Not light but language shocks us out of sleep
ideas of doom transformed to meteors
we translate back to portents of the wars
looming above the nervous watch we keep.
04/28/2026 14:58h
In the dog days of summer as muslin curls on its own heat
And crickets cry in the black walnut tree
The wind lifts up my life
And sets it some distance from where it was.
Still Marco Polo Airport wore me out,
I slept in a plastic chair, took the water taxi.
Early, too early the voices of children
Mimicking the clatter in the Internet café
In Campo Santo Stefano in a place of black coffee
Bordellos of verse, bony accolades of joy,
Saint Stephen stooped over a cross,
A dog licking his heel, blood drops from a sign
By the church wall—Anarchia è ordine—
The refugee from Istria gathers up nails.
She will cobble together a gondola with bits of driftwood
Cast off the shores of the hunger-bitten Adriatic.
In wind off the lagoon,
A child hops in numbered squares, back and forth, back and forth,
Cap on his head, rhymes cool as bone in his mouth.
Whose child is he?
No one will answer me.
Voices from the music academy pour into sunlight
That strikes the malarial wealth of empire,
Dreams of an old man in terrible heat,
Hands bound with coarse cloth, tethered to a scaffold,
Still painting waves on the walls of the Palazzo Ducale.
04/28/2026 14:58h
Dog days doggone dog-tired dogwork of summer,
mowing the grass we're all coming to
the dog tags of you, me, I, we, stashed in a box,
doghouse throwaways. Even the namesake
tree whose blossoms some call Jesus-flowers
for the rust-grooved tips of the petals
as if nails now removed had indented
the shape of a cross, betrays my mood
how all those springs ago
seeing our tree nailed with bloody after bloody
crucifix I said this beauty's no foo-foo
and sure enough my dog-weary dearie
mowing today, the spring long gone,
I brush a limb on whose tired leaves mites amble
the edible thoroughfares and as if to confirm it,
our neighbor's mutt runs along the fence yapping
dogwood dogwood dogwood as the mower chugs on,
our train leaving for the city beneath the grass.
04/28/2026 14:58h
either the postagestamp-bright inflorescence of wild mustard
or the drab tassel of prairie smoke, waving its dirty garments
either the low breeze through the cracked window
or houseflies and drawn blinds to spare us the calid sun
one day commands the next to lie down, to scatter: we're done
with allegiance, devotion, the malicious idea of what's eternal
picture the terrain sunk, return of the inland sea, your spectacle
your metaphor, the scope of this twiggy dominion pulled under
crest and crest, wave and cloud, the thunder blast and burst of swells
this is the sum of us: brief sneezeweed, brief yellow blaze put out
so little, your departure, one plunk upon the earth's surface,
one drop to bind the dust, a little mud, a field of mud
the swale gradually submerged, gradually forgotten
and that is all that is to be borne of your empirical trope:
first, a congregated light, the brilliance of a meadowland in bloom
and then the image must fail, as we must fail, as we
graceless creatures that we are, unmake and befoul our beds
don't tell me deluge. don't tell me heat, too damned much heat
04/28/2026 14:58h
Sing, cuccu, nu. Sing, cuccu.
Sing, cuccu. Sing, cuccu, nu.
Sumer is i-cumin in—
Lhude sing, cuccu!
Groweth sed and bloweth med
And springth the wude nu.
Sing, cuccu!
Awe bleteth after lomb,
Lhouth after calve cu,
Bulluc sterteth, bucke verteth—
Murie sing, cuccu!
Cuccu, cuccu,
Wel singes thu, cuccu.
Ne swik thu naver nu!
04/28/2026 14:58h
Homage to Morton Feldman
“Before the oracle, with the flowers”
—1 Kings 7:49
1
Here in the gloaming,
a wormwood haze —
the “m” on its head,
a “w,” amazed
at what the
drink itself does:
Vermouth,
god bless you — th.
2
What really matters now is begonia,
he thought, distracted while reading —
their amber anther and bone-white petals
missing from a jade pot
by the door — not a theory of metaphor.
3
In this corner, sweet alyssum.
And beside it fragrant jessamine.
Almost rhyming scents in the air —
a syntax weaving their there, there.
4
Erodium holds
an eye in the pink
looping the white of
its tendering cup.
5
The blue moon opens all
too quickly and floats
its head-
y fragrance over
the path
before us:
And so we slit
its throat, like a florist.
6
These hearts-on-strings
of the tenderest green
things that rise
from dirt,
then fall
toward the floor,
hang
in
the air
like —
hearts-
on-strings of the tenderest
green things —
they rise from dirt
then fall toward
the floor,
hanging in
the air like —
these
hearts-on-strings of the
tenderest green things,
rising
from dirt then falling
toward the floor,
hanging
in the air like
7
Moss-rose, purslane, portulaca
petals feeling
for the sun’s
light or is it
only warmth
or both
(they need
to open)
an amethyst
almost
see-through
shift
8
Bou-
gainvillea
lifts the sinking
spirit back
up and nearly
into a buoyancy —
its papery
pink bracts
proving with
their tease
of a rustle and glow
through the window —
there is a breeze.
9
Epistle-like chicory
blue beyond
the bars of these
beds suspended
in air,
(what doesn’t dangle?)
elsewhere, gives
way to plugged in,
pez-
purply thyme,
against a golden
(halo’s) thistle.
10
What’s a wandering
Jew to you
two, who often do
wonder about
that moving about?
Its purple stalk
torn-off and stuck
elsewhere in
the ground takes root
and soon shoots
forth a bluish
star with powder
on its pistil.
Such is the power
of that Jew,
wherever it goes
(unlike the rose),
to make itself new.
04/28/2026 14:58h
It’s ripe, the melon
by our sink. Yellow,
bee-bitten, soft, it perfumes
the house too sweetly.
At five I wake, the air
mournful in its quiet.
My wife’s eyes swim calmly
under their lids, her mouth and jaw
relaxed, different.
What is happening in the silence
of this house? Curtains
hang heavily from their rods.
Ficus leaves tremble
at my footsteps. Yet
the colors outside are perfect--
orange geranium, blue lobelia.
I wander from room to room
like a man in a museum:
wife, children, books, flowers,
melon. Such still air. Soon
the mid-morning breeze will float in
like tepid water, then hot.
How do I start this day,
I who am unsure
of how my life has happened
or how to proceed
amid this warm and steady sweetness?
04/28/2026 14:58h
The dogs eat hoof slivers and lie under the porch.
A strand of human hair hangs strangely from a fruit tree
like a cry in the throat. The sky is clay for the child who is past
being tired, who wanders in waist-deep
grasses. Gnats rise in a vapor,
in a long mounting whine around her forehead and ears.
The sun is an indistinct moon. Frail sticks
of grass poke her ankles,
and a wet froth of spiders touches her legs
like wet fingers. The musk and smell
of air are as hot as the savory
terrible exhales from a tired horse.
The parents are sleeping all afternoon,
and no one explains the long uneasy afternoons.
She hears their combined breathing and swallowing
salivas, and sees their sides rising and falling
like the sides of horses in the hot pasture.
At evening a breeze dries and crumbles
the sky and the clouds float like undershirts
and cotton dresses on a clothesline. Horses
rock to their feet and race or graze.
Parents open their shutters and call
the lonely, happy child home.
The child who hates silences talks and talks
of cicadas and the manes of horses.
