502 War poems

We drive between lakes just turning green; Late June. The white turkeys have been moved A second time to new grass. How long the seconds are in great pain! Terror just before death, Shoulders torn, shot From helicopters. “I saw the boy being tortured with a telephone generator,” The sergeant said. “I felt sorry for him And blew his head off with a shotgun.” These instants become crystals, Particles The grass cannot dissolve. Our own gaiety Will end up In Asia, and you will look down in your cup And see Black Starfighters. Our own cities were the ones we wanted to bomb! Therefore we will have to Go far away To atone For the suffering of the stringy-chested And the short rice-fed ones, quivering In the helicopter like wild animals, Shot in the chest, taken back to be questioned.

the drone was once a scrap of metal     the drone looks as if it might be a toy     the drone is not a toy     the drone could have been something other than a killing machine     the drone could have been a house      the drone could have been a spoon     the drone could have been a swing     the drone does not know who it is going to kill next     the drone is going to kill next     the drone has learned to disguise itself as a shard of sky     the drone’s soft hum is a disembodied echo    the drone was mistaken for a star once     the drone renders itself celestial     the drone scoffs at sovereignty     the drone asks what is a border if you can fly right over it? the drone was built by a man     the drone killed a man     & a woman     & a child     the drone killed a child     & did not see her face     the drone does not see a face     the drone sees a body     & then the body is gone.

Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs, And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots, But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of gas-shells dropping softly behind. Gas! GAS! Quick, boys!—An ecstasy of fumbling Fitting the clumsy helmets just in time, But someone still was yelling out and stumbling And flound’ring like a man in fire or lime.— Dim through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams, you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,— My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie:Dulce et decorum est Pro patria mori.

During the Second World War, I was going home one night along a street I seldom used. All the stores were closed except one—a small fruit store. An old Italian was inside to wait on customers. As I was paying him I saw that he was sad. “You are sad,” I said. “What is troubling you?” “Yes,” he said, “I am sad.” Then he added in the same monotone, not looking at me: “My son left for the front today and I’ll never see him again.” “Don’t say that!” I said. “Of course, you will!” “No,” he answered. “I’ll never see him again.” Afterwards, when the war was over, I found myself once more in that street and again it was late at night, dark and lonely; and again I saw the old man alone in the store. I bought some apples and looked closely at him: his thin wrinkled face was grim but not particularly sad. “How about your son?” I said. “Did he come back from the war?” “Yes,” he answered. “He was not wounded?” “No. He is all right.” “That’s fine,” I said. “Fine!” He took the bag of apples from my hands and groping inside took out one that had begun to rot and put in a good one instead. “He came back at Christmas,” he added. “How wonderful! That was wonderful!” “Yes,” he said gently, “it was wonderful.” He took the bag of apples from my hands again and took out one of the smaller apples and put in a large one.

... only the new growth grass was wet behind her head and back. She could feel it and she could smell the grass rising up around her, saw the whole sky and saw the sky in its de facto language even though she was only seven. The year held out a bird skull in its opened hand, whole. Other birds were singing in a French film with no subtitles. It was black and white. But the sky was definitely blue, an invention of blue. A vector and hinge and rung of only blue already there, no matter where you looked. It took a long time. She looked a long time and in lockstep pressed the tips of her fingers into the mole-black dirt between grass blades. Only, this is the wrong story: she did not doom or injure any animals but she was restless then, and she was glad she was not safe.

When my brother came home from war he carried his left arm in a black sling but assured us most of it was still there. Spring was late, the trees forgot to leaf out. I stood in a long line waiting for bread. The woman behind me said it was shameless, someone as strong as I still home, still intact while her Michael was burning to death. Yes, she could feel the fire, could smell his pain all the way from Tarawa– or was it Midway?–and he so young, younger than I, who was only fourteen, taller, more handsome in his white uniform turning slowly gray the way unprimed wood grays slowly in the grate when the flames sputter and die. “I think I’m going mad,” she said when I turned to face her. She placed both hands on my shoulders, kissed each eyelid, hugged me to her breasts and whispered wetly in my bad ear words I’d never heard before. When I got home my brother ate the bread carefully one slice at a time until nothing was left but a blank plate. “Did you see her,” he asked, “the woman in hell, Michael’s wife?” That afternoon I walked the crowded streets looking for something I couldn’t name, something familiar, a face or a voice or less, but not these shards of ash that fell from heaven.

There will be a rusty gun on the wall, sweetheart, The rifle grooves curling with flakes of rust. A spider will make a silver string nest in the darkest, warmest corner of it. The trigger and the range-finder, they too will be rusty. And no hands will polish the gun, and it will hang on the wall. Forefingers and thumbs will point casually toward it. It will be spoken among half-forgotten, whished-to-be-forgotten things. They will tell the spider: Go on, you're doing good work.

‘What are the bugles blowin’ for?' said Files-on-Parade. ‘To turn you out, to turn you out,’ the Colour-Sergeant said. ‘What makes you look so white, so white?’ said Files-on-Parade. ‘I’m dreadin’ what I’ve got to watch,’ the Colour-Sergeant said. For they’re hangin’ Danny Deever, you can hear the Dead March play, The Regiment’s in ’ollow square—they’re hangin’ him to-day; They’ve taken of his buttons off an’ cut his stripes away, An’ they're hangin’ Danny Deever in the mornin’. ‘What makes the rear-rank breathe so ’ard?’ said Files-on-Parade. ‘It’s bitter cold, it's bitter cold,’ the Colour-Sergeant said. ‘What makes that front-rank man fall down?’ said Files-on-Parade. ‘A touch o’ sun, a touch o’ sun,’ the Colour-Sergeant said. They are hangin’ Danny Deever, they are marchin’ of ’im round, They ’ave ’alted Danny Deever by ’is coffin on the ground; An’ ’e’ll swing in ’arf a minute for a sneakin’ shootin’ hound— O they’re hangin’ Danny Deever in the mornin!’ ‘’Is cot was right-’and cot to mine,’ said Files-on-Parade. ‘’E’s sleepin’ out an’ far to-night,’ the Colour-Sergeant said. ‘I’ve drunk ’is beer a score o’ times,’ said Files-on-Parade. ‘’E’s drinkin’ bitter beer alone,’ the Colour-Sergeant said. They are hangin’ Danny Deever, you must mark ’im to ’is place, For ’e shot a comrade sleepin’—you must look ’im in the face; Nine ’undred of ’is county an’ the Regiment’s disgrace, While they’re hangin’ Danny Deever in the mornin’. ‘What’s that so black agin the sun?’ said Files-on-Parade. ‘It’s Danny fightin’ ’ard for life,’ the Colour-Sergeant said. ‘What’s that that whimpers over’ead?’ said Files-on-Parade. ‘It’s Danny’s soul that’s passin’ now,’ the Colour-Sergeant said. For they’re done with Danny Deever, you can ’ear the quickstep play, The Regiment’s in column, an’ they’re marchin’ us away; Ho! the young recruits are shakin’, an’ they’ll want their beer to-day, After hangin’ Danny Deever in the mornin’!

Last night rain fell over the scarred plateau And now from the dark horizon, dazzling, flies Arrow on fire-plumed arrow to the skies Shot from the bright arc of Apollo's bow; And from the wild and writhen waste below, From flashing pools and mounds lit one by one, O is it mist or are these companies Of morning heroes who arise, arise With thrusting arms, with limbs and hair aglow Toward the risen god, upon whose brow Burns the gold laurel of all victories, Hero and hero's god, th' invincible Sun?

The plunging limbers over the shattered track Racketed with their rusty freight, Stuck out like many crowns of thorns, And the rusty stakes like sceptres old To stay the flood of brutish men Upon our brothers dear. The wheels lurched over sprawled dead But pained them not, though their bones crunched, Their shut mouths made no moan. They lie there huddled, friend and foeman, Man born of man, and born of woman, And shells go crying over them From night till night and now. Earth has waited for them, All the time of their growth Fretting for their decay: Now she has them at last! In the strength of their strength Suspended—stopped and held. What fierce imaginings their dark souls lit? Earth! have they gone into you! Somewhere they must have gone, And flung on your hard back Is their soul’s sack Emptied of God-ancestralled essences. Who hurled them out? Who hurled? None saw their spirits’ shadow shake the grass, Or stood aside for the half used life to pass Out of those doomed nostrils and the doomed mouth, When the swift iron burning bee Drained the wild honey of their youth. What of us who, flung on the shrieking pyre, Walk, our usual thoughts untouched, Our lucky limbs as on ichor fed, Immortal seeming ever? Perhaps when the flames beat loud on us, A fear may choke in our veins And the startled blood may stop. The air is loud with death, The dark air spurts with fire, The explosions ceaseless are. Timelessly now, some minutes past, Those dead strode time with vigorous life, Till the shrapnel called ‘An end!’ But not to all. In bleeding pangs Some borne on stretchers dreamed of home, Dear things, war-blotted from their hearts. Maniac Earth! howling and flying, your bowel Seared by the jagged fire, the iron love, The impetuous storm of savage love. Dark Earth! dark Heavens! swinging in chemic smoke, What dead are born when you kiss each soundless soul With lightning and thunder from your mined heart, Which man’s self dug, and his blind fingers loosed? A man’s brains splattered on A stretcher-bearer’s face; His shook shoulders slipped their load, But when they bent to look again The drowning soul was sunk too deep For human tenderness. They left this dead with the older dead, Stretched at the cross roads. Burnt black by strange decay Their sinister faces lie, The lid over each eye, The grass and coloured clay More motion have than they, Joined to the great sunk silences. Here is one not long dead; His dark hearing caught our far wheels, And the choked soul stretched weak hands To reach the living word the far wheels said, The blood-dazed intelligence beating for light, Crying through the suspense of the far torturing wheels Swift for the end to break Or the wheels to break, Cried as the tide of the world broke over his sight. Will they come? Will they ever come? Even as the mixed hoofs of the mules, The quivering-bellied mules, And the rushing wheels all mixed With his tortured upturned sight. So we crashed round the bend, We heard his weak scream, We heard his very last sound, And our wheels grazed his dead face.